now.” He spoke swiftly, but as he did, his gaze took in Sean’s appearance with growing concern. “Ye look like a skeleton, me boy. I’ll feed ye and give ye a blade fer your face. Damn those bloody Brits!”
Sean simply nodded, but he reached for the thick beard on his face. There’d been no shaving for two years.
Connelly hesitated, then spoke, “I’m sorry about what happened in Kilvore. I’m sorry about it all, an’ I’m sorry about yer wife and child.”
Sean stiffened. An image formed, blurred, a sweet face with kind and hopeful eyes. Peg had faded into an indistinct and painful memory that was colorless, even though he knew her hair had been shockingly red. His gut twisted, aching.
He had grieved at first, for many months; now, there was only guilt. They were dead because of him.
“Ye got no choice but to leave the country. Ye know that, don’t you?”
Sean nodded, glad to have his thoughts interrupted. He had learned how to avoid all memory of his brief marriage, except in the wee hours of the night. “Yes.”
“Good. Ye go straight down Blarney Road to Blarney Street. Ye can cross the river at the first bridge. Follow the river, it’ll take you to Anderson Quay. Cobbler O’Dell will put you up.”
Sean nodded again. He had questions, especially as to when he would be able to find a passage and how it would be paid for, but he was suddenly exhausted and he was also starving. He’d had a single loaf of stale bread in the past three days. Worse, speaking was a terrible chore. He tried to find and form the words. “When? When…will…I…leave the country?”
“Sit down, boyo,” Connelly said, his expression grim. “I don’t know. Every day at noon, ye go to Oliver Street. The pub there, it’s right around the corner from O’Dell. Ye look fer a gentleman with a white flower pinned to his jacket. He will be able to tell you what ye need to know. I’m only a farmer, Sean.”
Sean struggled. “Noon.” He tried to clear his throat. Even his jaw felt odd, rusty, weak. “Today? Should I…go today?”
“I don’t know if the gent will be there today or tomorrow or the next day. But he’s good. He’s real good at helpin’ patriots. His name is McBane. Ye don’t want to miss him.”
McBane, Sean thought. He nodded again.
Connelly turned and went to the larder. He returned with a plate of boiled potatoes and a large chunk of bread and cheese. Sean felt saliva gathering in his mouth.
The supper table was set in white linens, with Waterford crystal wineglasses, imported china and gilded flatware. Huge chandeliers were overhead, towering candles flickered on the table and liveried footmen carried sterling platters of venison, lamb and salmon. The women wore silks and jewels, the men black dinner coats and white shirts and ties. Perfume wafted in the air….
He jerked, shocked by a memory he had no right to have. He refused to identify it or the man it belonged to.
Instead, he tore off pieces of bread and cheese, devouring them almost in the same instant. The only past he wished to remember was the recent one—his life at the Boyle farm. Otherwise, he would never be able to pay for what he had done to them.
THE NOISE WAS DEAFENING.
Sean paused once inside the barroom’s door, overwhelmed by the cacophony of sound. The instinct to clap his hands over his ears to dim the sound was almost impossible to resist. The raucous conversation and laughter, the scraping of wood chairs, the clink of tin, was a barrage of sound that threatened to immobilize him. As it was, he was rigid with the tension it had engendered in him. And the bright lights were blinding.
He had left the farm within an hour of first arriving there and had followed Connelly’s instructions. It had been easy to find the cobbler, who had put him up in a small room over his shop. It had been hugely difficult to make his way through the awakening and bustling city. He had been shocked by the sight of so many people, both on foot and on horseback, or driving wagons and carts. There had been so much pedestrian and vehicular traffic. He had seen one-horse gigs and two-horse curricles and even large coaches. And then there had been all those barges on the river. There had simply been so much movement, so many people, so much chatter, conversation and noise. And there had been so much dirt, soot, smoke and refuse. He felt strange and alien, like a farmer from the far Northwest who had never been in a city before.
In the few short hours he had been in town, his senses had not become accustomed to the sensory overload. Now, in the pub, he had to hold a hand over his eyes. Briefly, he felt a surge of panic and it was not for the first time. There were too many loud people in this single room, he thought, and his first instinct was to flee.
Yet he remained capable of reason. His mind knew that the overcrowded public room was far preferable to the small box that had been his cell. And he told himself that he would eventually become accustomed to the noise and the crowd.
Someone entered the barroom, brushing past him as he did so.
Sean did not think. The dagger appeared in his hand, a reflex meant to ensure his survival, so swiftly that no observer would have seen any movement. But the moment he grasped the carved handle above the lethal blade, the moment he held the dagger chest high, poised to slice the intruder’s throat, some sanity and even humanity returned. Sean stopped himself. He braced hard against the wall, panting, subduing the urge to defend himself, the urge to kill in that defense, reminding himself that he was not a beast, never mind the past two years of being caged and fed like one. He was a man, even if he was the only one who might think so.
He leaned his head against the wall. In truth, he no longer knew who or what he was. Maybe he had genuinely become this creature of the night, a man who would kill without provocation, John Collins.
Despair suddenly clawed at him, but he had enough talons in his flesh and he shoved it savagely aside.
“Hey, boyo, beg yer pardon,” the very drunken man said, glancing at him.
He had stolen the dagger from the warden when he had taken him hostage. Sean now hid the weapon, having flipped it deftly so that the blade faced up his arm, against his shirtsleeve, the worn handle hidden in his hand. He knew he needed to smile—it was the polite thing to do, the way a gentleman would behave—but he could not perform the task. Suddenly, he desperately wanted to manage the act. He ordered his facial muscles to do so, but they were so ill-used that a brief attempt produced no change in his expression. Sean gave up, staring at the unwanted interloper.
The man’s eyes widened with fear. He hurried away.
Sean stood very still, his breathing hard, the ugly sounds of the drunken crowd still surging over him and through him, waves of disturbing sound pounding inside his head. Maybe it would be better once he was on a ship, once he was put to sea.
He pushed through the crowd, carefully avoiding all physical contact. He had glimpsed a small corner table far in the back, in the shadows, against a wall, and he made his way to it. When he reached it, he felt safer, relieved. Two crooked chairs were there, but neither satisfied him. With his foot, he shoved one chair against the wall and only then did he sit. His back was protected, and he could see the entire public room and everyone inside it.
He gazed out at the thirty or forty men present, all drinking, laughing, speaking, some playing at die or cards, and he once again felt like an outcast. These men were Irishmen, just as he was. Once, he had been prepared to give his life defending them against tyranny and injustice, and he almost had. Now he felt no kinship with them. Except for confusion and surprise, he felt nothing at all.
It was then that he saw the man in the fine blue wool jacket approaching, a wildflower in his lapel, a small satchel in hand. Because he feared a trap, Sean carefully let the dagger reverse itself in his hand, and he laid it on his thigh, beneath the table.
The gentleman saw him and paused before the table. “Collins?”
Sean nodded, responding