her, the gloom that lately clouded his countenance, broke away in smiles of welcome, which the whole company appeared to consider as invitations to joy.
The tranquil heart of Emilia was not proof against a scene so alluring, and she sighed at the prospect, yet scarcely knew why. Julia pointed out to her sister, the graceful figure of a young man who followed the marchioness, and she expressed her wishes that he might be her brother. From the contemplation of the scene before them, they were summoned to meet the marchioness. Julia trembled with apprehension, and for a few moments wished the castle was in its former state. As they advanced through the saloon, in which they were presented, Julia was covered with blushes; but Emilia, tho’ equally timid, preserved her graceful dignity. The marchioness received them with a mingled smile of condescension and politeness, and immediately the whole attention of the company was attracted by their elegance and beauty. The eager eyes of Julia sought in vain to discover her brother, of whose features she had no recollection in those of any of the persons then present. At length her father presented him, and she perceived, with a sigh of regret, that he was not the youth she had observed from the window. He advanced with a very engaging air, and she met him with an unfeigned welcome. His figure was tall and majestic; he had a very noble and spirited carriage; and his countenance expressed at once sweetness and dignity. Supper was served in the east hall, and the tables were spread with a profusion of delicacies. A band of music played during the repast, and the evening concluded with a concert in the saloon.
Chapter 2
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THE DAY OF THE FESTIVAL, so long and so impatiently looked for by Julia, was now arrived. All the neighbouring nobility were invited, and the gates of the castle were thrown open for a general rejoicing. A magnificent entertainment, consisting of the most luxurious and expensive dishes, was served in the halls. Soft music floated along the vaulted roofs, the walls were hung with decorations, and it seemed as if the hand of a magician had suddenly metamorphosed this once gloomy fabric into the palace of a fairy. The marquis, notwithstanding the gaiety of the scene, frequently appeared abstracted from its enjoyments, and in spite of all his efforts at cheerfulness, the melancholy of his heart was visible in his countenance.
In the evening there was a grand ball: the marchioness, who was still distinguished for her beauty, and for the winning elegance of her manners, appeared in the most splendid attire. Her hair was ornamented with a profusion of jewels, but was so disposed as to give an air rather of voluptuousness than of grace, to her figure. Although conscious of her charms, she beheld the beauty of Emilia and Julia with a jealous eye, and was compelled secretly to acknowledge, that the simple elegance with which they were adorned, was more enchanting than all the studied artifice of splendid decoration. They were dressed alike in light Sicilian habits, and the beautiful luxuriance of their flowing hair was restrained only by bandellets of pearl. The ball was opened by Ferdinand and the lady Matilda Constanza. Emilia danced with the young Marquis della Fazelli, and acquitted herself with the ease and dignity so natural to her. Julia experienced a various emotion of pleasure and fear when the Count de Vereza, in whom she recollected the cavalier she had observed from the window, led her forth. The grace of her step, and the elegant symmetry of her figure, raised in the assembly a gentle murmur of applause, and the soft blush which now stole over her cheek, gave an additional charm to her appearance. But when the music changed, and she danced to the soft Sicilian measure, the airy grace of her movement, and the unaffected tenderness of her air, sunk attention into silence, which continued for some time after the dance had ceased. The marchioness observed the general admiration with seeming pleasure, and secret uneasiness. She had suffered a very painful solicitude, when the Count de Vereza selected her for his partner in the dance, and she pursued him through the evening with an eye of jealous scrutiny. Her bosom, which before glowed only with love, was now torn by the agitation of other passions more violent and destructive. Her thoughts were restless, her mind wandered from the scene before her, and it required all her address to preserve an apparent ease. She saw, or fancied she saw, an impassioned air in the count, when he addressed himself to Julia, that corroded her heart with jealous fury.
At twelve the gates of the castle were thrown open, and the company quitted it for the woods, which were splendidly illuminated. Arcades of light lined the long vistas, which were terminated by pyramids of lamps that presented to the eye one bright column of flame. At irregular distances buildings were erected, hung with variegated lamps, disposed in the gayest and most fantastic forms. Collations were spread under the trees; and music, touched by unseen hands, breathed around. The musicians were placed in the most obscure and embowered spots, so as to elude the eye and strike the imagination. The scene appeared enchanting. Nothing met the eye but beauty and romantic splendour; the ear received no sounds but those of mirth and melody. The younger part of the company formed themselves into groups, which at intervals glanced through the woods, and were again unseen. Julia seemed the magic queen of the place. Her heart dilated with pleasure, and diffused over her features an expression of pure and complacent delight. A generous, frank, and exalted sentiment sparkled in her eyes, and animated her manner. Her bosom glowed with benevolent affections; and she seemed anxious to impart to all around her, a happiness as unmixed as that she experienced. Wherever she moved, admiration followed her steps. Ferdinand was as gay as the scene around him. Emilia was pleased; and the marquis seemed to have left his melancholy in the castle. The marchioness alone was wretched. She supped with a select party, in a pavilion on the sea-shore, which was fitted up with peculiar elegance. It was hung with white silk, drawn up in festoons, and richly fringed with gold. The sofas were of the same materials, and alternate wreaths of lamps and of roses entwined the columns. A row of small lamps placed about the cornice, formed an edge of light round the roof which, with the other numerous lights, was reflected in a blaze of splendour from the large mirrors that adorned the room. The Count Muriani was of the party; — he complimented the marchioness on the beauty of her daughters; and after lamenting with gaiety the captives which their charms would enthral, he mentioned the Count de Vereza. ‘He is certainly of all others the man most deserving the lady Julia. As they danced, I thought they exhibited a perfect model of the beauty of either sex; and if I mistake not, they are inspired with a mutual admiration.’ The marchioness, endeavouring to conceal her uneasiness, said, ‘Yes, my lord, I allow the count all the merit you adjudge him, but from the little I have seen of his disposition, he is too volatile for a serious attachment.’ At that instant the count entered the pavilion: ‘Ah,’ said Muriani, laughingly, ‘you was the subject of our conversation, and seem to be come in good time to receive the honors allotted you. I was interceding with the marchioness for her interest in your favor, with the lady Julia; but she absolutely refuses it; and though she allows you merit, alleges, that you are by nature fickle and inconstant. What say you — would not the beauty of lady Julia bind your unsteady heart?’.
‘I know not how I have deserved that character of the marchioness,’ said the count with a smile, ‘but that heart must be either fickle or insensible in an uncommon degree, which can boast of freedom in the presence of lady Julia.’ The marchioness, mortified by the whole conversation, now felt the full force of Vereza’s reply, which she imagined he pointed with particular emphasis.
The entertainment concluded with a grand firework, which was exhibited on the margin of the sea, and the company did not part till the dawn of morning. Julia retired from the scene with regret. She was enchanted with the new world that was now exhibited to her, and she was not cool enough to distinguish the vivid glow of imagination from the colours of real bliss. The pleasure she now felt she believed would always be renewed, and in an equal degree, by the objects which first excited it. The weakness of humanity is never willingly perceived by young minds. It is painful to know, that we are operated upon by objects whose impressions are variable as they are indefinable — and that what yesterday affected us strongly, is to-day but imperfectly felt, and to-morrow perhaps shall be disregarded. When at length this unwelcome truth is received into the mind, we at first reject, with disgust, every appearance of good, we disdain to partake of a happiness which we cannot always command, and we not unfrequently sink into a temporary despair. Wisdom or accident, at length, recal us from our error, and offers to us some object capable of producing