Anne Rowthorn

Wisdom of John Muir


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heaven, a mirror reflecting the Creator.… In the midst of such beauty, pierced with its rays, one’s body is all one tingling palate.”

      Up and away to Lake Tenaya—another big day, enough for a lifetime. The rocks, the air, everything speaking with audible voice or silent; joyful, wonderful, enchanting, banishing weariness and sense of time. No longing for anything now or hereafter as we go home into the mountain’s heart. The level sunbeams are touching the fir-tops, every leaf shining with dew. Am holding an easterly course, the deep canyon of Tenaya Creek on the right hand, Mt. Hoffman on the left, and the lake straight ahead about ten miles distant, the summit of Mt. Hoffman about three thousand feet above me, Tenaya Creek four thousand feet below and separated from the shallow, irregular valley, along which most of the way lies, by smooth domes and wave-ridges. Many mossy emerald bogs, meadows, and gardens in rocky hollows to wade and saunter through—and what fine plants they give me, what joyful streams I have to cross, and how many views are displayed of the Hoffman and Cathedral Peak masonry, and what a wondrous breadth of shining granite pavement to walk over for the first time about the shores of the lake! On I sauntered in freedom complete; body without weight as far as I was aware; now wading through starry parnassia [evergreen] bogs, now through gardens shoulder deep in larkspur and lilies, grasses and rushes, shaking off showers of dew; crossing piles of crystalline moraine boulders, bright mirror pavements, and cool, cheery streams going to Yosemite; crossing bryanthus [red heather] carpets and the scoured pathways of avalanches, and thickets of snow-pressed ceanothus [a woody shrub]; then down a broad, majestic stairway into the ice-sculptured lake-basin.

      The snow on the high mountains is melting fast, and the streams are singing bank-full, swaying softly through the level meadows and bogs, quivering with sun-spangles, swirling in pot-holes, resting in deep pools, leaping, shouting in wild, exulting energy over rough boulder dams, joyful, beautiful in all their forms. No Sierra landscape that I have seen holds anything truly dead or dull, or any trace of what in manufactories is called rubbish or waste; everything is perfectly clean and pure and full of divine lessons. This quick, inevitable interest attaching to everything seems marvelous until the hand of God becomes visible; then it seems reasonable that what interests Him may well interest us. When we try to pick out anything by itself, we find it hitched to everything else in the universe. One fancies a heart like our own must be beating in every crystal and cell, and we feel like stopping to speak to the plants and animals as friendly fellow-mountaineers. Nature as a poet, an enthusiastic workingman, becomes more and more visible the farther and higher we go; for the mountains are fountains—beginning places, however related to sources beyond mortal ken.

      —JOURNAL ENTRY, JULY 27, 1868

      THIS SELECTION COMES FROM John Muir’s first book, The Mountains of California, published in 1894 when he was 56 years old. Drawn from journals he never intended to publish, the book is an extended homage to the mountains, glaciers, forests, and valleys, flora and fauna of the Sierra. Some of Muir’s favorite flowers mentioned here were varieties of heather, reminiscent of the heather on the hills of his native Scotland.

      How glorious a greeting the sun gives the mountains! To behold this alone is worth the pains of any excursion a thousand times over. The highest peaks burned like islands in a sea of liquid shade. Then the lower peaks and spires caught the glow, and long lances of light, streaming through many a notch and pass, fell thick on the frozen meadows. The majestic form of Ritter was full in sight, and I pushed rapidly on over rounded rock-bosses and pavements, my iron-shod shoes making a clanking sound, suddenly hushed now and then in rugs of bryanthus [red heather], and sedgy lake-margins soft as moss. Here, too, in this so-called “land of desolation,” I met cassiope [mountain heather], growing in fringes among the battered rocks. Her blossoms had faded long ago, but they were still clinging with happy memories to the evergreen sprays, and still so beautiful as to thrill every fiber of one’s being. Winter and summer, you may hear her voice, the low, sweet melody of her purple bells. No evangel among all the mountain plants speaks Nature’s love more plainly than cassiope. Where she dwells, the redemption of the coldest solitude is complete. The very rocks and glaciers seem to feel her presence, and become imbued with her own fountain sweetness. All things were warming and awakening. Frozen rills began to flow, the marmots came out of their nests in boulder-piles and climbed sunny rocks to bask, and the dun-headed sparrows were flitting about seeking their breakfasts. The lakes seen from every ridge-top were brilliantly rippled and spangled, shimmering like the thickets of the low Dwarf Pines. The rocks, too, seemed responsive to the vital heat—rock-crystals and snow-crystals thrilling alike. I strode on exhilarated, as if never more to feel fatigue, limbs moving of themselves, every sense unfolding like the thawing flowers, to take part in the new day harmony.

      Now came the solemn, silent evening. Long, blue, spiky shadows crept out across the snow-fields, while a rosy glow, at first scarce discernible, gradually deepened and suffused every mountain-top, flushing the glaciers and the harsh crags above them. This was the alpenglow, to me one of the most impressive of all the terrestrial manifestations of God. At the touch of this divine light, the mountains seemed to kindle to a rapt, religious consciousness, and stood hushed and waiting like devout worshipers. Just before the alpenglow began to fade, two crimson clouds came streaming across the summit like wings of flame, rendering the sublime scene yet more impressive; then came darkness and the stars.

      —The Mountains of California

      EVERY MOMENT IS AN OPPORTUNITY to be awake to the overpowering beauty of nature.

      Go where you may, you everywhere find the lawn divinely beautiful, as if Nature had fingered and adjusted every plant this very day. The floating grass panicles are scarcely felt in brushing through their midst.… Parting the grasses and looking more closely you may trace the branching of their shining stems, and note the marvelous beauty of their mist of flowers, the glumes and pales exquisitely penciled, the yellow dangling stamens, and feathery pistils. Beneath the lowest leaves you discover a fairy realm of mosses,…their precious spore-cups poised daintily on polished shafts, curiously hooded, or open, showing the richly ornate peristomas worn like royal crowns. Creeping liverworts are here also in abundance, and several rare species of fungi, exceedingly small, and frail, and delicate, as if made only for beauty. Caterpillars, black beetles, and ants roam the wilds of this lower world, making their way through miniature groves and thickets like bears in a thick wood.

      And how rich, too, is the life of the sunny air! Every leaf and flower seems to have its winged representative overhead. Dragon-flies shoot in vigorous zigzags through the dancing swarms, and a rich profusion of butterflies…make a fine addition to the general show.… Humming-birds, too, are quite common here, and the robin is always found along the margin of the stream, or out in the shallowest portions of the sod, and sometimes the grouse and mountain quail, with their broods of precious fluffy chickens. Swallows skim the grassy lake from end to end, fly-catchers come and go in fitful flights from the tops of dead spars, while woodpeckers swing across from side to side in graceful festoon curves—birds, insects, and flowers all in their own way telling a deep summer joy.

      —The Mountains of California

      JOHN MUIR MAY HAVE CARRIED in his mind the hymn, written in 1848, by the Irish poet, Cecil Frances Alexander, “All Things Bright and Beautiful.” Her words resonant with those of John Muir, “All things bright and beautiful,/all creatures great and small,/all things wise and wonderful: the Lord God made them all./Each little flower that opens,/each little bird that sings,/God made their glowing colors, and made their tiny wings./The purple-headed mountains,/the river running by,/the sunset and the morning that brightens up the sky.… ”

      In the morning everything is joyous and bright, the delicious purple of the dawn changes softly to daffodil yellow and white; while the sunbeams pouring through the passes between the peaks give a margin of gold to each of them. Then the spires of the firs in the hollows of the middle region catch the glow, and your camp grove is filled with light. The birds begin to stir, seeking sunny branches on the edge of the meadow for sun-baths after the cold night, and looking for their breakfasts, every one of them as fresh as a lily and as charmingly arrayed. Innumerable