Ray Bradbury

The Martian Chronicles


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through the breathless summer-house. Lightning would strike from the sky any instant; there would be a thunder-clap, a boll of smoke, a silence, footsteps on the path, a rap on the crystalline door, and her running to answer …

      Crazy Ylla! she scoffed. Why think these wild things with your idle mind?

      And then it happened.

      There was a warmth as of a great fire passing in the air. A whirling, rushing sound. A gleam in the sky, of metal.

      Ylla cried out.

      Running through the pillars, she flung wide a door. She faced the hills. But by this time there was nothing.

      She was about to race down the hill when she stopped herself. She was supposed to stay here, go nowhere. The doctor was coming to visit, and her husband would be angry if she ran off.

      She waited in the door, breathing rapidly, her hand out.

      She strained to see over towards Green Valley, but saw nothing.

      Silly woman. She went inside. You and your imagination, she thought. That was nothing but a bird, a leaf, the wind, or a fish in the canal. Sit down. Rest.

      She sat down.

      A shot sounded.

      Very clearly, sharply, the sound of the evil insect weapon.

      Her body jerked with it.

      It came from a long way off. One shot. The swift humming distant bees. One shot. And then a second shot, precise and cold, and far away.

      Her body winced again and for some reason she started up, screaming and screaming, and never wanting to stop screaming. She ran violently through the house and once more threw wide the door.

      The echoes were dying away, away.

      Gone.

      She waited in the yard, her face pale, for five minutes.

      Finally, with slow steps, her head down, she wandered about the pillared rooms, laying her hand to things, her lips quivering, until finally she sat alone in the darkening wine-room, waiting. She began to wipe an amber glass with the hem of her scarf.

      And then, from far off, the sound of footsteps crunching on the thin, small rocks.

      She rose up to stand in the centre of the quiet room. The glass fell from her fingers, smashing to bits.

      The footsteps hesitated outside the door.

      Should she speak? Should she cry out. ‘Come in, oh, come in’?

      She went forward a few paces.

      The footsteps walked up the ramp. A hand twisted the door latch.

      She smiled at the door.

      The door opened. She stopped smiling.

      It was her husband. His silver mask glowed dully.

      He entered the room and looked at her for only a moment. Then he snapped the weapon bellows open, cracked out two dead bees, heard them spat on the floor as they fell, stepped on them, and placed the empty bellows-gun in the corner of the room as Ylla bent down and tried, over and over, with no success, to pick up the pieces of the shattered glass. ‘What were you doing?’ she asked.

      ‘Nothing,’ he said with his back turned. He removed the mask.

      ‘But the gun – I heard you fire it. Twice.’

      ‘Just hunting. Once in a while you like to hunt. Did Dr Nlle arrive?’

      ‘No.’

      ‘Wait a minute.’ He snapped his fingers disgustedly. ‘Why, I remember now. He was supposed to visit us tomorrow afternoon. How stupid of me.’

      They sat down to eat. She looked at her food and did not move her hands. ‘What’s wrong?’ he asked her, not looking up from dipping his meat in the bubbling lava.

      ‘I don’t know. I’m not hungry,’ she said.

      ‘Why not?’

      ‘I don’t know; I’m just not.’

      The wind was rising across the sky; the sun was going down. The room was small and suddenly cold.

      ‘I’ve been trying to remember,’ she said in the silent room, across from her cold, erect, golden-eyed husband.

      ‘Remember what?’ He sipped his wine.

      ‘That song. That fine and beautiful song.’ She closed her eyes and hummed, but it was not the song. ‘I’ve forgotten it. And, somehow, I don’t want to forget it. It’s something I want always to remember.’ She moved her hands as if the rhythm might help her to remember all of it. Then she lay back in her chair. ‘I can’t remember.’ She began to cry.

      ‘Why are you crying?’ he asked.

      ‘I don’t know, I don’t know, but I can’t help it. I’m sad and I don’t know why, I cry and I don’t know why, but I’m crying.’

      Her head was in her hands; her shoulders moved again and again.

      ‘You’ll be all right tomorrow,’ he said.

      She did not look up at him; she looked only at the empty desert and the very bright stars coming out now on the black sky, and far away there was a sound of wind rising and canal waters stirring cold in the long canals. She shut her eyes, trembling.

      ‘Yes,’ she said. ‘I’ll be all right tomorrow.’

       AUGUST 1999

       The Summer Night

      In the stone galleries the people were gathered in clusters and groups filtering up into shadows among the blue hills. A soft evening light shone over them from the stars and the luminous double moons of Mars. Beyond the marble amphitheatre, in darknesses and distances, lay little towns and villas; pools of silver water stood motionless and canals glittered from horizon to horizon. It was an evening in summer upon the placid and temperate planet Mars. Up and down green wine-canals, boats as delicate as bronze flowers drifted. In the long and endless dwellings that curved like tranquil snakes across the hills, lovers lay idly whispering in cool night beds. The last children ran in torchlit alleys, gold spiders in their hands throwing out films of web. Here or there a late supper was prepared in tables where lava bubbled silvery and hushed. In the amphitheatres of a hundred towns on the night side of Mars the brown Martian people with gold coin eyes were leisurely met to fix their attention upon stages where musicians made a serene music flow up like blossom scent on the still air.

      Upon one stage a woman sang.

      The audience stirred.

      She stopped singing. She put her hand to her throat. She nodded to the musicians, and they began again.

      The musicians played and she sang, and this time the audience sighed and sat forward, a few of the men stood up in surprise, and a winter chill moved through the amphitheatre. For it was an odd and a frightening and a strange song this woman sang. She tried to stop the words from coming out of her lips, but the words were these:

      ‘She walks in beauty, like the night

      Of cloudless climes and starry skies;

      And all that’s best of dark and bright

      Meet in her aspect and her eyes …’

      The singer clasped her hands to her mouth. She stood, bewildered.

      ‘What words are those?’ asked the musicians.

      ‘What song is that?’

      ‘What language is that!’

      And