and guide, photograph, c. 1895. Harvard University Archives, HUG 1706.125 (14).
8. Arthur Kingsley Porter’s room at Yale College, photograph, c. 1904. Harvard University Archives, HUG 1706.194.
9. Coutances Cathedral, France. Stanley Parry.
10. Kingsley aged 25 in 1908. Courtesy of Brooklyn Museum Archives. Goodyear Archival Collection. General correspondence (1.1.066): Porter (1910). Location unknown, 1908.
11. Letter from Lucy Bryant Wallace to Kingsley Porter, dated 26 December 1911. Harvard University Archives, HUG 1706.114, Correspondence of Arthur Kingsley Porter and Lucy W. Porter, 1911-25; 1911-12: After engagement.
12. Arthur Kingsley Porter, leaning on railing, Lake George, New York, 1912. Harvard University Archives, HUG 1706.125 (8).
13. Lucy Porter on honeymoon at Lake George, New York, 1912. Harvard University Archives.
14. Harkness Tower,Yale, New Haven, CT. Michael Cullen.
15. Soldiers removing art works from Cathedral in Reims, c. 1918. From Rheims and the Battles for its Possession, Illustrated Michelin Guides to the Battle-Fields (1914-1918) (Clermont-Ferrand: Michelin & Cie, 1919; published in eBook format by Project Gutenberg, 2011), p.23.
16. Letter from Kingsley Porter in Rome to Lucy Porter in Paris, dated 13 November 1918. Harvard University Archives, HUG 1706.114, Correspondence of Arthur Kingsley Porter and Lucy W. Porter 1911-25, 1918.
17. Cormicy Church (c. 1918). From Rheims and the Battles for its Possession, Illustrated Michelin Guides to the Battle-Fields (1914-1918) (Clermont-Ferrand: Michelin & Cie, 1919); published in ebook format by Project Gutenberg, 2011, p. 145.
18. Notre Dame, Pontorson, France, taken by A. Kingsley Porter. Courtesy of Brooklyn Museum Archives, Goodyear Archival Collection, General correspondence (1.1.066): Porter (1910).
19. Photograph of Spanish monument, Santillana del Mar, Santander, Spain, taken by the Porters, n.d. Courtesy of Brooklyn Museum Archives, Goodyear Archival Collection, Visual materials (6.1.012): miscellaneous photographs.
20. Porters in car with chauffeur. Harvard University Archives, HUG 1706.125, Box 1, folder 1.
21. Bernard Berenson and I Tatti. Courtesy of Wikipedia Commons.
22. Elmwood, Cambridge, MA. Courtesy of Wikipedia Commons.
23. Arthur Kingsley Porter in Spain, c. 1924. Harvard University Archives, HUG 1706.125p (Folder 13), W272203_1.
24. Faculty members of Harvard’s Fine Arts Department in the courtyard of the new Fogg Art Museum, January 1927. Standing (left to right): Meyric R. Rogers, Langdon Warner, George H.Edgell, Arthur Kingsley Porter, Chandler R. Post, Martin Mower, Kenneth Conant; seated (left to right): Paul J. Sachs, George H. Chase, Denman W. Ross, Edward W. Forbes, Arthur Pope. Harvard University Archives, HUG 1706.125, Box 1, folder 11.
25. Sarcophagus of Alfonso Ansúrez, son of Count Pedro Ansúrez. From the monastery of San Benito, Sahagún, León, Spain. Courtesy of Wikimedia Commons.
26. Lucy and Kingsley Porter at Elmwood, Cambridge, MA, photograph, c. 1920. Harvard University Archives, HUG 1706.125p, Hollis No: olvwork272201; Photo no:W272201_1.
27. Passport photograph of Arthur Kingsley and Lucy Porter. Harvard University Archives, HUG 1706.125, Box 1, folder 4.
28. Kingsley sitting on the steps at Elmwood, Cambridge, MA. Harvard University Archives.
29. High Crosses at Clonmacnoise, Co. Offaly. Michael Cullen.
30. Signature of Arthur Kingsley Porter on the frontispiece of Psychoanalysis and Aesthetics (1924) by Charles Baudouin in Glenveagh Castle Library. Michael Cullen.
31. Glenveagh Castle, set amid the spectacular lakes and Derryveagh Mountains in Donegal; Glenveagh Castle exterior. Both Michael Cullen.
32. View of Lake George, Adirondacks Region, New York, 1912. Harvard University Archives, HUG 1706.125 (3).
33. Repairs to ruined cottage on Inishbofin, photograph, c. 1929. Harvard University Archives, HUG 1706.125 (10).
34. Library in Glenveagh Castle. Michael Cullen.
35. Æ (George Russell). Courtesy of Wikipedia Commons. Paintings by Æ in Glenveagh Castle library. Michael Cullen.
36. Master bedroom in Glenveagh Castle. Michael Cullen.
37. Havelock Ellis, from Stefano Bolognini, Havelock Ellis: Philosopher of Love (Cambridge: Riverside Press, 1928), photograph by Houston Peterson.
38. Porter holding pages of a newspaper or photographs. Harvard University Archives, HUG 1706.125, Box 1.
39. Lowell House at night, Harvard, Cambridge, MA. Michael Cullen.
40. Map of Donegal coastline and Inishbofin Island, from a mural in Falcarragh, Co. Donegal. Photograph by Michael Cullen.
41. Cliffs on Inishbofin. Michael Cullen.
42. Man wading and man in rowboat, Inishbofin shore, photograph, c. 1929. Harvard University Archives, HUG 1706.125 (12).
43. Woodland Cemetery, Stamford, CT, USA. Michael Cullen.
44. Inishbofin Island showing ruined hut. Michael Cullen.
45. Arthur Kingsley Porter, Courtesy of Glenveagh Castle Archives.
Acknowledgements
There are so many people to thank for their time and assistance during the researching and writing of Glenveagh Mystery, and for supporting the Arthur Kingsley Porter Project. A huge thank you to everyone involved, especially to each of the following:
Thomas Williams, without your original idea and persistent belief that this story was worth investigating, there would never have been such a book;
Theresa Cullen, for helping with all the research in Pusey Library in Harvard, in the British Library in London, in the National Archives of Ireland and National Museum in Dublin, and for trolling through so many archaic American newspapers and digital archives;
Michael Cullen, for adding such beauty and depth by the inclusion of your superb photos of Co. Donegal; of the High Crosses; of Cambridge, MA, and Connecticut, and for all the great graphic design suggestions;
Anthony Costigan, for the sharing of your brilliant ideas for the development of the story;
Robert Marburg, for your guided tour of Massachusetts and Connecticut, and for all your support and enthusiasm;
Raymond McGovern, for your help with the research of documents at the National Archives of Ireland, the National Museum of Ireland, and the Garda Museum at Dublin Castle, and for your constant support;
Lisa Hyde from the Irish Academic Press and Merrion, for your faith in the story and for all your brilliant editing and production;
Seamus Heaney, for your generous permission to allow me to quote
from your beautiful poem, Lovers on Aran, and for all your kindness and support;
Loïc Jourdain and Cliodhna Kennedy of Lugh Films, for your support and guidance with the entire Arthur Kingsley Porter Project;
Pauline Sweeney and Donegal Airport for your generous sponsorship of the Arthur Kingsley Porter Project and website;
David Duggan, Regional