Heron's Cove. Carla Neggers

the end of a long and storied career.

      “I don’t know what the next chapter will be for me,” Wendell said, buttering his last triangle of toast, “but it’ll be short.”

      “Granddad, that’s morbid.”

      He shrugged. “It’s true.”

      “You could live to a hundred-and-five. That’s more than twenty years.”

      “I shudder at the thought.” He winked. “It’s all right, Lucas. I’m not about to leap off the Cliffs of Moher. In fact, I’ve decided to take a sort of walkabout on the southwest coast.”

      “Of Ireland?”

      “Yes, of Ireland. Of course.”

      “It’s late October, Granddad.”

      “The weather’s fine. There’ll be rain, of course, but the days are getting shorter. I’ll just have to find my way to a pub once it gets dark.”

      “When will you leave?”

      “As soon as you do. I presume you’ll be going to London to look into this Tatiana Pavlova. Ah, Lucas.” His grandfather looked up at the sky again, peeks of blue showing now. “Sometimes it’s best not to ask too many questions. Have you learned that yet in your work?”

      “I treat every situation individually—”

      “That sounds like a line from a Sharpe Fine Art Recovery brochure, or these days its website.” Wendell looked across the table, his blue eyes as incisive as ever. “It’s against Emma’s nature not to ask a question, to dig deeper. She wants to have all the pieces, the whole picture. I’m convinced that’s one reason she entered the convent. Asking, probing, analyzing, thinking. Those practices come naturally to her.”

      “She can also kick ass,” Lucas pointed out, if only to lighten the mood.

      “And shoot,” his grandfather added with a laugh.

      Even as teenagers, Lucas had noticed Emma’s fascination with the intersection of art crimes and other major crimes—the illegal trafficking of weapons and drugs, human trafficking, extortion, money laundering, murder. That interest coupled with her expertise in art history and preservation had made her an attractive candidate for the FBI.

      “I’d see more of both you and Emma if I moved back to Heron’s Cove,” Wendell said, pensive again. “That would be a good thing.”

      “We’d like it, Granddad. You know that, I hope.”

      He nodded. “I do. Lucas…” His grandfather sighed as if in pain. “We do the best we can to influence, to inform, but in the end, we can’t control the people who come to us for help. What they want, what they know, what they’re willing to tell us.”

      “Are you talking about Tatiana Pavlova and the Rusakov collection now?”

      “I told you I don’t know this Tatiana Pavlova.” He drank more tea, setting the cup off balance on the saucer, so much so that it tipped off on its side with a clatter; he left it, pressed his cloth napkin to his lips, then put the napkin back in his lap. “Dmitri Rusakov hired us twenty years ago. I met with him in Moscow. Then he hired us again four years ago. And I sent Emma to him in London.”

      “Granddad,” Lucas said, “why don’t I know any of this?”

      He tapped the tip of his index finger to his temple. “Because it’s one of those cases that’s in here and not in the files.” He got stiffly to his feet and glanced at his watch. “I don’t want to be late for church.”

      “I’ll go with you,” Lucas said, rising.

      Wendell’s eyes sparked with sudden humor and energy. “Now I will have to warn Father O’Leary or the rafters will cave in for sure.”

      “You can tell me about Dmitri Rusakov on the way.”

      * * *

      After sitting impatiently through church with his grandfather, Lucas let himself into the Dublin office of Sharpe Fine Art Recovery on the second floor of a small brick building on a cobblestone street a few blocks off St. Stephen’s Green. He shut the door quietly behind him and noticed through the tall windows that the day had gone gray again. He didn’t mind. He just needed time to think.

      His grandfather was having a postchurch full Irish breakfast with friends. In preparation for his retirement, he had removed all his personal items and personal files from the office where he had worked for the past decade and a half, leaving behind two desks, shelves, a credenza and a computer. There was no hint of the intriguing work that had gone on there. He had never been one for bulking up a staff, instead taking on consultants and temporary assistants as needed. Lucas wanted to keep a Dublin office but needed to identify a role for it now that his grandfather wouldn’t be there on a daily basis.