Owen McGee

A History of Ireland in International Relations


Скачать книгу

had ever existed, let alone thrived, was purely a fiction.79 ‘Ossianic’ societies soon acquired British royal patronage, while Charles Villiers Stanford, a Dublin-born founder of the music school of the University of Cambridge, composed a Lament for the Sons of Ossian to equate all Irish nationalists with being ignorant believers in a historical fiction. This prompted W.B. Yeats, an Irish cultural nationalist poet, to purposively entitle his first collection The Wanderings of Oisin.80 These debates about Irish life altered around the end of the nineteenth century. The Catholic Church, which had been legalised within the United Kingdom in 1850, encouraged an Irish language revival as part of a cultural nationalist movement that essentially defined itself against two notions of an Anglophone world. First, it labelled the equation of modernity with secularism as an Anglophone delusion. Second, it labelled cosmopolitan cultures and commercialism as an anti-intellectual force. If Britain had been, in Napoleon Bonaparte’s words, a ‘nation of shopkeepers’, Irish cultural nationalists were now encouraged to believe that Ireland’s destiny was to be a nation of schoolteachers.81

      ********************************