where was clustered a crowded mass of velvety lotus leaves. Kin said that the water of the moat used to be very deep and as clear as a mirror; and that, here and there, were large patches of lotus leaves, which, in the blooming season, looked like unevenly woven brocade with a raised pattern of white-and-pink blossoms.
"What did the castle look like, Kin? I want to hear again," I said, looking across the dykes to the ruined walls and piles of heaped-up stones on the top of the hill.
"Like all castles, Etsu-bo Sama," she replied, "except that this was ours."
It was not often that Kin's gay spirits were sobered, but she stood gazing gravely across at the ruins, saying nothing more.
I turned my face toward the hill and closed my eyes, trying to see, in my mind, the picture so often painted for me by the loyal lips of Jiya or Ishi. A great square mass of stone and plaster with narrow, white-barred windows and tiers of curving roofs artistically zig-zagging over each other in such a manner that an object thrown from any corner would find an unobstructed path to the ground; and high above the deep eaves and many-pointed roofs, on each end of the curving roof-ridge, a bronze fish with uplifted tail shining rich and dark in the sunshine. Below, at the base of the pine-topped dykes, slept in dark quietude the waters of the moat—called "the bottomless" by simple-hearted people—whose clear waters reflected the six-sided stones of the "tortoise-back" wall.
"Come, Etsu-bo Sama, we must go."
I opened my eyes with a jerk. Nothing of the picture was there except the dykes that once formed a protection from flying arrows and shooting spears, and now were only hilly, peaceful vegetable gardens.
"All of this ground beyond," said Kin, with a wide sweep of her hand as we started toward home, "was once covered with beautiful gardens of noble retainers whose mansions were gathered about the outer wall of the castle. Now all that beauty is crushed into hundreds of plain little farms; and some of them, like ours, are ploughed by the unused hands of vassals of the 'ancient glorious'!"
Kin was quiet all the way home, and I walked soberly by her side, with my bright anticipations for the morrow's celebration somewhat dampened.
"Castle Sinking" is a term used in Japanese literature to describe the sublime desolation of the useless castle of a conquered people. The new government was both wise and generous in its endeavour to help its subjects adjust themselves to the puzzling situation which confronted them at the close of the war, but Nagaoka people were slow to forget. Many still believed that to have dragged the god-descended Emperor from his palace of holiness and peace, only to plunge him into a material world of sordid duties, was sacrilege; and that the failure of the shogun power to march steadily on its rightful way was a sorrowful thing for Japan.
I was many years younger than the time of the Restoration, but its memories were with me all through my childhood, for I was born not so long after those years of desolation and bitterness but that the everyday talk of the town was of the awful days that had left so many homes without a master. In my babyhood I heard war-songs as frequently as lullabies, and half of my childhood stories were tales of heroes on the battlefield. From the gateway of my home could be seen the ruined walls and half-filled moat of the castle, our godowns were filled to the roof with weapons and belongings of my father's retainers, and I scarcely ever went on to the street that I did not meet some old person who, as I passed, would stand humbly aside, bowing and bowing, with respectful and tearful murmurings of the "glories of the past." Ah me! Death had stepped many times between the strain of those days and the hesitating progress of my childhood's time, and yet the old spirit of dutiful loyalty to the overlord was not yet quenched.
May 7, 1869, was the day on which all power was removed from Nagaoka castle by the new Government, and after the bitterness of the first few years had passed, the anniversary of that day was always observed by the samurai families of the town. To the newcomers and to the tradespeople, the celebration was only an interesting episode, but to those who took part it was a tribute to the dying spirit of chivalry. The morning after my walk with Kin by the castle moat, I wakened with an excited feeling that something was going to happen. And indeed, it was a day of busy happenings! For breakfast everybody ate black rice—rice husked but not whitened, such as is used by soldiers during the haste of battle marches—and in the afternoon a sham battle was held on Yukuzan plain back of the shrine dedicated to the Nagaoka daimios.
What a gay assemblage there was that day! Most of the aristocracy were poor and much of their valuable armour had been disposed of, but everybody had retained some, and each one appeared in what he had. I can even now see the procession as it started, with my father as leader. He sat very straight on his horse, and, to my childish eyes, looked very grand in his cloth garment with close-wrist sleeves and bloomer-like skirt, over which rattled and clanged the lacquer-scaled breastplate with its cross-stitching of silk cord and its great gold crest. Of course, his own horse was gone, as well as its elaborate trappings, but Mother's ingenuity had decorated a plain harness with cords and tassels twisted from strips of silk, thus transforming a tenant's farm horse into somewhat the appearance of a war steed; and in place of the swords Father was no longer allowed to carry, he wore two sharpened bamboos stuck through his sash. A great crowd of people gathered by the stone bridge at the end of the town to see the little army start out. The spectators had clothed themselves as far as they could in ancient dress, and as they waited, the men all sitting with crossed legs in warrior fashion, they made a courageous-looking company.
Then the drum sounded, and my father raised his saihai—a stick with dangling papers which his ancestors had carried to guide their followers—and rode away, followed by a long train of men in armour as for war. They crossed the fields, climbed the mountain, and, after each warrior had made salutation at the temple, they gathered on the plain for the battle, following it with an exhibition in archery, fencing, spear-throwing, and athletic sports of various kinds.
Our men servants went to Yukuzan plain to watch the sports, but the women were busy all day preparing for the home-coming. Straw mats were spread on the grass and many fires were kindled in the garden over which, tied to a tripod of strong branches, swung large iron kettles holding game seasoned with miso, which with bran-rice forms the food of soldiers in camp. About twilight the little army came riding back. We children, dressed in our best attire, ran out to the big gateway and waited between the two tall lantern stands with the welcoming lights. When Father saw us he opened his iron war-fan and swung it back and forth, as one would wave a handkerchief in greeting, and we bowed and bowed in reply.
"Your honourable father looks to-day as he used to look in the prosperous time," said Mother, half sadly, "and I am thankful that you, his daughter, have seen him so."
The men piled their heavy regalia in a corner of the garden, and sat around the kettles, eating and laughing with the freedom of camp life. Father did not change his clothes, except to throw back his war hat, where it hung by its silk cord, encasing him, front and back, in two Inagaki crests; "thus boldly identifying myself to both friends and enemies," he said, laughing. Then, sitting on a high garden stone, he told war stories to us children, as we crowded close to each other on a straw mat before him.
That was our last celebration in memory of the castle sinking of Nagaoka. On the next May 7th the plain was flooded from a drenching downpour, and the year following, Father was in ill health. The men did not care for the sports without their old lord as leader, so the celebration was postponed to a day that never came.
Father never entirely recovered from the effects of the hard years of the Restoration. Each one as it passed left him looking less like the sturdy, ambitious youth—for he was only thirty at that time—who had held the reins of excited Nagaoka during those desperate days, but his brave, cheerful spirit remained unchanged. Even through the first erratic years of Japan's struggle to gain a foothold in the new world, when people were recklessly throwing off the old and madly reaching out for the new, Father had gone on his way, calm and unexcited. He held, with the most progressive men of his day, a strong belief in the ultimate success of Japan's future, but—and in this he received little sympathy—he also retained a deep reverence for the past. Father, however, was much liked, and he generally could turn aside undesirable comments or lengthy arguments by the aid of a keen sense of humour, which had a way of breaking through his stateliness and dignity