iciness to her demeanour that I found rather unnerving.
‘Thank you, Mrs Henge. I’m sure I shall.’
‘If there is anything you need, please do not hesitate to ask.’ She marshalled her features into a contrived look of apology. ‘We are, of course, short staffed, but I will endeavour to make sure that you have everything you need in as timely a fashion as possible.’ There was something in her tone that conveyed the impression I was a personal inconvenience. I found myself prickling with indignation.
‘I have brought my own maid with me, Mrs Henge. I trust, therefore, that my presence here will not prove too burdensome.’
She must have detected the underlying resentment in my clipped voice, for she responded with a subtle hike in one of her steely grey brows.
‘Not at all, Miss Marcham.’ Her eyes flickered over my shoulder and narrowed. ‘Do I take it that this is your maid, miss?’
My heart sank with misgiving as I turned to follow her supercilious gaze. Annie Burrows stood silhouetted in the doorway behind us, staring at the imposing staircase rising majestically before her.
‘Maids don’t usually enter by the front door, Annie,’ I said, exasperated by her faux pas.
I was struck by how pale she looked, and hoped she wasn’t ailing. She would become a burden if she fell ill, but I knew how easy it was to succumb to a chill in these cavernous houses. There was indeed a rather nippy draught blowing down the staircase. It had filtered through the fine weave of my blouse and my skin was bristling against it. For all its splendour, I suspected the intricate framework of the stained-glass window did little to keep invasive breezes at bay.
Stifling my irritation, I turned to the housekeeper. ‘Please understand, Mrs Henge, Annie has never been away before. It seems she’s rather overwhelmed.’
‘Good staff these days are proving difficult to find, Miss Marcham,’ Mrs Henge observed, before issuing Annie brusque instructions to go below stairs via the green baize door located in the far corner of the hall.
The maid dipped a curtsy. I saw her sneak a further glance at the staircase as she scuttled away.
‘I’ll make sure the girl settles in, miss – without delay,’ the housekeeper assured me in a rather forbidding manner.
‘Mrs Henge, might we have some tea brought to the drawing room?’ Madeleine asked, bringing a welcome conclusion to the awkward episode.
‘Of course, Mrs Brightwell. I shall have Maisie bring it directly.’ With a curt dip of her head, the housekeeper melded back into the shadows. We heard the baize door close behind her.
‘Did you have to bring that girl here?’
Madeleine’s quiet question took me by surprise.
‘Annie is one of the few servants we have left,’ I laughed. To my consternation, she looked away, biting her lip. ‘There was no one else, Madeleine. God knows she would not be my first choice, but all the others have gone.’
She mustered a smile. ‘No matter … it’s just …’ She shook her head, mocking her own foolishness. ‘It really doesn’t matter, I’m being silly. She’s such a bit peculiar, that’s all.’
‘Your Mrs Henge seems like an old stalwart – I’m sure she’ll brook no nonsense. You watch, she’ll keep Annie in line.’
She forced a laugh. ‘Mrs Henge has been with the family for so long she’s practically part of the furniture.’
‘I didn’t even see her standing in the shadows there when we came in. She gave me quite a fright.’
‘There are lots of shadows in Greyswick. Mrs Henge seems to occupy most of them.’
To my relief, she shrugged off her odd humour and returned to sorts, taking my hand to lead me under the left arch into the panelled corridor beyond. Doors were set opposite each other along its length, and at the end was a single sash window. There was something bleak and institutional about the design of the house and its failure to incorporate much natural light. I found the enclosed corridor dismal and claustrophobic, and I felt I was navigating the bowels of the building, not the communication passage to its principal rooms.
But it was the tasteless opulence of the salon Madeleine ushered me into that shocked me the most. My jaw gaped in horrified wonder at the gaudy wallpaper and the vast, overstated swags of material draped around the French windows lining the outside wall. Gilt-legged sofas flanked the monstrous marble fireplace, while Chinoiserie cabinets stood like exotic guards either side of the doorway, with even more oriental pieces gamely distributed about the room. It was a far cry from the tired but gentle splendour that reigned at home. At least, I found myself ruefully appreciating, it was light.
‘Goodness,’ I muttered.
‘Oh, I know, it’s hideously crass, isn’t it? It’s all right, Lady Brightwell and Miss Scott are out visiting. We are free to say what we want.’ Madeleine dropped down onto one of the uninviting sofas, indicating for me to join her. ‘Hector’s parents were rather nouveaux – the house was just another attempt to assert their acquired wealth and position.’ She wrinkled her nose. ‘Does that make me sound horribly stuck-up?’
‘Not at all.’ I stared up at the varnished oil painting that hung above the fireplace. ‘Is this Sir Arthur Brightwell himself?’ Hector’s father had died in a motor accident just before the war, so I had never met him. I studied the portrait with open curiosity.
‘It is indeed. It’s the only one of him left on display – Lady Brightwell ordered all the others to be taken down when he died. She said she couldn’t stand him staring down at her, watching her every move. Hector insisted this one remain. It is only fitting, after all.’
The image portrayed was that of a self-assured middle-aged man, dressed in a red hunting coat, buckskin breeches and gleaming riding boots, his knighthood medal proudly displayed on his chest. In his heavy features I could detect traces of Hector, but his eyes, in the portrait at least, lacked the warmth that was always evident in his son’s. His fingers gripped the handle of a pickaxe, the scooped metal head resting on the ground by his feet along with a few lumps of gleaming coal, the black gold from which he had derived his fortune. I took another step forward and peered into the background. Brightwell stood on the crest of a hill, and in the valley below him I could see Greyswick, or that is, I could see part of it. In the detail, the house beyond the clock tower was overlaid by a crisscross of scaffolding, and an army of workers the size of tiny ants could be seen labouring around it. I expressed my surprise.
‘Greyswick wasn’t actually finished when the portrait was done,’ Madeleine explained. ‘Obviously the artist has taken some licence with the landscape, but I believe the representation of the house at that time to be accurate. It was his wedding present to Lady Brightwell, but it wasn’t completed until a year or so after Hector was born. No expense spared, and little taste engaged. But don’t you dare tell her I said that,’ Madeleine concluded.
I laughed and settled myself down opposite her, just as she was responding to a gentle tap on the door. A young maid sporting a mischievous twinkle in her eye and bearing a laden tray slipped into the room.
‘Thank you, Maisie, we’ll take it here.’
The girl’s inquisitive gaze stole my way several times as she set the tea things out upon an occasional table beside Madeleine. She stood back as she finished and dropped a curtsy, before scooting from the room.
‘How many servants do you have?’ I asked.
‘Not many. It’s like at home, they’ve all left since the war. Hector has the butler in town with him, so there’s just Cook, Maisie and Mrs Henge here now.’ She handed me a cup of tea. ‘There’s Miss Scott as well, of course, but I can hardly call her a servant.