arm of marketing can’t touch Shroom now.
It’s a Zen thing, watching punts, as absorbing in its way as watching goldfish paddle around an ornamental pond. Billy would happily watch punts for the rest of the afternoon except the fans behind him start pounding his back, crying, Look! Look! Check out the Jumbotron! And there on the screen loom the eight operational Bravos literally bigger than life, plus Albert, who’s smiling like a proud new papa. Small pockets of applause spark off here and there. The Bravos assume postures of masculine nonchalance. Mainly they’re trying not to stare at themselves on the screen, but so pumped with the moment is Sykes that he starts mouthing off and flashing gangsta signs. To a man Bravo tells him to shut the fuck up, but after a moment the screen cuts to a flags-waving, bombs-bursting cartoon graphic against a background of starry outer space, and from within these inky depths enormous white letters suddenly zoom to the fore
AMERICA’S TEAM PROUDLY HONORS AMERICAN HEROES
which disappears, clearing the way for a second wave
THE DALLAS COWBOYS
WELCOME HEROS OF AL-ANSAKAR CANAL!!!!!!!
STAFF SGT. DAVID DIME
STAFF SGT. KELLUM HOLLIDAY
SPC. LODIS BECKWITH
SPC. BRIAN HEBERT
SPC. ROBERT EARL KOCH
SPC. WILLIAM LYNN
SPC. MARCELLINO MONTOYA
SPC. KENNETH SYKES
As if drawing down energy through the stadium’s blowhole, the applause slowly gathers volume and heft. People moving in the aisle stop and turn their way. The fans behind Bravo come to their feet, the prompt for a slow-motion standing ovation that rolls through their section in a gravity-defying backward wave. Soon the Jumbotron cuts to a hyperactive ad for Chevy trucks, but too late, people are already heading Bravo’s way and there is just no help for it and no escape. Billy rises and assumes the stance for such occasions, back straight, weight balanced center-mass, a reserved yet courteous expression on his youthful face. He came to the style more or less by instinct, this tense, stoic vein of male Americanism defined by multiple generations of movie and TV actors, which conveniently furnishes him a way of being without having to think about it too much. You say a few words, you smile occasionally. You let your eyes seem a little tired. You are unfailingly modest and gentle with women, firm of handshake and eye contact with men. Billy knows he looks good doing this. He must, because people totally eat it up, in fact they go a little out of their heads. They do! They mash in close, push and shove, grab at his arms and talk too loud, and sometimes they break wind, so propulsive is their stress. After two solid weeks of public events Billy continues to be amazed at the public response, the raw wavering voices and frenzied speech patterns, the gibberish spilled from the mouths of seemingly well-adjusted citizens. We appreciate, they say, their voices throbbing like a lover’s. Sometimes they come right out and say it, We love you. We are so grateful. We cherish and bless. We pray, hope, honor-respect-love-and-revere and they do, in the act of speaking they experience the mighty words, these verbal arabesques that spark and snap in Billy’s ears like bugs impacting an electric bug zapper
No one spits, no one calls him baby-killer. On the contrary, people could not be more supportive or kindlier disposed, yet Billy finds these encounters weird and frightening all the same. There’s something harsh in his fellow Americans, avid, ecstatic, a burning that comes of the deepest need. That’s his sense of it, they all need something from him, this pack of half-rich lawyers, dentists, soccer moms, and corporate VPs, they’re all gnashing for a piece of a barely grown grunt making $14,800 a year. For these adult, affluent people he is mere petty cash in their personal accounting, yet they lose it when they enter his personal space. They tremble. They breathe in fitful, stinky huffs. Their eyes skitz and quiver with the force of the moment, because here, finally, up close and personal, is the war made flesh, an actual point of contact after all the months and years of reading about the war, watching the war on TV, hearing the war flogged and flacked on talk radio. It’s been hard times in America—how did we get this way? So scared all the time, and so shamed at being scared through the long dark nights of worry and dread, days of rumor and doubt, years of drift and slowly ossifying angst. You listened and read and watched and it was just, so, obvious, what had to be done, a mental tic of a mantra that became second nature as the war dragged on. Why don’t they just . . . Send in more troops. Make the troops fight harder. Pile on the armor and go in blazing, full-frontal smackdown and no prisoners. And by the way, shouldn’t the Iraqis be thanking us? Somebody needs to tell them that, would you tell them that, please? Or maybe they’d like their dictator back. Failing that, drop bombs. More and bigger bombs. Show these persons the wrath of God and pound them into compliance, and if that doesn’t work then bring out the nukes and take it all the way down, wipe it clean, reload with fresh hearts and minds, a nuclear slum clearance of the country’s soul.
Americans fight the war daily in their strenuous inner lives. Billy knows because here at the contact point he feels the passion every day. Often it’s in their literal touch, a jolt arcing across as they shake hands, a zap of pent-up warrior heat. For so many of them, this is the Moment: His ordeal becomes theirs and vice versa, some sort of mystical transference takes place and it’s just too much for most of them, judging from the way they choke in the clutch. They stammer, gulp, brainfart, and babble, gum up all the things they want to say or never had the words to say them in the first place, so they default to old habits. They want autographs. They want cell phone snaps. They say thank you over and over and with growing fervor, they know they’re being good when they thank the troops and their eyes shimmer with love for themselves and this tangible proof of their goodness. One woman bursts into tears, so shattering is her gratitude. Another asks if we are winning, and Billy says we’re working hard. “You and your brother soldiers are preparing the way,” one man murmurs, and Billy knows better than to ask the way to what. The next man points to, almost touches, Billy’s Silver Star. “That’s some serious hardware you got,” he says gruffly, projecting a flinty, man-of-the-world affection. “Thanks,” Billy says, although that never seems quite the right response. “I read the article in Time,” the man continues, and now he does touch the medal, which seems nearly as lewd as if he’d reached down and stroked Billy’s balls. “Be proud,” the man tells him, “you earned this,” and Billy thinks without rancor, How do you know? Several days ago he was doing local TV and the blithering twit-savant of a TV newsperson just came out and asked: What was it like? Being shot at, shooting back. Killing people, almost getting killed yourself. Having friends and comrades die right before your eyes. Billy coughed up clots of nonsequential mumblings, but as he talked a second line dialed up in his head and a stranger started talking, whispering the truer words that Billy couldn’t speak. It was raw. It was some fucked-up shit. It was the blood and breath of the world’s worst abortion, baby Jesus shat out in squishy little turds.
Billy did not seek the heroic deed, no. The deed came for him, and what he dreads like a cancer in his brain is that the deed will seek him out again. Just about the time he thinks he can’t be polite anymore the last of the well-wishers drift away, and Bravo takes their seats. Then Josh shows up and the first thing he says is, Where’s Major McLaurin?
Dime is casual. “Oh, he said something about needing to take his meds.”
“His meh—” Josh begins, but catches himself. “You guuuuyyyyyzzzzzz.” The very picture of young corporate America on