Tom Garvin

The Books That Define Ireland


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in Ireland opposed a scheme for minting Irish copper halfpence and farthings which came about because of the need to fund a pension for a mistress of the King. Wolverhampton entrepreneur William Wood got the contract to mint coins to the face value of £100,800 for £10,000. The King signed his approval in July 1722 and the Irish Revenue Commissioners had objected strenuously to the Treasury in London some two years before Swift joined the fray as Drapier. Ireland had not been permitted to mint currency since Tudor times, and sometimes the circulation of money was poor. Wood’s scheme was perceived by the Irish Establishment as the wanton mismanagement of Irish affairs by Englishmen and as a test of strength between officials in Dublin and London. The scheme unravelled. The London government under Walpole proposed some concessions, a smaller issue of coins with more copper in them than proposed by Wood. But the compromises were politically unsuccessful. Wood lost his patent and was recompensed. For Swift the underlining problem was one of attitudes to the Irish with whom he, born in Dublin to English parents, sided. As put in a 1724 open letter to Lord Chancellor Middleton from the Drapier:

      As to Ireland, they know little more than they do about Mexico, further than is a country subject to the king of England, full of bogs, inhabited by wild Irish Papists, who are kept in awe by mercenary troops sent from thence. And their general opinion is, that it were better for England if this whole island were sunk into the sea; for they have a tradition that, every forty years there must be a rebellion in Ireland. I have seen the grossest suppositions pass upon them; that the wild Irish were taken in toils, but that, in some time, they would grow so tame as to eat out your hands. I have been asked by hundreds, and particularly by my neighbours, your tenants at Pepper-harrow, whether I had come from Ireland by seas. And upon the arrival of an Irishman to a country town, I have known crowds coming about him, and wondering to see him look so much better than themselves.

      Prudent laws, Swift first argued in A Proposal for the Universal Use of Irish Manufacture, encouraged industrious cultivation in England but in Ireland landlords were ‘everywhere, by penal clauses, absolutely prohibiting their tenants from ploughing’. As a result it was cheaper to import corn from England. Swift lambasted country landlords (and landed clerics by implication) who ‘by unmeasurable screwing and racking their tenants all over the kingdom have already reduced a miserable people to a worse condition than peasants in France, or the vassals in Germany and Poland’. In various 1729 writings he disparaged the modest proposals of others for schemes for improvement that, for all that these might work in other countries, ignored the fundamental barriers to the economic improvement of Ireland:

      Another 1729 unpublished essay, The Truth of Some Maxims in State and Government examined with reference to Ireland – his most coherent analysis of the political context of Irish social and economic problems – summed up how trade barriers imposed by England, patronage on matters such as charters to mint coinage and an absentee landlord system that promoted rack-renting, made maxims for improving land and industry ineffectual in Ireland. Such maxims presumed that the people of Ireland enjoyed natural rights in common with the rest of mankind who had entered into civil society. And as for the maxim ‘that people are the riches of a nation’, this clearly did not hold in the Irish case. With little of the satire of A Modest Proposal, Swift declared:

      Swift’s grim unpublished assertion that the Irish poor might be better off dead was reworked as satire in A Modest Proposal. But he disagreed with the unnamed ‘skilful computer’ in an undated sermon, Causes of the Wretched Condition of Ireland, that must have been written around the same time as A Modest Proposal:

      The opening paragraph of this sermon seems to be subverted in the opening paragraph of A Modest Proposal. It begins almost the same way (‘It is a melancholy object to those …’) but instead of workers unable to provide for themselves we are told about female beggars followed by their children in rags, destined to become thieves or sell themselves to Barbados. A Modest Proposal was close in content and argument but often only slightly more sardonic in tone than the bitter unpublished writings, serious polemics and sermons he wrote during the 1720s on the condition of Ireland. Across these, the same voice, the same arguments and the same obsessions are readily discernible. As such A Modest Proposal cannot be understood in isolation.

      In The Battle of the Books (1704) Swift described satire ‘as a sort of glass wherein beholders do generally observe everybody’s face but their own’, which was the chief reason why so few were offended by it. A Modest Proposal was not just the palatable and humorous expression of Swift’s frustration but a satire on the impossibility of schemes of improvement proposed by others and a mirror held up to his own face that mocked the Protestant patriot case for economic autonomy and constitutional reform he earnestly advanced. For making this case he came to be celebrated by subsequent generations of patriots and nationalists as varied as Henry Grattan, Wolfe Tone, Thomas Davis and John Mitchel. In 1847, Mitchel edited a pamphlet on behalf of the Irish Confederation entitled Irish Political Economy that republished Swift’s A Proposal for the Universal Use of Irish Manufacture and pressed it into the service of a new separatist ideal.

      Swift