John Addiego

Tears of the Mountain


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along the eaves, had been mail-ordered by the wealthy old Mexican general after his adobe Casa Grande in the plaza had burned to the ground. It sat back from his vineyards and cornfields, looking down on the dilapidated mission plaza Vallejo had once overseen. Behind it the mountain’s tears welled up into a reservoir dug by Chinese laborers and Digger Indians to nourish the man and his plantation.

      Jeremiah had cleared a site for a similar, if far more modest, kit house to erect near his father’s ramshackle cabin, for which he and Lucinda saved a few dollars every month. A civilized place, as his wife referred to the project, and she deserved it, and they needed it since each had lost a house to fire in past years. Most of the old structures of Sonoma had fallen or burned since the days of the early settlements, and the town itself had fallen like Adam since losing the county seat to Santa Rosa nearly twenty years back. The mission had lost its Mexican charter even before the Bear revolt, and its presidios and garrisons had become barracks for the New York louts of the Pacific Division during the gold rush days, leaving the town little more than an Old West fort full of Eastern drunks.

      Now the old Mexican baron’s cattle grazed the mission plaza, dropping cow pies on the site where the Bear Flag had been raised in ’46. The military drunks were gone for the most part. A few lonely old men in army issue rented rooms in the former barracks, and Chinese and Diggers squatted in the husks of ruined adobe homes. Only one general store, Miller and Pauli, and one saloon, the Pioneer, did business, but a few churches and sturdy houses, the jail, and the former newspaper office had weathered the times, and the new narrow-gauge railroad from Sacramento to Petaluma had erected a tiny station. The town hadn’t altogether kicked the bucket.

      Nor had its mission returned entirely to dust. Jeremiah rode past its crumbling whitewashed walls and cracked, weathered doorway, recalling the dream of Teresa and the years he’d spent with Padre Ignacio. He heard his name hailed from across the square and saw the sheriff, Charles Danvers, waving him over.

      Danvers was a round-shouldered man with a neat mustache and a thoughtful grin, as of somebody remembering a clever jest. He sat with boots up on a pine rail, relaxed. “Coffee’s on the stove,” he said. Jeremiah tied up to the rail and thanked the sheriff for a cup. The hoosegow was cool, a dark adobe square, but its small kitchen wasn’t much more than a lean-to over the woodstove out back.

      “Obliged, Charles.” Jeremiah sat beside him on the porch.

      “The hell brings you to town this early of a morning?”

      “Guess it’s Stiles.”

      “Guess?”

      “Got a telegram.”

      “That was you? I seen a Digger boy ride off from the station. Figured it was Western Union.”

      “Kind of an oddball note. Abner must be in a fix.”

      “Let’s see it.” Danvers stuck his hand out. His brows lowered as he read the telegram. “Sunup’s come and gone. That ’breed’s in the office.”

      “‘Breed?”

      “You know. That boy you took under wing, half-breed they call Hupo or Hupa or something.”

      “He’s there this morning?”

      “‘Course he’s there this morning. Never leaves since you put him in charge of the camera boxes. Wasn’t it you talked Abner into that?”

      Jeremiah tossed the sludgy dregs into the dust. “I better ask Hupa what he knows. Obliged for the coffee. Mind if I leave Esther here?”

      “Suit yourself.”

      THE OLD OFFICE was little more than a toolshed on Spain Street, having been abandoned for equipment storage for several years after the newspaper had moved to Santa Rosa. Chickens from the neighboring adobe of a Chinese family protested Jeremiah’s approach to the shady doorway they were loitering in. The door opened, and a small, compact man of about forty stepped out. The face was a blend of Indian and Anglo-American, accentuated by freckled jowls and spectacles perched on a broad nose. He had a large smile on his face and an envelope in his hand. “Hoping you would come by. This is for you, my friend.”

      Jeremiah embraced Hupa before taking the envelope. “Abner?”

      “Don’t think so, Brother Mac. Some stealth involved. And look at the hand.”

      The address was in a delicate floral script. “Not Abner’s chicken scratch, that’s for certain. Stealth?”

      “I step out to the privy, first thing of the morning,” Hupa waved his arm to the alley between buildings, “and I come back and find it tacked to the door.” He grimaced. “Stealth.”

      “It’s probably for my wife and me, both.” Jeremiah pulled on the corners of his horseshoe mustache. “Historical society is my bet.”

      “Why here and not your home?”

      “San Francisco people. Might know I’ve done some work here, might not know where our place is. So, what are you about today?”

      “Oh!” Hupa waved him inside and closed the door carefully behind him. “Big things, Brother Mac. Catching old shadows.”

      The building was awash in clutter and dust motes: thin rays of light through slits in the fabric covering the windows, bottles, jars, and machinery gathering cobwebs. There was a cot in one corner, a tall oil lantern and stacks of newspapers beside it. In another corner was a table with a large camera box and various plates and jars of glass. The jars held white powders.

      “I’ve always marveled at this,” Jeremiah said. “So, you’re practicing some heliography?”

      “Bringing some old shadows back to life, Brother Mac. Gifts to the visiting heroes.”

      “Abner’s idea?”

      “Too much money if it wasn’t. These chemicals. It’s why I sleep here. Lot of money and dangers in these chemicals. Watch.”

      Jeremiah leaned over Hupa’s shoulder. “Dangers?”

      “Very poisonous. If a child should touch and accidentally lick his finger, that’s the end of that child.” He measured powders from the jars, mixed them carefully in what Jeremiah assumed to be water, and dipped a plate of glass into the solution, using a cradle of twisted fence wire. A man began to emerge as if rising to the surface from deep underwater: narrow face, ferret eyes, aquiline nose, a neat, curling line of black beard.

      “It’s Fremont.”

      “Right. You think he’ll like it?”

      “That must be over thirty years old.” Jeremiah looked from the photograph to the black box that may have taken it, that strange magical eye into the past, a dark room in which light enters through a tiny aperture and projects an image of the world inside the wooden vessel. Here was John Fremont captured during the Bear War. Hardly a hero to Hupa, he thought, nor to himself. “How could you do these old daguerreotypes? I thought the image already got used or printed off the plates.”

      “Still captured. Never really dead.” Hupa smiled. “Today I got the power to bring them back to life.”

      DANVERS HAD WAITED for him. “What’s the story? That ’breed know anything?”

      Jeremiah let the sheriff examine the envelope before extending his hand to retrieve it. “We, my wife and I, figure this has to do with the mission restoration, so...” The sheriff examined the wax seal, then passed a close look at the ornate penmanship on the other side. Jeremiah felt as though he’d seen that chirography at some other time in his life.

      “It ain’t addressed just to your wife. Why don’t you open the damned thing?”

      He slipped it into the pocket that still held shotgun shells. “I better let her look at this. She’s expecting word from the society.”

      “Ah, McKinley.” The sheriff wagged his hand in