and very evident inclinations (although he was close shaved) of a stiff beard, and whiskers of the same deep shade. His age did not appear to exceed thirty, though many at first sight would have considered him much older, as his face was long, and very pale, from the constant application of stage paint. He wore a checked shirt, an old green coat with new gilt buttons, a neckerchief of broad red and green stripes, and full blue trousers; he carried, too, a common ash walking-stick, apparently more for show than use, as he flourished it about, with the hooked end downwards, except when he raised it for a few seconds, and throwing himself into a fencing attitude, made a pass or two at the side-scenes, or at any other object, animate or inanimate, that chanced to afford him a pretty good mark at the moment.
‘Well, Tommy,’ said this gentleman, making a thrust at his friend, who parried it dexterously with his slipper, ‘what’s the news?’
‘A new appearance, that’s all,’ replied Mr. Folair, looking at Nicholas.
‘Do the honours, Tommy, do the honours,’ said the other gentleman, tapping him reproachfully on the crown of the hat with his stick.
‘This is Mr. Lenville, who does our first tragedy, Mr. Johnson,’ said the pantomimist.
‘Except when old bricks and mortar takes it into his head to do it himself, you should add, Tommy,’ remarked Mr. Lenville. ‘You know who bricks and mortar is, I suppose, sir?’
‘I do not, indeed,’ replied Nicholas.
‘We call Crummles that, because his style of acting is rather in the heavy and ponderous way,’ said Mr. Lenville. ‘I mustn’t be cracking jokes though, for I’ve got a part of twelve lengths here, which I must be up in tomorrow night, and I haven’t had time to look at it yet; I’m a confounded quick study, that’s one comfort.’
Consoling himself with this reflection, Mr. Lenville drew from his coat pocket a greasy and crumpled manuscript, and, having made another pass at his friend, proceeded to walk to and fro, conning it to himself and indulging occasionally in such appropriate action as his imagination and the text suggested.
A pretty general muster of the company had by this time taken place; for besides Mr. Lenville and his friend Tommy, there were present, a slim young gentleman with weak eyes, who played the low-spirited lovers and sang tenor songs, and who had come arm-in-arm with the comic countryman—a man with a turned-up nose, large mouth, broad face, and staring eyes. Making himself very amiable to the infant phenomenon, was an inebriated elderly gentleman in the last depths of shabbiness, who played the calm and virtuous old men; and paying especial court to Mrs. Crummles was another elderly gentleman, a shade more respectable, who played the irascible old men—those funny fellows who have nephews in the army and perpetually run about with thick sticks to compel them to marry heiresses. Besides these, there was a roving-looking person in a rough great-coat, who strode up and down in front of the lamps, flourishing a dress cane, and rattling away, in an undertone, with great vivacity for the amusement of an ideal audience. He was not quite so young as he had been, and his figure was rather running to seed; but there was an air of exaggerated gentility about him, which bespoke the hero of swaggering comedy. There was, also, a little group of three or four young men with lantern jaws and thick eyebrows, who were conversing in one corner; but they seemed to be of secondary importance, and laughed and talked together without attracting any attention.
The ladies were gathered in a little knot by themselves round the rickety table before mentioned. There was Miss Snevellicci—who could do anything, from a medley dance to Lady Macbeth, and also always played some part in blue silk knee-smalls at her benefit—glancing, from the depths of her coal-scuttle straw bonnet, at Nicholas, and affecting to be absorbed in the recital of a diverting story to her friend Miss Ledrook, who had brought her work, and was making up a ruff in the most natural manner possible. There was Miss Belvawney—who seldom aspired to speaking parts, and usually went on as a page in white silk hose, to stand with one leg bent, and contemplate the audience, or to go in and out after Mr. Crummles in stately tragedy—twisting up the ringlets of the beautiful Miss Bravassa, who had once had her likeness taken ‘in character’ by an engraver’s apprentice, whereof impressions were hung up for sale in the pastry-cook’s window, and the greengrocer’s, and at the circulating library, and the box-office, whenever the announce bills came out for her annual night. There was Mrs. Lenville, in a very limp bonnet and veil, decidedly in that way in which she would wish to be if she truly loved Mr. Lenville; there was Miss Gazingi, with an imitation ermine boa tied in a loose knot round her neck, flogging Mr. Crummles, junior, with both ends, in fun. Lastly, there was Mrs. Grudden in a brown cloth pelisse and a beaver bonnet, who assisted Mrs. Crummles in her domestic affairs, and took money at the doors, and dressed the ladies, and swept the house, and held the prompt book when everybody else was on for the last scene, and acted any kind of part on any emergency without ever learning it, and was put down in the bills under any name or names whatever, that occurred to Mr. Crummles as looking well in print.
Mr. Folair having obligingly confided these particulars to Nicholas, left him to mingle with his fellows; the work of personal introduction was completed by Mr. Vincent Crummles, who publicly heralded the new actor as a prodigy of genius and learning.
‘I beg your pardon,’ said Miss Snevellicci, sidling towards Nicholas, ‘but did you ever play at Canterbury?’
‘I never did,’ replied Nicholas.
‘I recollect meeting a gentleman at Canterbury,’ said Miss Snevellicci, ‘only for a few moments, for I was leaving the company as he joined it, so like you that I felt almost certain it was the same.’
‘I see you now for the first time,’ rejoined Nicholas with all due gallantry. ‘I am sure I never saw you before; I couldn’t have forgotten it.’
‘Oh, I’m sure—it’s very flattering of you to say so,’ retorted Miss Snevellicci with a graceful bend. ‘Now I look at you again, I see that the gentleman at Canterbury hadn’t the same eyes as you—you’ll think me very foolish for taking notice of such things, won’t you?’
‘Not at all,’ said Nicholas. ‘How can I feel otherwise than flattered by your notice in any way?’
‘Oh! you men are such vain creatures!’ cried Miss Snevellicci. Whereupon, she became charmingly confused, and, pulling out her pocket-handkerchief from a faded pink silk reticule with a gilt clasp, called to Miss Ledrook—
‘Led, my dear,’ said Miss Snevellicci.
‘Well, what is the matter?’ said Miss Ledrook.
‘It’s not the same.’
‘Not the same what?’
‘Canterbury—you know what I mean. Come here! I want to speak to you.’
But Miss Ledrook wouldn’t come to Miss Snevellicci, so Miss Snevellicci was obliged to go to Miss Ledrook, which she did, in a skipping manner that was quite fascinating; and Miss Ledrook evidently joked Miss Snevellicci about being struck with Nicholas; for, after some playful whispering, Miss Snevellicci hit Miss Ledrook very hard on the backs of her hands, and retired up, in a state of pleasing confusion.
‘Ladies and gentlemen,’ said Mr. Vincent Crummles, who had been writing on a piece of paper, ‘we’ll call the Mortal Struggle tomorrow at ten; everybody for the procession. Intrigue, and Ways and Means, you’re all up in, so we shall only want one rehearsal. Everybody at ten, if you please.’
‘Everybody at ten,’ repeated Mrs. Grudden, looking about her.
‘On Monday morning we shall read a new piece,’ said Mr. Crummles; ‘the name’s not known yet, but everybody will have a good part. Mr. Johnson will take care of that.’
‘Hallo!’ said Nicholas, starting. ‘I—’
‘On Monday morning,’ repeated Mr. Crummles, raising his voice, to drown the unfortunate Mr. Johnson’s remonstrance; ‘that’ll do, ladies and gentlemen.’
The ladies and gentlemen required no second notice to quit; and, in a few minutes, the theatre was deserted, save by the Crummles