stood in front of the house, considering it. At least Maria considered it. Her mother said, “How pretty. I like the white stucco,” and her father began to take the suitcases from the car. Maria went on considering.
It was a tidy house. It did not sprawl, as some of its neighbours sprawled, into such follies as little towers and turrets, glassed-in verandas, porches and protrusions of one kind and another. It stood neat and square – or rather, rectangular, for it was longer than it was high – with a symmetrical number of green-shuttered windows upstairs and down, at either side of a black front door with a fan-light above it. Its only frivolity was a pale green iron canopy with a frilled edge that ran the length of the house just beneath the upstairs windows.
“Well, Maria,” said Mr Foster. “Is it anything like you imagined?”
“No,” said Maria.
“About 1820, I should think,” said Mr Foster, in his instructing voice. “That kind of architecture is called Regency.”
And Maria thought, never mind about that, because somewhere there’s a swing. It’s blowing in the wind – I can hear the squeaking noise it makes. Good, I shall like having my own swing. And someone’s got a little dog that keeps yapping. She walked round the corner of the house into the garden, to see where this swing might be, but there was nothing to be seen except a large square lawn, edged with more dense and shaggy shrubbery and a good many trees. At the end of the garden was a hedge, and beyond that the hillside dropped away steeply down towards the sea. The sun had gone in now, and the glitter was gone from the sea. Instead it reached away upwards to the sky, grey-green splashed here and there with white, to melt into a grey-blue sky so gently that it was hard to tell where one began and the other ended. To right and left the coast stretched away in a haze of greens and golds and misty blues, and immediately in front of the town a stone wall curled out into the sea to put a protective arm round a little harbour filled with resting boats, their masts like rows of toothpicks. Gulls floated to and from across the harbour, and on the beach behind it people sat in clumps and dogs skittered in and out of the water. It was a view you could spend much time examining.
The swing, she decided, must be in the adjoining garden, which was almost completely hidden by trees. The house next door, which was large, and of the towered and turreted kind, could just be seen between them. She went back to the front of the house again, where her father was just unlocking the door. They went inside.
“Good grief!” said Mrs Foster. “It’s the real thing! Stopped dead in 1880.”
Whereas outside all had been softly coloured – green and blue and gold – within the house all was solidly brown. The walls, in the hall at least, were panelled. A brown clock ticked upon a table over which was spread a brown velvet tablecloth (“Tassels and all,” said Mrs Foster, picking up one edge and letting it drop again. “My!”). A brownly patterned carpet was spread across part of the brown tiled floor. Thick brown curtains hung at either side of the French windows opening on to the garden, visible through the door of what was clearly the main room. (This, said Maria to herself, is what is called a drawing-room, like they have in books and I have never seen before.) They all three walked into this room, and stood for a moment in silence.
“The drawing-room, I should imagine,” said Maria’s mother.
Bulbous chairs and small, uncomfortable-looking sofas stood about, confronting one another. A vast piano was shrouded in a brown cover made to fit it. On the mantelpiece, stuffed birds sat dejectedly on twigs beneath a glass dome: they seemed, at first glance, to be sparrows but would be worth further investigation, Maria thought. I could look them up, she decided hopefully. She liked looking things up. Perhaps they would turn out to be rare warblers, or something extinct.
They toured the room. On one wall was a huge brown oil painting of a man in Highland costume standing in front of a mountain, surrounded by a great many dead birds and animals. A glass-fronted cabinet stood against another wall, crammed with china ornaments. A bookcase was filled from top to bottom with books that tidily matched one another, all their spines lettered in gold. You could never, Maria thought, never never take a book like that to bed with you. Or read it in the lavatory. You would have to sit on one of those hard-looking chairs, wearing your best clothes, with clean hands.
“Well,” said Mrs Foster, “what do you think of it?”
“I hadn’t thought,” said Maria, “that a holiday house would be like this.”
“To be frank,” said her father, “neither had I.”
They inspected the rest of the house. Downstairs there was a dining-room, in which eight, leather-seated chairs were gathered round a very long table. Above the sideboard hung another brown oil painting in which dead hares, rabbits and pheasants were spread artistically across a chair. There was a further room, which Maria instantly identified (to herself ) as a study, lined with bookcases from floor to ceiling and furnished with more brown chairs and sofas. The kitchen was relatively normal. Upstairs there were several bedrooms and a bathroom. The bath, Maria noted with delight, had feet shaped like an animal’s claws. She considered it for some time before following her parents down the stairs again.
As they reached the hall once more there was a sudden disturbance. The fringed cloth upon the table twitched, and from under it emerged a large tabby cat, which strode into the middle of the carpet and sat staring at them for a moment. Then it set about washing its face.
“Fully furnished seemed to include resident cat,” said Mr Foster. “Nobody said anything about that.”
The cat yawned and wandered out of the open front door. It cast a speculative look at the car and stalked off into a shrubbery.
Mr and Mrs Foster became active and business-like, unloading the car, carrying things into the house and investigating the cooker and the electrical appliances, which seemed to be firmly of the twentieth century. Maria followed them around, helping when asked.
“Which room would you like, darling? This one, with the view of the sea?”
Maria went to the window. It was the same view of the sea and harbour, horizon and cloud, that she had studied from the garden, with, this time, the garden itself in front. The window rattled in a gust of wind and again she thought she heard a swing squeak.
“Yes, please,” she said.
The room itself was small, and much filled with furniture – little round tables with frilled edges, a rather high large bed with brass rails at head and foot, many sombre pictures, and, on one of the tables, a miniature chest about eighteen inches high with many small drawers. Maria opened one, and was confronted with three rows of bluish-grey fossils, like little ridged wheels, neatly arranged on faded brown stuff like felt and labelled in small meticulous handwriting. Promicroceras planicosta, she read. Asteroceras obtusum.
“Well,” said her mother. “We’d better get the cases up. Are you coming?”
“In a minute,” said Maria.
She closed the drawer of the chest, deciding to save the fossils until later. She got up on the bed and bounced. It was lumpy but somehow embracing. The big chest of drawers was empty and smelled of moth-balls. She turned to the window and looked out into the garden. There was a huge dark tree at one side of it that she had not noticed before, a very solid and ancient-looking tree, quite different from the more ordinary and recognisable ones that swayed and shook in the sea wind. The garden seemed to perch on the hillside, suspended above the sea, a bare, rather neglected garden, with hardly any flowers. The trees and shrubberies, though, were inviting. They would have to be explored.
The cat brushed its way into the room, making her jump and stumble against one of the small tables. An ornament fell to the floor. She picked it up and saw guiltily that it was chipped. She put it back on the table.
“Fool,” said the cat.
“What?”
“Fool, I said. I suppose you think you’ll get away with that.”
“I might,” said Maria.
The