leads to another room. As he marks his pay card, a man in a seersucker suit slips out and closes the door promptly and soundly. From inside the lock is turned again. The man in the suit catches Julius’s gaze and holds it for a long moment, until his eyes begin to seem distant and opaque to Julius, like the two-way glass, as if somewhere inside the man there is another man who looks out, watching him. This must be the pit boss, Julius thinks. The man walks away without speaking.
Outside a yellow paring of sunrise. Julius walks all the way to the end of Fremont where the train station is busy with people. Beyond the station the brown scrubby plain rises into a rim of mountains. Julius steps into a phone booth, fishes out a nickel, and dials his brother’s number. For a long time the phone rings and Julius listens to the jangling bell until the sound becomes the backdrop to a thought he’s having. He thinks of the bomb he saw, and his new job. He wants to tell his brother these things but he isn’t sure where to start. But the fact of his brother seems suddenly necessary, some confirmation that his voice is welcome and known. He recalls the last time he saw Lee, in Okinawa, and feels a hollow feeling of doubt, which passes, which turns to envy and then to fear. Julius hangs up before the call rings out again.
Back at the Squaw he lies awake a long time thinking of the games he’s seen and the men’s hands below him and their various shapes, the half-moons of nail beds catching the neon and the man Henry’s scarred arm, until the daylight breaks fully through the curtains.
CASINOS MAKE SOME GAMBLERS forget the complications that attend money. As he walks the scaffold Julius considers the dark enclosure of the casinos, the money traded for chips and markers, the absence of clocks in any pit or cardroom, nothing closing or changing, breakfast buffets in the middle of the night. All the strategies for disrupting time, for breaking the link between cause and effect. But now it is Julius’s job to resist these things. The peek gives him perspective. He paces the catwalk looking for drunks, card palmers and dice loaders, cheaters of all kinds. He spends the most time above the blackjack tables. Blackjack is the only casino game where the gambler can get an edge over the house and for this reason it attracts cheaters of all kinds. Card markers and sleeve-men, confederacies of slack players who fake dim-wittedness to pass good cards to their partners or bust out better players waiting for the drop. Of course they know he is watching. At the tables they listen for his boots above, trying to gauge the distance before palming an ace or passing a queen, and in this way he becomes a part of the games below and the methods of the cheating men.
Each night between eight and four Julius is their steward. He thinks of himself this way. His job is to watch the players and nothing more. He does not administer punishment, only speculation, only what he believes he sees. Mostly he watches the players’ hands. Those with square or short or clumsy hands may mark but they do not palm. They are not built for it. The slender-fingered men, short nails buffed pale, no rings, wide cuffs touching the clefts of their palms—if those men start to lose, Julius will stay at the well above them past the time he is supposed to move on. Losing, for the best of them, is its own kind of strategy. He reports each suspicion with diligence to the two cat-faced men and collects his check at the end of each week. With the money he makes he pays for his room and his cash-ins and eats steak for breakfast and March starts to fade away. He sleeps through the warming afternoons and wakes with a feeling of purpose.
Then, at the beginning of April, the heat comes and covers the city in a shimmer. The casino attic is so hot Julius can feel his heart straining against his ribs. Sweat drips from his nose and brow and from his fingertips as he paces the catwalk. After an hour he takes off his boots and socks and unbuttons his shirt and wets a hotel towel and wraps it around his neck. He sips from a flask of whiskey and smokes to distract himself.
Before he and Henry are due to switch sides Julius rewets the towel with a cup of water already tepid. He leaves his shirt open and tucks the tails into the back of his jeans and walks to the other side. Henry walks slowly toward him and waves dully and does not call out. He is shirtless, covered in sweat, sheets of it over his face and neck. Julius watches him come. There is no breeze and the bowed glass is waxed by the heat. Henry pauses at the crossing to brace himself against the scaffold for a moment. He reaches out, one hand on the railing and the other pressed suddenly into Julius’s bare chest, his palm squarely in the cleft of Julius’s rib cage. Then he looks at Julius. “Oh,” he says and sinks to his knees, his arms bent so his elbows press into Julius’s thighs and his thumbs hook the flat bones in Julius’s hips. Henry leans his head on Julius’s waist, his cheek turned to the copper snap of Julius’s jeans, and to keep him from falling Julius takes his shoulders and his fingers slide in the man’s sweat. Julius leans as far as he can backward, the scaffold against him. He starts to say, “Now come on.” Henry’s hands fall away and he twists sideways to retch over the scaffold railing and Julius does not wait or offer comfort but turns back. As he walks along the catwalk to the other side he can feel Henry’s palm still there in the center of his chest, like a footprint rising slowly from the stubble of a mown field.
When his shift ends he waits until he hears Henry’s boots on the stairwell and keeps waiting long minutes after the door has banged shut below. It is a quarter past four when he finally collects his boots. He thumps them on the heels to evict mice or spiders and finds the Iowan’s bill there. It’s damp and when he unfolds it, it smells of sweat and cigarettes. He folds it again and puts it back. Downstairs he clocks out but makes a note in the margin that the last fifteen minutes should go unpaid.
Outside a cooling rain has come and gone and the streets reflect the neon in shallow pools at their edges. Julius turns toward the Squaw and is ducking down a side street when Henry catches him.
“Surely you ain’t going home,” Henry says.
“You mean my room or where I’m from?”
Henry laughs. “Home for the day, bud.”
“Well, I was planning on it.”
“Too hot to be cooped up.”
“A lot cooler now.”
“I owe you a drink, for before.”
The man looks so earnest, so genuinely embarrassed by his own weakness in the heat, that Julius knows he cannot refuse without revealing something about himself. He remembers the shape of the man’s shoulders where he’d touched him, square and ordinary now beneath his shirt. Together they walk down the wet streets and find a tourist bar and order the only kind of beer they have. Julius keeps an eye out for the bosses or any other men who might know them, who might think them in collusion or worse. For a while they talk about the weather and that night’s gambling and the sad landscapes of their childhoods. Henry is from the Central Valley and spent many summers in the fields there.
“I settled for Henry because no one could say Javier,” he says.
When Julius asks why he’s come to Vegas and how long he’s worked the peek, Henry says, “I guess they figure I can’t be much of a cheat,” and raises the injured arm.
“No, I guess you ain’t no palmer,” Julius says.
“Ain’t much of anything.”
Henry smiles and Julius sees something else about him.
“But I bet you play all right.”
“If you mean playing the goat or maybe by ear, because that’s all I’ve ever done till now.”
“I sure wish there was more poker, and not just in them cardrooms,” Julius says.
“House ain’t got no motivation for it. You play it overseas?”
Julius nods.
“What’s your game here?” he asks.
“Twenty-one,” says Henry.
“That so.”
Henry lowers his eyes.
“I know what people think about blackjack players.”
“How many blackjack cheats have you seen from that attic, just this month?” Julius says.
“Blackjack