Lili Anolik

Dark Rooms


Скачать книгу

on staff at Chandler this year. My dad’s bartending at the downtown Holiday Inn nights, but he’s SAT tutoring here in the afternoons.”

      “Speaking of afternoons, what are you going to be doing with yours? The A/V room closes before three. You want me to put my feelers out, see if any of the coaches are looking for an assistant? I’m sure you could use the extra cash.”

      “I appreciate the offer. I really do. I think I’m all right, though.”

      “Okay,” he says, but I see the look of worry in his eyes.

      “Honestly, I am.”

      “You know best, Grace, obviously. I just feel like it might not be good for you to have too much free time on your hands, time to brood, think about things.”

      “No, I mean, all right as in I’ve got a lead on a second job. Like you said, I could use the extra cash.”

      That ear-to-ear smile again. “Well done, you! Jobs are tough to come by these days. Especially in Hartford.”

      “I don’t have the job yet. I’m heading over there this afternoon for an interview. In fact”—I twist my neck to read the face of his watch—“if I don’t get going, I’ll be late.”

      “Then I guess you better get going.”

      I nod, grateful to have a legitimate, non-trumped-up excuse to end the conversation.

      “Good luck,” he says, as I start off down the hall. He says something else, too, but it doesn’t make it across the growing gap between us.

      I throw a wave over my shoulder. Then, pushing the bar on the door, I step outside.

       Chapter Seven

      Fargas Bonds is located in Blue Hills, the worst neighborhood in a town full of bad ones. The building it’s housed in, which also contains a liquor store and a Check N’ Go, looks like the kind that’s only standing because it’s too much trouble to tear down—moldy blue-green paint peeling from the cracked concrete, bars on all the windows, fast-food wrappers trapped in the knobby branches of the bushes out front. Above the door is a neon sign that says OPEN 24 HOURS, next to it a handwritten one that says HELP WANTED.

      I get out of the car. On my way to the curb, I step over a shattered pint bottle and a used condom, floating bloated and corpse-like in a puddle of drain run-off. I start to wonder if maybe this isn’t such a hot idea. The inside of the office, though, immediately puts my mind at ease. It’s nothing like the sleazy outside. In fact, it’s sort of homey, like walking into someone’s living room. Behind the receptionist’s desk is a shelf lined with knickknacks: a box of dominoes, a shot glass filled with toothpicks that are also Puerto Rican flags, a photo of a grinning kid in a Little League uniform. In the far corner is a minifridge, a Mr. Coffee machine, a potted fern not doing too badly.

      I think that I’m alone, that the receptionist must have ducked out, gone to the bathroom or something, but then I hear, coming from behind a closed door, the faint, stutter-step sound of hunt-and-peck typing. “Hello?” I say. “Mr. Fargas?”

      “In here!” a voice calls out.

      I don’t know what I’m expecting to see when I open the door, what image of a bail bondsman I’m carrying around in my head, but whatever it is, the person sitting at the desk doesn’t match it. He’s a neat, quiet-looking Latin guy in his late forties or early fifties. Clean-shaven, dark suit, no tie, reading glasses. A little heavy in the gut, maybe, but heavy in the shoulders, too. He’s poking at the keyboard of a computer with two index fingers.

      “I’m just finishing filling out a Power of Attorney form,” he says, eyes on the keyboard. “Have a seat. I’ll be right with you.”

      I lower myself into a chair. Eyes still on the keyboard, the man nudges a bowl of Hershey’s Miniatures toward me. I take a couple to be polite, slip them in my bag. Slip, too, one of the business cards stacked on a metal tray at the desk’s edge. BONDS, FARGAS BONDS, it says, followed by a phone number and an e-mail address.

      Finally, the man hits the Return button, looks up. “Thanks for waiting,” he says. “Let me tell you how we work. We accept collateral in the form of—”

      “Actually, Mr. Fargas—”

      “Max.”

      “Max,” I say, “I’m here about a job. I saw your advertisement.”

      “You mean, on the door?”

      “No, on Craigslist. I called yesterday, talked to a woman, she said to come by at three. Actually, she said to come by any time after three.”

      “That must have been my assistant, Renee. So, I have an advertisement on Craigslist?”

      I nod.

      “Huh,” he says, his voice taking on a thoughtful tone. “What does it say?”

      “Not much. Just that you need someone from three P.M. on. And that a driver’s license is necessary, but experience isn’t.”

      “Oh.” He takes off his reading glasses, folds them, tucks them in his breast pocket. “Are you available after three?”

      “Yes.”

      “Do you have a driver’s license?”

      “Yes.”

      “Then congratulations. The job’s yours.” When I ignore the hand he’s holding out to me, “What, you don’t want it?”

      “It’s not that I don’t want it. It’s just, I still don’t know what it is.”

      “And I’d pay you a dollar over minimum wage, under the table.”

      “Pay me for doing what, though, exactly?”

      “Nothing for me. What you’d be doing, you’d be doing for my nephew.”

      “Okay.”

      “My nephew works for me, as a runner mostly. Usually he’s a smart guy, very responsible. But a couple months back, he got tanked, decided it would be a good idea to go for a spin. He smashed up his car, smashed up his leg, lost his license for six months. Renee’s been taking him around all summer, but starting next week she’s got to pick up her kid after school, so she can only take him around till three.”

      “So, what,” I say, “I’d be like his afternoon chauffer?”

      “And sometimes evening.”

      “When would you want me to start?”

      “Today. Now.”

      This time when he holds out his hand, I shake it. As I do, a sound comes from the front room: a door opening, and two voices talking—one male, one female.

      “That’s him,” Max says, his face lighting up. “Renee, too.” He calls out, “Hey, come in here, both of you. I want to introduce you to the newest member of our team.”

      The woman, Renee, is through the door first. She’s fortyish, blond, a little chubby, in black jeans as tight as leggings. She’s smiling at me nicely, though. And right behind her is Damon Cruz. He’s peeling the lid off a cup of coffee, head down. By the time he raises it, he’s almost walked into me. He stops short, freezes, his face only inches from my own. Up close I notice all sorts of things I missed earlier: the grit of beard, a day or two’s worth, on his cheeks and jaw, the faint smattering of acne scars near his hairline, the bridge of his nose, slightly crooked, like the bone had been broken and then inexpertly set. It’s a tough face, a face that matches up with the wife-beater and the muscles, the morning drinking and the pulpy mouth. There’s one thing on the face that doesn’t match up, though. The eyes. They aren’t hooded, and they aren’t hard and black, the kind that give back nothing when you look into them. They’re bare and a soft liquid