my royal friend, I had, a few days before, written a humorous little poem in order to entertain him. It was to be his advance birthday present, I explained. Wordsworth it certainly wasn’t, but it was never intended to be anything more than some rhyming memories. He smiled, looking bemused as I recited it. I acted out some of the verses, and he nodded as he recognized our different encounters over the years. What would my drama teacher from Sydenham County Girls School have made of my performance? What would my English mistress, Miss Kibblewhite, have thought of her favourite student, with whom at eleven she had walked around the playground quoting Tennyson and Longfellow? What a nerve I had to write such a poem to the Queen of England’s husband! But the truth is that I had grown to love this special, unattainable prince of a man, whose kind words had brought much pleasure to my often solitary life.
A gentle tap on the door signalled that our allotted hour had run its course. Dale White entered and agreed to snap a photo of us, for which Prince Philip let me take a rose from the bouquet on the coffee table. I asked if I could give His Royal Highness a goodbye hug as who knew if we might ever see each other again. He chuckled, shaking his head, but with that familiar twinkle in his eye, he took my shoulders and gave me a brief kiss on each cheek. Thus, I said goodbye to my prince as one of the RCMP men held open my coat. I explained that it had been seventeen years since we last met and that I had played several times for him and the Queen. “We all love your music,” the officer told me, before escorting me back along the corridor to the hotel lobby. Even though our friendship had never been romantic, this meeting definitely had nostalgic echoes of my days with Pierre and the RCMP. But would I ever see my prince again? As I travelled home in a Toronto taxi, I felt a lump in my throat and was unable to suppress the tears in my eyes as I imagined that this afternoon tea might actually have been our very last encounter.
14
On the Road Again
One of the agents from the agency who had booked me a few small towns out west, balked when I inquired about folk festivals, replying “Liona, let’s face it, you’re too old to do those.” Feeling insulted by his ageist response, I called a woman friend I knew in Toronto who, within a week, had booked me two — too old my foot! No doubt many of my fans presume it’s all easy going for me, but this music business is actually much more challenging than they realize!
Through a referral by one of the theatre managers I knew, in 2013 I started to work with Catherine (Cat) McBride, a woman almost two decades my junior whom I first hired as a personal assistant. Very soon after, seeing how well she presented herself and how fast she taught herself about my career, I elevated her to the role of manager. Everyone from the record label executives to the concert hall managers liked her.
Cat started booking me almost immediately, negotiating a Canadian Snowbird Tour that included both Canadian and U.S. dates. Michael and I shared the program with John McDermott and Bowser and Blue, among others. The Medipac-sponsored shows meandered around Ontario drawing large crowds and had become an annual tradition for many of the performers. Each morning one of the lecturers, “Dr. Bob,” led a brisk pre-breakfast walk for our little clan, and every evening most of the group of executives, volunteers, and performers went out to feast and carouse until the wee hours. I joined them a couple of times but mostly opted to stay back at my hotel to catch up on email and compose new music. When we played Montreal, the handsome and charming Daniel Lavoie, who had guested on The Return, came to hear the show, much to the delight of all the Francophone women in the audience. When he showed up backstage for a few hugs and photos, Cat was instantly smitten and the next day rushed to order his CDs!
• • •
My life in Toronto kept me busy giving concerts, learning new songs, and occasionally giving a speech, such as the one on musician’s focal dystonia I presented for the Room 217 Foundation and another lecture I gave to the General Practice Psychotherapy Association. Michael and I performed “Canada, My Canada” and “Thank You for Bringing Me Home” at the NHL Alumni Awards Gala dinner, and we sang my songs accompanied by the Ottawa Children’s Choir at the Governor General’s History Awards. A concert at the Christ Church Cathedral in Ottawa brought back sweet memories of my many Ottawa appearances over the years. The Canadian Music Competition, which I won over forty years ago in Trois Rivières, Quebec, asked me to be their honorary patron, and I was invited to host Youth Day in Yonge-Dundas Square, a strange choice as I was no expert on hip hop and rap music. It made for a fun experience, as did strutting the runway in a custom-designed red evening dress for the Heart and Stroke Foundation’s gala fundraiser fashion event and donning funky boots and orchid headdress for the Stephen Lewis Foundation’s “Dare to Wear.”
• • •
In January of 2014 the American leg of our Canadian Snowbird tour started with two shows staged in the massive convention centre in Lakeland, Florida, where thousands of Canadians escaping from their cold, snowy provinces flock each year to hear familiar talent and enjoy all things Canadian. Michael and I enjoyed premiering a new song with a Mexican-style chorus melody and arrangement that I had composed specifically for this tour called “Happy to Be a Snowbird.”
“We’re happy and free, the sun and the warm winds agree, we’re happy to be a snowbird, we’ll never be alone, both places feel like home, we’re happy to be a snowbird!”
After Florida we flew to McAllen, Texas, a place with the dubious distinction in 2012 of being listed as the fattest city in America. One evening I took a solo walk around the massive parking lot of the convention centre. For amusement I gave myself a challenge — to return to my room with a new song. Within five minutes I had the chorus and melody to “This Song Is All About You.” I have no clue how I chose such an unusual story — the song addresses a major tycoon, a Steve Jobs character, from the perspective of his wife or ex-girlfriend. In El Salvador I had once used a parking lot as my guitar-tuning dressing room, but this was the first time I had ever been able to sum up any songwriting inspiration in one! I suppose musical creativity is not always dependent upon location. I wrote out the lyrics and melody on a sheet of hotel paper and filed away to show Michael, who was more adept than I when it came to adding interesting guitar chord inversions, thanks to his exposure to the world of rock guitar.
The Snowbird tour itinerary allowed five free days in between McAllen, Texas, and Mesa, Arizona, so I invited Cat to accompany me to Sedona. Fortunately, she was an excellent driver. Had I navigated there myself that evening, I am sure I would have ended up lost in the winding and shadowy mountain roads. The next morning we had coffee at Enchantment Resort, where I had once stayed with Jack. We soaked in hot tubs under the stars, hiked the stony hill trails, and got caught up in a New Age yoga festival, complete with wind chimes, chanting seekers in faded cotton robes, and a meditation session that we gatecrashed. Sedona is supposedly a spiritual vortex, but I don’t think it aligned our energies much, other than giving us a break from the non-stop food and drink routines generously sponsored by Medipac.
On the return drive to Phoenix, Cat and I passed through the once-booming silver mine town of Jerome, a historic, dusty little place, but nothing to compare with the fascinating silver mine towns of Mexico. After two weeks I had completed my part of the tour and looked forward to returning to Florida’s tropical weather. On the way home planes were grounded due to a massive snowstorm in Atlanta, and I had no choice but to take a four hundred dollar taxi from Orlando back to Palm Beach. Ah, these concert tours and all the travel involved were never easy!
• • •
That March Cat booked Michael and I a tour of western Canada promoted by Bill Stevenson, and more than once I asked myself why I was braving the winter winds in chilly Victoria and Calgary when I could have stayed sipping iced macchiato in Via Flora, three blocks from my Palm Beach house. Warm weather alone is obviously not what fulfills me for any great length of time, as performing for appreciative audiences stimulates me in ways only a fellow performer can truly appreciate. Every time I find myself onstage singing, I still pinch myself that I have somehow pulled off this major career reinvention and become a singer-songwriter, while still using the classical guitar as my main instrument of expression.
I caught Michael’s cold toward the end of the Western tour, and now that my vocal chords were an essential part of the show I