forward, eyeing the youthful prisoner with that pity “that dwells in womanhood.” Who would have thought that this poor varlet, thus trembling before the brief authority of a country squire, and the sport of rustic boors, was soon to become the delight of princes, the theme of all tongues and ages, the dictator to the human mind and was to confer immortality on his oppressor by a caricature and a lampoon?
I was now invited by the butler to walk into the garden, and I felt inclined to visit the orchard and harbor where the justice treated Sir John Falstaff and Cousin Silence “to a last year’s pippin of his own grafting, with a dish of caraways;” but I had already spent so much of the day in my ramblings that I was obliged to give up any further investigations. When about to take my leave I was gratified by the civil entreaties of the housekeeper and butler that I would take some refreshment — an instance of good old hospitality which, I grieve to say, we castle-hunters seldom meet with in modern days. I make no doubt it is a virtue which the present representative of the Lucys inherits from his ancestors; for Shakespeare, even in his caricature, makes Justice Shallow importunate in this respect, as witness his pressing instances to Falstaff:
“By cock and pye, Sir, you shall not away tonight….. I will not excuse you; you shall not be excused; excuses shall not be admitted; there is no excuse shall serve; you shall not be excused…. Some pigeons, Davy, a couple of short-legged hens; a joint of mutton; and any pretty little tiny kickshaws, tell ‘William Cook.’”
I now bade a reluctant farewell to the old hall. My mind had become so completely possessed by the imaginary scenes and characters connected with it that I seemed to be actually living among them. Everything brought them as it were before my eyes, and as the door of the dining-room opened I almost expected to hear the feeble voice of Master Silence quavering forth his favorite ditty:
“’Tis merry in hall, when beards wag all,
And welcome merry Shrove-tide!”
On returning to my inn I could not but reflect on the singular gift of the poet, to be able thus to spread the magic of his mind over the very face of Nature, to give to things and places a charm and character not their own, and to turn this “working-day world” into a perfect fairyland. He is indeed the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart. Under the wizard influence of Shakespeare I had been walking all day in a complete delusion. I had surveyed the landscape through the prism of poetry, which tinged every object with the hues of the rainbow. I had been surrounded with fancied beings, with mere airy nothings conjured up by poetic power, yet which, to me, had all the charm of reality. I had heard Jaques soliloquize beneath his oak; had beheld the fair Rosalind and her companion adventuring through the woodlands; and, above all, had been once more present in spirit with fat Jack Falstaff and his contemporaries, from the august Justice Shallow down to the gentle Master Slender and the sweet Anne Page. Ten thousand honors and blessings on the bard who has thus gilded the dull realities of life with innocent illusions, who has spread exquisite and unbought pleasures in my chequered path, and beguiled my spirit in many a lonely hour with all the cordial and cheerful sympathies of social life!
As I crossed the bridge over the Avon on my return, I paused to contemplate the distant church in which the poet lies buried, and could not but exult in the malediction which has kept his ashes undisturbed in its quiet and hallowed vaults. What honor could his name have derived from being mingled in dusty companionship with the epitaphs and escutcheons and venal eulogiums of a titled multitude? What would a crowded corner in Westminster Abbey have been, compared with this reverend pile, which seems to stand in beautiful loneliness as his sole mausoleum! The solitude about the grave may be but the offspring of an overwrought sensibility; but human nature is made up of foibles and prejudices, and its best and tenderest affections are mingled with these factitious feelings. He who has sought renown about the world, and has reaped a full harvest of worldly favor, will find, after all, that there is no love, no admiration, no applause, so sweet to the soul as that which springs up in his native place. It is there that he seeks to be gathered in peace and honor among his kindred and his early friends. And when the weary heart and failing head begin to warn him that the evening of life is drawing on, he turns as fondly as does the infant to the mother’s arms to sink to sleep in the bosom of the scene of his childhood.
How would it have cheered the spirit of the youthful bard when, wandering forth in disgrace upon a doubtful world, he cast back a heavy look upon his paternal home, could he have foreseen that before many years he should return to it covered with renown; that his name should become the boast and glory of his native place; that his ashes should be religiously guarded as its most precious treasure; and that its lessening spire, on which his eyes were fixed in tearful contemplation, should one day become the beacon towering amidst the gentle landscape to guide the literary pilgrim of every nation to his tomb!
* The following is the only stanza extant of this lampoon:
A parliament member, a justice of peace,
At home a poor scarecrow, at London an asse,
If lowsie is Lucy, as some volke miscalle it,
Then Lucy is lowsie, whatever befall it.
He thinks himself great;
Yet an asse in his state,
We allow by his ears but with asses to mate,
If Lucy is lowsie, as some volke miscalle it,
Then sing lowsie Lucy whatever befall it.
+ The luce is a pike or jack, and abounds in the Avon about Charlecot.
* A proof of Shakespeare’s random habits and associates in his youthful days may be found in a traditionary anecdote, picked up at Stratford by the elder Ireland, and mentioned in his “Picturesque Views on the Avon.”
* Scot, in his “Discoverie of Witchcraft,” enumerates a of these fireside fancies: “And they have so fraid us with host bull-beggars, spirits, witches, urchins, elves, hags, fairies, satyrs, pans, faunes, syrens, kit with the can sticke, tritons, centaurs, dwarfes, giantes, imps, calcars, conjurors, nymphes, changelings, incubus, Robin-goodfellow, the spoorne, the mare, the man in the oke, the hell-waine, the fier drake, the puckle, Tom Thombe, hobgoblins, Tom Tumbler, boneless, and such other bugs, that we were afraid of our own shadowes.”
* This effigy is in white marble, and represents the knight in complete armor. Near him lies the effigy of his wife, and on her tomb is the following inscription; which, if really composed by her husband, places him quite above the intellectual level of Master Shallow: Here lyeth the Lady Joyce Lucy wife of Sir Thomas Lucy of Charlecot in ye county of Warwick, Knight, Daughter and heir of Thomas Acton of Sutton in ye county of Worcester Esquire who departed out of this wretched world to her heavenly kingdom ye 10 day of February in ye yeare of our Lord God 1595 and of her age 60 and three. All the time of her lyfe a true and faythful servant of her good God, never detected of any cryme or vice. In religion most sounde, in love to her husband most faythful and true. In friendship most constant; to what in trust was committed unto her most secret. In wisdom excelling. In governing of her house, bringing up of youth in ye fear of God that did converse with her moste rare and singular. A great maintayner of hospitality. Greatly esteemed of her betters; misliked of none unless of the envyous. When all is spoken that can be saide a woman so garnished with virtue as not to be bettered and hardly to be equalled by any. As shee lived most virtuotisly so shee died most Godly. Set downe by him yt best did knowe what hath byn written to be true. Thomas Lucye.