old woman smiled; the master was always merry. In this he was just like his grandfather, Don Horacio, ever solemn, with a face which frightened one, and yet always saying such jolly things!
"This will have to stop," continued Jaime, paying no heed to the servant's levity. "This must stop this very day. I have made up my mind. Let me tell you, Antonia, before the news gets abroad: I'm going to be married."
The servant clasped her hands in an attitude of devotion to express her astonishment, and turned her eyes toward the ceiling. "Santísimo Cristo de la sangre!" It was high time!… He should have done it long ago, and then the house would have been in a very different condition. Her curiosity was stirred, and she asked with the eagerness of a rustic:
"Is she rich?"
The master's affirmative gesture did not surprise her. Of course she must be rich. Only a woman who brought a great fortune with her could aspire to unite with the last of the Febrers, who had been the most noted men of the island, and perhaps of the whole world. Poor Antonia thought of her kitchen, instantly furnishing it in her imagination with copper vessels gleaming like gold, dreaming of its hearths all ablaze, the room filled with girls with rolled up sleeves, their rebocillos thrown back, their braids floating behind, and she in the center, seated in a great chair, giving orders and breathing in the savory odors from the casseroles.
"She must be young!" declared the old woman, trying to worm more news out of her master.
"Yes, much younger than I; too young; about twenty-two. I could almost be her father."
Antonia made a gesture of protest. Don Jaime was the finest man on the island. She said so, she who had worshipped him ever since she led him by the hand, in his short trousers, walking among the pines near the castle of Bellver. He was one of the family—of that family of arrogant grand seigniors, and no more could be said.
"And is she of good family?" she questioned in an effort to force her master's reticence. "Of a family of caballeros; undoubtedly the very best in the island—but no—from Madrid, perhaps. Some sweetheart you found when you lived there."
Jaime hesitated an instant, turned pale, and then said with rude energy to conceal his perturbation:
"No, Antonia—she's a—Chueta."
Antonia started to clasp her hands, as she had done a few moments before, invoking again the blood of Christ, so venerated in Palma, but suddenly the wrinkles of her brown face broadened, and she burst out laughing. What a jolly master! Just like his grandfather; he used to say the most stupendous and incredible things so seriously that he deceived everybody. "And I, poor fool, was ready to believe your nonsense! Perhaps it was also a joke that you were going to get married!"
"No, Antonia, I am going to marry a Chueta. I am going to marry the daughter of Benito Valls. That is why I am going to Valldemosa."
The stifled voice in which Jaime spoke, his lowered eyes, the timid accent with which he murmured these words, removed all doubt. The old servant stood open-mouthed, her arms fallen, without strength to raise either her hands or her eyes.
"Señor!… Señor!… Señor!"
She could say no more. She felt as if a thunderbolt had crashed upon the house, shaking it to its foundations; as if a dark cloud had swept before the sun obscuring the light; as if the sea had become a leaden mass dashing against the castle wall. Then she saw that everything remained as usual, that she alone had been stirred by this stupendous news, so startling as to change the order of all existence.
"Señor!… Señor!… Señor! A Chueta! An apostate Jewess!"
She grasped the empty cup and the remnants of the bread, and ran to take refuge in the kitchen. After hearing such horrors in this house she felt afraid. She imagined that someone must be stalking through the venerable halls at the other end of the palace; someone—she could not explain to herself who it might be—someone who had been aroused from the sleep of centuries! This palace undoubtedly possessed a soul. When the old woman was alone in it the furniture creaked as if people were moving about and conversing; the tapestries swayed as if stirred by invisible faces, a gilded harp which had belonged to Don Jaime's grandmother vibrated in its corner, yet she never felt terror, because the Febrers had been good people, simple and kind to their servants; but now, after hearing such things–! She thought uneasily of the portraits hanging on the walls of the reception hall. How severe those señores would look if the words of their descendant should reach their ears! How fiercely their eyes would flame!
Mammy Antonia finally grew calm and drank the coffee left by her master. She had laid fear aside, but she felt profound sorrow over the fate of Don Jaime, as if he were in peril of death. To bring the house of the Febrers to this! Could God tolerate such things? Then scorn for her master momentarily overcame her old-time affection. After all he was nothing but a wild fellow, heedless of religion, and destitute of good habits, who had squandered what had been left of the fortune of his house. What would his illustrious relatives have to say? How ashamed his aunt Juana would be—that noble lady, the most pious and aristocratic woman in the island, called by some in jest and by others in an excess of veneration, la Papisa—the Pope-ess!
"Good-bye, Mammy. I'll be back about sunset."
The old woman grunted a farewell to Jaime, who peeped into the kitchen before leaving. Then, finding herself alone, she raised her clasped hands invoking the aid of the Sangre de Cristo, of the Virgin of Lluch, patron saint of the island, and of the powerful San Vicente Ferrer, who had wrought so many miracles when he ministered in Majorca—a final and prodigious saint, who might avert the monstrosity her master contemplated! Let a rock from the mountains fall and forever close the way to Valldemosa; let the carriage upset, and let Don Jaime be carried home on a stretcher by four men—anything rather than that disgrace!
Febrer crossed the reception hall, opened the door to the stairway, and began to descend the worn steps. His forefathers, like all the nobles of the island, had builded on a grand scale. The stairway and the zaguán occupied a third of the lower story. A kind of loggia in Italian style, with five arches sustained by slender columns, extended to the foot of the stairway, the doors of which gave access to the two upper wings of the building opening at either end. Above the center of the stairway, facing the street door, were the Febrer arms cut in the stone, and a great lantern of wrought iron.
On his way down Jaime's cane struck against the sandstone steps, or touched the great glazed amphoræ decorating the landings which responded to the blow with the sonorous ring of a bell. The iron balustrade, oxidized by time and crumbling into scales of rust almost shook from its sockets with the jar of his footsteps.
As he reached the zaguán Febrer stood still. The extreme resolution which he had adopted, and which would forever cast its influence on the destiny of his name, caused him to look curiously at the very places which he had so often passed with indifference.
In no other part of the building was the old-time prosperity so evident as here. The zaguán, enormous as a plaza, could admit a dozen carriages and an entire squadron of horsemen. Twelve columns, somewhat bulging, of the nut-brown marble of the island, sustained the arches of cut undressed stone over which extended the roof of black rafters. The paving was of cobbles between which grew dank moss. A vault-like chill pervaded this gigantic and solitary ruin. A cat slunk through the zaguán, making its exit through a hole in a worm-eaten door of the old stables, disappearing into the deserted cellars which had held the harvests of former days. On one side was a well dating from the epoch when the palace was constructed, a hole sunk through rock, with a time-worn stone curb and a wrought-iron spout. Ivy was growing in fresh clusters between the crevices of the polished rock. Often as a child Jaime had peered over the curb at his reflection in the luminous round pupil of the sleeping waters.
The street was deserted. Down at its end, near the walls of the Febrer garden, was the city rampart, pierced by a broad gateway, with wooden bars in the arch like the teeth in the mouth of an enormous fish. Through this the waters of the bay trembled green and luminous with reflections of gold.
Jaime walked a short distance over the blue stones of the street which was destitute of sidewalks, and then turned to contemplate his house. It was but a small remnant of the past. The ancient palace of the Febrers