going on, Ben? And don’t try and tell me I imagined that bloody woman, because I didn’t. She was there,’ I point in the direction of the door. ‘In the flesh. And she said she was your mother.’
He wrinkles his nose, smelling the alcohol on my breath. ‘Have you been drinking?’
‘I’ve had a couple of sips of wine. And no,’ I say when his expression suggests that my drinking might be the reason I’m seeing his dead mother, ‘I hadn’t been drinking before she arrived.’
‘I don’t understand it, Abi. It makes no sense.’ He shakes his head, looking anguished. ‘Why would someone pretend to be my mum?’
I sigh. ‘I don’t know, Ben. You tell me.’
He shrugs and runs his hands through his hair. ‘Are you sure this happened, Abi? Could you have been mistaken? Maybe she didn’t say she was my mum. Maybe she said something else.’
Anger builds, but I try to keep my voice calm, even as I say, ‘I know I’ve had problems with my mental health in the past. I know I attempted suicide. My illness means I can be paranoid, maybe I even sabotage my life out of guilt at times, I don’t know. But I’ve never been delusional, Ben. I’ve never imagined talking to someone, having a conversation with someone standing in front of me, only for it to be a figment of my imagination.’ I grab his hand. It’s clammy. ‘You have to believe me.’
‘I don’t know, Abi. It’s all so strange.’
‘She said she was going to come back this evening, about eight o’clock. Let’s see what she says then.’ I glance at him, trying to read his expression, to see if he’s lying. I remember Jodie’s words. The freaky twins, she called them. She believes they are hiding something. Is this it?
‘That’s true,’ he mumbles. I notice the beads of sweat on his forehead, his clammy palms, the shirt collar that he keeps fingering away from his throat as if it’s choking him and I realize he’s fretting. I only wish I knew what he was fretting about.
I don’t believe this woman is a figment of my imagination. I know I saw her, talked to her. She told me she was Ben’s mum. She didn’t seem the type of person who would play such a mean trick in order to mess with my head. She looked like a mum; a lovely, rosy-cheeked, kind mum. She had a Scottish accent, she seemed genuine.
But as eight o’clock approaches, I’m on tenterhooks.
Beatrice, Pam and Cass are still not back from Frome, so Ben and I roam about the house, each pretending we aren’t listening out for that knock on the door. We have our dinner together – a lasagne that Eva popped in earlier to make – and a glass of wine. We don’t listen to any music, or turn the television on.
Eight o’clock comes and goes. Nine o’clock, ten o’clock and nothing. By eleven Beatrice comes home with Pam and Cass, shattering the silence as they kick off their shoes and hang up their coats, laughing as they do so. I hear them clatter down the stairs into the kitchen, chattering over each other, discussing some artist I’ve never heard of.
‘She’s not coming back, is she?’ I say as we get ready for bed at midnight. Ben is standing in the middle of the room with his boxer shorts on, reminding me that we haven’t had sex since he got back from Scotland.
‘Of course she’s not,’ he mutters, and I see it, the look on his face. He’s almost grey, ashen, with what? Disappointment in me?
I pull the nightdress over my head, loathing his sideways looks of concern, with the words he refuses to say. At best he thinks I’m deluded. Mentally unstable. At worst he thinks I’m making it up. Either way, he doesn’t believe me.
‘You know,’ I say, gathering up my jeans and jumper. ‘I’m going to sleep alone tonight.’
‘No,’ he says coming over to me. ‘You can’t go. I’m sorry, I do believe you. I don’t understand it, that’s all.’ He takes my clothes from me, places them on the chair, ushers me into bed and climbs in beside me. ‘I love you so much,’ he says into my neck, and as he takes my nightdress off he makes me forget the anger and the hurt as he kisses my questions away.
Ben rings work to say he’s sick the next day, and I know he’s waiting to see if this mystery woman, this Morag, turns up again. It gives me hope that he might believe me after all. He makes me promise not to tell Beatrice, as she will only worry. When he’s out washing his precious car, I ring Nia, apologize for not calling back last night. I tell her everything.
She listens without interrupting. In the background I can hear the hubbub of her office; the ring of phones, the indistinct natter of her colleagues, the faint sound of Radio One. I imagine her funky, open-plan office in Covent Garden with the glass partitions and the fashion photographs adorning the walls, and I’m suddenly envious. I close my eyes, wishing that I could turn the clock back, that my life had never changed so irrevocably, that we are all living in our Balham terrace and the only thing I have to ring Nia about is to discuss which new club we are going to try out tonight.
‘Do you think I’m going mad, Nia? Do you think I could have imagined it?’
‘You’re not going mad, Abi. I don’t want to hear you say that again.’ She says it so forcefully, so matter-of-factly, that I long to believe her. ‘I can’t tell you how sorry I am for what happened when I came to visit. But I never thought you were going mad. I was worried that if you stopped taking your antidepressants you would … you would …’
She doesn’t have to finish her sentence for me to know exactly what she’s trying to say, that the memories of finding me in that bathtub haven’t left her. Will probably never leave her, and I feel terrible about that.
‘Oh, Nia,’ I whisper.
‘Anyway. Let’s not dwell.’ I want to laugh. That is Nia’s mantra in life and not for the first time I wish I was as confident as her. ‘You know, Abi, I think he does believe you and that’s why he’s home today. That’s why he’s out washing his car right now. He’s expecting her to come back and he wants to be there when she does.’
I move to my bedroom window, mobile clamped to my ear. On the street below, Ben sweeps a large soapy sponge across the bonnet of his car, but he seems distracted, his head snapping around every time he hears the far-off sound of an engine. He drops the sponge into a bucket, causing soap suds to splash on to the pavement, and walks around to the back of the car to open the boot. What are you doing, Ben? I hear a car chug into the road. My stomach tightens. It’s the red Mondeo from yesterday. It parks outside a house further up the street, engine still running. Ben hears the car and steps away from his Fiat. For a couple of seconds he hovers on the pavement in his short-sleeved Fred Perry, as if undecided. When he glances up at my window, I instinctively move out of sight. I don’t think he’s seen me. When I look again I see him swinging his long legs into the passenger seat of the Mondeo.
‘The Mondeo has turned up,’ I whisper into the phone, not sure why I’m lowering my voice when there is nobody else in the house. ‘Ben’s got into it.’ I hold on to the windowsill, my head spinning as the car pulls away from the kerb. The last thing I see, as it drives past the house and disappears from view, is Ben’s pale face at the window, looking up at me. His eyes briefly meet mine and then he’s gone. ‘Oh God, he’s seen me.’ I’m finding it hard to swallow, my mouth is so dry. ‘What’s going on, Nia?’
‘For some reason Ben’s lying to you, Abi. He’s gone willingly with whoever is driving that car, so he obviously knows the woman who called yesterday, in spite of what he tells you.’
I groan and think about the woman, this Morag, and something occurs to me for the first time. ‘Why didn’t she ask for Beatrice?’
‘What do you mean?’
‘Yesterday, she knocked on the door and asked to see Ben. If she is their mother, why didn’t she ask to see Beatrice, her daughter?’
‘I don’t