Deborah Noyes

Captivity


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pries the page from the book and systematically begins shredding the deathless lips, the sad, scarred sweetness of expression, until only his accusing eyes remain. These she tears also, first one and then the other, flinging him toward the ceiling, letting the confetti of Will Cross rain down on her feet and her furniture.

      Here’s a mess for you, Clara thinks.

      Let that silly girl clean this. Give her real work to do. Let her fall on her knees in vain. Let her see that neither prayer nor wish nor trickery makes it so.

      The dead are silent.

      The dead are gone.

       8 Mad Clara

      Soon, as at the cottage and David’s house and Leah’s former home on Mechanics Square—anywhere the Fox sisters hang their bonnets—the new apartment on Prospect Street resounds with rapping. Nightly there is scuffling and shuffling, shuddering and malevolent snickering. Ma despairs and takes to bed red-eyed, complaining of curses. Merry with malice, the spirits lift the mattress she shares with Leah, letting it fall with a great, jarring thud that leaves Ma howling and Leah grim and shaken, massaging her lower back.

      If, during such antics, Maggie strays in mind, conjuring the Posts or other solemn persons she respects, she chafes and softens her stance, but shame can’t outshine the thrill for long.

      Dozens of press inquiries and investigator requests and beseeching tracts from mourners arrive weekly. Their lives have swollen to twice their natural size, but Leah, whom Ma has entrusted with the administration of their fortunes, persists in promising something larger still.

      The excitement is hard to bear, but in its midst, ordinary life must go on. There is never enough money, fame and popularity notwithstanding. Ma and Kate keep house while Leah traipses about teaching piano (and spreading word of wonders). Maggie is elected to join Lizzie, who cooks and does light housekeeping for pay in the home of a neighboring family. “He’s an old English gentleman,” Leah assures. “A friend of Amy Post’s. Lizzie’s done very well with it.”

      Maggie doesn’t care for being a servant or for being away from Kate. She doesn’t fancy the idea of things happening at home without her, not one bit, and hems and haws, but Leah is adamant.

      “Another student quitted me last week.” Leah glares as if it were Maggie’s fault, as if Maggie might have done something to prevent it. “You’ll fix lunch and do a touch of cleaning after is all. It’s three days a week. Lizzie will see to it the other days.”

      Kate can’t resist the chance to speak a truth no one else will. “So we’re serving-class now? I thought we were improving our prospects, not …” She winks at Maggie, warming her through.

      Maggie holds Kate’s gaze, playing along. “Won’t he make his daughters cook?”

      “He has one, all right. But she’s mad and won’t leave her room,” Leah complains. “Our second day there, she scratched Lizzie like a monkey on her face. I thought to put the wretch over my knee, but now we leave the tray outside her lair. Mr. Gill is too mild to punish her.”

      The notion of a madwoman draped over Leah’s broad lap, crushing her petticoats, is delicious. “Does he beat her?” Maggie begs. “And does she run all up and down the river at night with flowers in her hair like Ophelia?”

      “I’ve said, haven’t I? Mr. Gill’s the mildest kind of gentleman. But you remember Mrs. Bray? She’s hinted, in strictest confidence of course, that the Gills have suffered and leave behind some scandal in London….” Leah sighs, adding with barely concealed satisfaction, “Now, go introduce yourself. See what Mr. Gill has for you. Lizzie has an errand for Mrs. Little, but she’ll come along tomorrow and instruct you fully.”

      Leah marches Maggie to the door, facing her toward Sophia Street. “It’s just six doors down from the Posts’. The Gill residence. Ring, and they’ll let you in and show you your work.”

      

The Gill house smells of must layered under lavender. Master Gill answers the bell himself, and his teeth, the worst Maggie’s ever seen, recall the doomed peddler moldering in the cellar in Hydesville. But he’s otherwise sober in appearance, high-collared with neatly trimmed mustache and sideburns. With his mouth closed, he looks the perfect gentleman, and he scarce notes that she isn’t his lately hired help, not loud-mouthed Lizzie but a stranger off the street, and a newly famous one at that. Come to it, Mr. Gill seems to notice very little. Waving her in, he has the aspect of a mole.

      He leads her to the kitchen, pointing her amiably here and there as she inspects columns of bone china in the cabinet. The front row sparkles, but all else sports a fine fuzz of dust that Maggie wagers is tacky to the touch.

      The wallpaper is formerly grand, grim, you might say, if not for the pictures. Some are fine and delicate, ink-and-watercolor in gilt frames, others just pencil sketches tacked up at random and tending—like that baboon with the murderous shine in its eye—toward morose.

      By the time Maggie finishes her inspection, Mr. Gill has a tea tray all done up for service and is shakily portioning out his own sandwiches, shifting his plate off to a sideboard. “Come,” he says, waving her to the doorway.

      They stand side by side in musty shadows, and he gestures down the long hall, then back at the tray, watching her face anxiously as if she might object. “Third door on the left. Clara likes a whole pot. We’ll make me another when you’ve done with her. Find me in the drawing room.”

      Does she, now … and will we?

      Maggie can’t abide being addressed as a servant, especially in view of her newly elevated status. She imagines a girl like the baboon from the drawing leaping onto her back, but curiosity wins out. It usually does. “You’d like me to pour it for her?”

      “Please. If she’ll allow.”

      Not if you please but if she’ll allow.

      Flashing that frightful smile, he returns for his plate of bread-and-butter sandwiches, heading down the hall with it in the opposite direction. Maggie looks warily after. Mr. Gill seems unduly satisfied about something, brave in his mild way, which bodes ill. But Maggie remembers Lizzie—fearless here before her—and won’t be bested. Lizzie can’t triumph, especially with Kate in the balance.

      “And you’ll see she opens the drapes if needs be?” he calls over a bony shoulder.

      For the fun of it, Maggie dips into a dainty curtsy. “I will, sir.”

      

The figure hovers between velvet curtains as if to slip through to another world. She’s slight, facing away, and her stance slippery, but there’s little else worth remarking on, little at least that smacks of madness in all the melodramatic forms Maggie enjoys. Maggie lives not far from the State Custodial Asylum for Feeble Minded Women, after all, the gabled recesses of which fund the best sort of gossip.

      A shock of silvery hair hangs in lank splendor down Mad Clara’s back, but her satin gown is simple and clean, old-fashioned, nearly the shade of her skin. It’s a color like absence. She’s all watery insubstantial, it seems, till she hears Maggie and turns, leveling those shocking eyes on her—fierce, intelligent eyes in a gaunt face. That’ll cut glass, that look.

      “Hello, miss. Your father said to open the drapes.”

      Mad Clara only stares as if to say, Try.

      “I won’t if you prefer not.”

      “I prefer … not.”

      “Where will you have this?” The tray’s a strain on Maggie’s wrists, but she won’t sigh in complaint.

      “There on the table. Push those papers aside.”

      Maggie does with her elbow,