drunk?” queried Amory with intense wisdom.
She nodded coyly.
“Go home with him,” he advised gravely. “He brought you.”
At this point the noisy man in the background broke away from his detainers and approached.
“Say!” he said fiercely. “I brought this girl out here and you’re butting in!”
Amory regarded him coldly, while the girl clung to him closer.
“You let go that girl!” cried the noisy man.
Amory tried to make his eyes threatening.
“You go to hell!” he directed finally, and turned his attention to the girl.
“Love first sight,” he suggested.
“I love you,” she breathed and nestled close to him. She did have beautiful eyes.
Some one leaned over and spoke in Amory’s ear.
“That’s just Margaret Diamond. She’s drunk and this fellow here brought her. Better let her go.”
“Let him take care of her, then!” shouted Amory furiously. “I’m no W. Y. C. A. worker, am I? — am I?”
“Let her go!”
“It’s her hanging on, damn it! Let her hang!”
The crowd around the table thickened. For an instant a brawl threatened, but a sleek waiter bent back Margaret Diamond’s fingers until she released her hold on Amory, whereupon she slapped the waiter furiously in the face and flung her arms about her raging original escort.
“Oh, Lord!” cried Amory.
“Let’s go!”
“Come on, the taxis are getting scarce!”
“Check, waiter.”
“C’mon, Amory. Your romance is over.”
Amory laughed.
“You don’t know how true you spoke. No idea. ‘At’s the whole trouble.”
AMORY ON THE LABOR QUESTION
Two mornings later he knocked at the president’s door at Bascome and Barlow’s advertising agency.
“Come in!”
Amory entered unsteadily.
“‘Morning, Mr. Barlow.”
Mr. Barlow brought his glasses to the inspection and set his mouth slightly ajar that he might better listen.
“Well, Mr. Blaine. We haven’t seen you for several days.”
“No,” said Amory. “I’m quitting.”
“Well — well — this is—”
“I don’t like it here.”
“I’m sorry. I thought our relations had been quite — ah — pleasant. You seemed to be a hard worker — a little inclined perhaps to write fancy copy—”
“I just got tired of it,” interrupted Amory rudely. “It didn’t matter a damn to me whether Harebell’s flour was any better than any one else’s. In fact, I never ate any of it. So I got tired of telling people about it — oh, I know I’ve been drinking—”
Mr. Barlow’s face steeled by several ingots of expression.
“You asked for a position—”
Amory waved him to silence.
“And I think I was rottenly underpaid. Thirty-five dollars a week — less than a good carpenter.”
“You had just started. You’d never worked before,” said Mr. Barlow coolly.
“But it took about ten thousand dollars to educate me where I could write your darned stuff for you. Anyway, as far as length of service goes, you’ve got stenographers here you’ve paid fifteen a week for five years.”
“I’m not going to argue with you, sir,” said Mr. Barlow rising.
“Neither am I. I just wanted to tell you I’m quitting.”
They stood for a moment looking at each other impassively and then Amory turned and left the office.
A LITTLE LULL
Four days after that he returned at last to the apartment. Tom was engaged on a book review for The New Democracy on the staff of which he was employed. They regarded each other for a moment in silence.
“Well?”
“Well?”
“Good Lord, Amory, where’d you get the black eye — and the jaw?”
Amory laughed.
“That’s a mere nothing.”
He peeled off his coat and bared his shoulders.
“Look here!”
Tom emitted a low whistle.
“What hit you?”
Amory laughed again.
“Oh, a lot of people. I got beaten up. Fact.” He slowly replaced his shirt. “It was bound to come sooner or later and I wouldn’t have missed it for anything.”
“Who was it?”
“Well, there were some waiters and a couple of sailors and a few stray pedestrians, I guess. It’s the strangest feeling. You ought to get beaten up just for the experience of it. You fall down after a while and everybody sort of slashes in at you before you hit the ground — then they kick you.”
Tom lighted a cigarette.
“I spent a day chasing you all over town, Amory. But you always kept a little ahead of me. I’d say you’ve been on some party.”
Amory tumbled into a chair and asked for a cigarette.
“You sober now?” asked Tom quizzically.
“Pretty sober. Why?”
“Well, Alec has left. His family had been after him to go home and live, so he—”
A spasm of pain shook Amory.
“Too bad.”
“Yes, it is too bad. We’ll have to get some one else if we’re going to stay here. The rent’s going up.”
“Sure. Get anybody. I’ll leave it to you, Tom.”
Amory walked into his bedroom. The first thing that met his glance was a photograph of Rosalind that he had intended to have framed, propped up against a mirror on his dresser. He looked at it unmoved. After the vivid mental pictures of her that were his portion at present, the portrait was curiously unreal. He went back into the study.
“Got a cardboard box?”
“No,” answered Tom, puzzled. “Why should I have? Oh, yes — there may be one in Alec’s room.”
Eventually Amory found what he was looking for and, returning to his dresser, opened a drawer full of letters, notes, part of a chain, two little handkerchiefs, and some snapshots. As he transferred them carefully to the box his mind wandered to some place in a book where the hero, after preserving for a year a cake of his lost love’s soap, finally washed his hands with it. He laughed and began to hum “After you’ve gone” … ceased abruptly…
The string broke twice, and then he managed to secure it, dropped the package into the bottom of his trunk, and having slammed the lid returned to the study.
“Going