John Baxter

Steven Spielberg


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      The Unauthorised Biography

      STEVEN SPIELBERG

      JOHN BAXTER

      Further reviews for Steven Spielberg:

      ‘Diligent, perceptive and with every available anecdote’

      SIMON HATTENSTONE, Guardian

      ‘riveting… retains a healthy objectivity throughout his enthralling account’

      PENELOPE DENING, Irish Times

      ‘… a film-lover’s book, a review of a remarkable era, an exhaustive filmography – a movie about the evolution of Hollywood, with Spielberg as the central character’

      JEREMY LESTER, Jewish Chronicle

      ‘Baxter may have a blockbuster on his hands.’

      RICHARD E. GRANT, Sunday Times

      ‘highly entertaining, packed with interesting information. If you want to know how a Spielberg film was made, what shenanigans went on during the making, or who fell out with whom, it is all here.’

      WILLIAM RUSSELL, The Herald (Glasgow)

      ‘Its usefulness lies in Baxter’s shrewd assessment of Spielberg’s relationship with the wider context of the entertainment industry in general and Hollywood power-politics… the account of Spielberg’s unsettled early years… is illuminating in terms of his later preoccupations.’

      HUGO DAVENPORT, Sunday Telegraph

      ‘Baxter is quietly professional… and makes good use of the copious interviews Spielberg has given throughout his career.’

      ANTHONY QUINN, The Observer

      ‘A very valuable book… the thing that most impresses in his book is the calm, careful and nearly gentle way in which it builds up our disquiet that the movie kingdom and our society as a whole should be so ordered that Steven Spielberg is its Gatsby, its Kane, and such a shining young example… it is Baxter’s most intriguing point that Spielberg not only caters to youthfulness, but extends and preserves it… What is so clever, I think, is Baxter’s sense of a man too narrowly focused to amount to a villain… Baxter’s success is beyond question.’

      DAVID THOMSON, Independent on Sunday

      ‘An impeccably professional film-biographer (he’s already done Buñuel, Fellini, Ford and is now working on Kubrick), Baxter leaves no document unrifled, no fact unchecked, no anecdote untold.’

       Sight and Sound

      ‘… a full, frank and readable account of a man who the public regards as one of the greatest enchanters in the history of film.’

      STUART GILLES, Manchester Evening News

      Contents

       Cover

       Title Page

       7 Jaws

       8 Close Encounters of the Third Kind

       9 1941

       10 Raiders of the Lost Ark

       11 Poltergeist and E.T: The Extraterrestrial

       12 The Twilight Zone: The Movie

       13 Indiana Jones and the Temple of Doom

       14 The Color Purple

       15 Empire of the Sun

       16 Indiana Jones and the Last Crusade

       17 Always and Hook

       18 Jurassic Park and Schindler’s List

      19 The Dream Team

      Notes

      Select Bibliography

      Index

      Acknowledgements

       Keep Reading

       About the Author

       Also by the Author

       Pre-Credit Sequence The Sandcastle

       Filmography

       Copyright

       About the Publisher

      Yesterday, upon the stair,

      I met a man who wasn’t there.

      He wasn’t there again today.

      I wish that man would go away.

      Traditional rhyme

      THE FORCE of American popular art lies in its directness, its simplicity, its economy of means and of scale. Analysis may uncover cultural and autobiographical references, sophistications of technique, even profundity of intellect, but the first appeal of a George Gershwin song, a Walt Disney cartoon, a Norman Rockwell painting is, and must be, commonplace delight.

      Steven Spielberg embodies this tradition. His films, even the sombre Schindler’s List, are machines for delighting us. Almost always they succeed in doing so. It’s not hard to see why. He traffics in what authors of science fiction, his preferred form, call ‘a sense of wonder’, a heightened apprehension