The Atlantic Monthly, Volume 18, No. 109, November, 1866. Various

that set waking people to thinking, and gave a powerful impetus to the moral and social revolution that was just commencing.

      The "Vision of Piers Plowman" is every way a singular production. Clothed in the then almost obsolete verse of a past age, it breathes wholly the spirit of the time in which it was written. The work of a monk, it is unsparing in its attacks on the monastic orders. Intended for the reading or hearing of the middle and lower classes, it gives more frequent glimpses of the social condition of all ranks of people than any other work of that age. As a philological monument, it is of great value; as a poem, it contains many passages of merit; and as a storehouse of allusions to the social life of the people in the fourteenth century, it is invaluable.

      The poem consists of a series of visions or dreams, of an allegorical character, in which the dreamer seeks to find Truth and Righteousness on earth, meeting with but little success. The allegorical idea cannot be followed without weariness, and, in fact, the intentions of the writer are by no means clear, the allegory being frequently involved and contradictory. The beauty of the poem lies in its detached passages, its occasional poetic touches, its graphic pictures, biting satire, and withering denunciation of fraud, corruption, and tyranny. The measure adopted is the unrhymed alliterative, characteristic of the Anglo-Saxon literature, and which had long been disused, but which retained its hold on the affections of the common people, who were of Anglo-Saxon stock. In the extracts we give from the poem, the measure is retained, but the words modernized, so far as can be done without injuring the sense or metre.

      The opening passage of the "Vision" has been so frequently reproduced, as a specimen of the poet's style, that it is probably familiar to many readers, but its exquisite naturalness and simplicity tempt us to quote it here.