The Golden Elephant. Alex Archer

Elephant Calf Ngwenya had achievements.

      She had even been a celebrity as a little girl. National Geographic had done a spread on the official celebration of the birth of a royal first child of one of Africa’s most powerful tribes, and again on the party her father had thrown for her fifth birthday. At the latter Easy foreshadowed things to come, wowing the crowd playing Mozart’s “Eine Kleine Nachtmusik” on a concert grand piano, then ruining her pink party dress and shoes in a fistfight with the eight-year-old son of the ambassador from Mali. She won.

      Her father was technically the chief of a tribe of South Africa’s Zulu nation and an outspoken critic of the ANC-dominated government. He accused them of repression and corruption, of leading the populous, resource-rich country down the same nightmare path to ruin as neighboring Zimbabwe. Repeated attempts had been made on his life. In one the then-fifteen-year-old Princess Elephant Calf had killed two would-be assassins with two shots from a colossal colonial-era double-barreled elephant gun. What got widely overlooked in the subsequent furor in the world media was the fact that the recoil from the first shot of the monstrous gun had broken Easy’s shooting hand. Yet she had coolly lined up a second shot and blown a hole through the midriff of an adult male wielding a Kalashnikov.