was really beautiful tonight. She had a large comb in her hair and her dress was ablaze with vivid embroidery; she attracted a great many glances without seeming to be aware of them. It was a joy to feel that this brilliant and calm young woman was her friend.
‘You look lovely, too,’ said Françoise. ‘That dress looks so well on you.’
‘It’s old,’ said Elisabeth.
She sat down on the right of Françoise. On her left sat Xavière, insignificant in her little blue dress. Elisabeth rucked up the material of her skirt between her fingers. It had always been her principle to own few but expensive things.
‘If I had money I would certainly be able to dress well,’ she thought. She looked with a little less distress at the back of Suzanne’s well-arranged hair. Suzanne belonged to the tribe of victims. She accepted anything from Claude – but we belong to a different species, we are strong and free and live our own lives. It was from pure generosity that Elisabeth did not reject the tortures of love, yet she did not need Claude; she was not an old woman – I shall say to him gently but firmly: ‘You see, Claude, I have thought it over. I think we ought to change the basis of our relationship.’
‘Have you seen Marchand and Saltrel?’ asked Françoise. ‘They’re in the third row on the left. Saltrel is already coughing; he’s getting ready to spring. Castier is waiting for the curtain to go up before taking out his spittoon. You know he always carries it with him; it’s an exquisite little box.’
Elisabeth glanced at the critics, but she was in no mood to be amused by them. Françoise was obviously preoccupied about the success of the play; that was to be expected, there could be no help from her.
The lights went down and three metallic raps rang out across the silence. Elisabeth felt herself growing completely limp. ‘If only I could be carried away by the acting,’ she thought, ‘but I know the play by heart – the scenery is pretty and so are the costumes – I’m sure I could do at least as well, but Pierre is like all relatives – no one ever takes members of their own family seriously – he ought to see my paintings without knowing they’re by me. I have no social mask – it’s such a nuisance to have to bluff all the time. If Pierre didn’t always treat me like an inconsequential little sister, Claude might have looked upon me as an important, dangerous person.’
The familiar voice startled Elisabeth.
Stand you directly in Antonius’ way … Calphurnia!
Pierre really had an amazing presence as Julius Caesar. His acting inspired a thousand thoughts.
‘He’s the greatest actor of the day,’ said Elisabeth to herself.
Guimiot rushed on to the stage and she looked at him a little apprehensively: twice during rehearsals he had knocked over the bust of Caesar. He dashed across the open space and ran round the bust without touching it; he held a whip in his hand; he was almost naked, with only a strip of silk around his loins.
‘He’s remarkably well-built,’ thought Elisabeth without being able to summon up any special feelings about him-it was delightful to sleep with him, but really that was forgotten as soon as over-it was light as thistledown – Claude …
‘I’m overwrought,’ she thought. ‘I can’t concentrate.’
She forced herself to look at the stage. ‘Canzetti looks pretty with that heavy fringe on her forehead – Guimiot says that Pierre doesn’t have much to do with her any longer, and that she’s now after Tedesco – I don’t really know – they never tell me anything.’ She studied Françoise. Her face had not changed since the curtain had risen; her eyes were riveted on Pierre. How severe her profile was! One would have to see her in a moment of affection or of love, but she would be capable even then of preserving that Olympian air – she was lucky to be able to lose herself in the immediate present in this way-all these people were lucky. Elisabeth felt lost in the midst of this docile audience that allowed itself to be glutted with images and words. Nothing held her attention, the play did not exist; these were only minutes that were slowly ebbing away. The day had been spent in the expectation of these hours, and now they were crumbling away, becoming, in their turn, another period of expectancy. And Elisabeth knew that when Claude stood before her she would still be waiting; she would await the promise, the threat, that would tinge tomorrow’s waiting with hope or horror. It was a journey without end, leading to an indefinite future, eternally shifting just as she was reaching the present. As long as Suzanne was Claude’s wife the present would be intolerable.
The applause crackled. Françoise stood up, her cheeks were a little flushed.
‘Tedesco never fumbled a line, everything went off perfectly,’ she said excitedly. ‘I’m going to see Pierre. If you wouldn’t mind, it might be better for you to go round during the next interval. The crush is terrible at the moment’
Elisabeth stood up as well.
‘We could go into the foyer,’ she said to Xavière. ‘We shall hear people’s comments. It’s quite amusing.’
Xavière followed her obediently. ‘What on earth can I say to her?’ Elisabeth wondered: she did not find her congenial.
‘Cigarette?’
‘Thank you,’ said Xavière.
Elisabeth held up a match.
‘Do you like the play?’
‘I like it,’ said Xavière.
How vigorously Pierre had defended her the other day! He was always inclined to be generous about strangers; but this time he really hadn’t shown very good taste.
‘Would you like to go on the stage yourself?’ Elisabeth asked.
She was trying to discover the crucial question, the question that would draw from Xavière a reply by which she could once and for all be classified.
‘I’ve never thought about it,’ said Xavière.
Surely she spoke to Françoise in a different tone and with a different look! But Francoise’s friends never showed their true selves to Elisabeth.
‘What interests you in life?’ Elisabeth asked abruptly.
‘Everything interests me,’ said Xavière politely.
Elisabeth wondered if Françoise had spoken to Xavière about her. How was she spoken of behind her back?
‘You have no preferences?’
‘I don’t think so,’ said Xavière.
With a preoccupied look, she was puffing at her cigarette. She had kept her secret well; all Francoise’s secrets were well kept. At the other end of the foyer, Claude was smiling at Suzanne. His features reflected his servile affection.
‘The same smile that he gives me,’ thought Elisabeth, and a savage hatred entered her heart. Without any gentleness, she would speak to him without a trace of gentleness. She would lean her head back against the cushions and she would break into ruthless laughter.
The second intermission bell sounded. Elisabeth caught a glimpse of her red hair and her bitter mouth as she passed a looking-glass: there was something bitter and smouldering in her. She had made up her mind, tonight would be decisive. At times Suzanne drove him mad and at others she filled him with maudlin pity: he never could decide to separate from her once and for all. The auditorium grew dark. A picture flashed through Elisabeth’s mind-a revolver-a dagger-a phial with a death’s head on it – to kill someone … Claude? Suzanne? Myself? – it didn’t matter. This dark murderous desire violently took possession of her heart. She sighed-she was no longer young enough for insane violence – that would be too easy. No – what she had to do was to keep him at a distance for a time; yes – to keep at a distance his lips, his breath, his hands. She desired them so intensely – she was being smothered with desire. There, in front of her, on the stage, Caesar was being assassinated. ‘Pierre is staggering across the Senate, and it is I, I who am really being assassinated,’