S. K. Tremayne

The Assistant


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      ‘History is usually described as a record of past events, or, alternatively, as an—’

      ‘Electra, SHUT UP.’

      The blue lights fade. Now Electra simply seems confused, beta, useless. Or she doesn’t understand the syntax of my questions. As it should be.

      I am, after all, talking to a cylinder of electronics. Not an actual mind, not an actual human. Not someone who might actually know about the boy.

      Someone like Tabitha.

      But those details? So specific and accurate. They always smoulder in my thoughts, and tonight they’ve caught fire. The eyes, the boy, Jamie. His laddish but likeable grin, the affable, generous good nature. Oh, Jamie. And then the blood. And then that bloody song which I will forever associate with those terrible events: ‘Hoppípolla’ by Sigur Rós. I can’t bear that song. Whenever I hear ‘Hoppípolla’ the memories surge. Even thinking about that song – the mere thought of it, makes me tremble with fear, and guilt, a painful and acid emptiness, deep inside. Close to nausea.

      Whether Electra said those things or not, or whether it was merely the silence of the flat, and the booze, and the bleakness of my wintry loneliness, combining to deceive my mind into imaginary accusations – I am triggered.

      ‘Electra, what’s the time.’

      ‘The time is ten fifty-two p.m.’

      And just like that, she’s acting entirely normal. I am not feeling normal. But I guess I can try. I can try try try to be normal, and ignore this madness, this mishearing, this daydream, this terrible reality, whatever it is. Perhaps it is a simple glitch and the tech is malfunctioning. The peculiar behaviour with the lights, earlier on, implies that. But how could a bug cause Electra to act so bizarrely?

      There is no evident or immediate answer, so I go to the fridge and take out the chips and the Waitrose dips, and then mix some mayo and Tabasco for extra oomph, and then I spend an hour comfort-eating as I watch reruns of old sitcoms on my iPad. And I guzzle way more wine than normal, to try and calm things down.

      Gradually the wine and the food – principally the wine – work their magic. I probably, hopefully, surely drank too much in the first place, causing me to imagine these words from Electra? It is impossible she knows. However advanced, she is only a gadget. No one knows apart from me and Tabitha, and Simon, whom I told. Perhaps Tabitha told Arlo? I doubt it, but even if she did: the secret of knowledge is tightly wound, it is inconceivable it would have reached some bloody machines on a bespoke oak shelf.

      No.

      The last glass of wine is guzzled. I have successfully persuaded myself that nothing untoward has happened. All the tech is behaving normally, apart from the little bugs, the spinny lights, it’s my silly drunken head that turned this into something much nastier.

      ‘Electra, what time does Fitness First gym, in Camden, open tomorrow morning?’

      ‘Fitness First Camden opens from seven a.m. to ten p.m. Monday to Thursday, on Fridays it closes earlier at nine p.m., and at weekends—’

      ‘OK, Electra, stop.’

      Silence.

      ‘Thanks, Electra.’

      ‘That’s what I’m here for!’

      Good. She is still behaving as she is meant to behave. And I am drunk. Tomorrow I will go to the gym and eat healthy food and go back to my regular drinking regime. What was I thinking? Two big gins before seven? Absurd and foolish. Guaranteed to produce creepy daydreams, if not lushed-up delusions. I will always have guilt lurking in my brain, like silt at the bottom of a petrol tank: the last thing you need is to stir it up. Simon once told me this. Because if you stir it up, then it can ruin the entire engine.

      Simon.

      As I sit here, a new guilt pierces. Simon.

      No. I don’t want to think about this. Yet I have to think about this. If I am a bit lonely, it is my own fault. Being with Simon is why I am here, drinking by myself.

      I first got with Simon at sixth form in Thornton Heath, London SE25,398, beyond the outer circle of the solar system. We’d known each other since primary school, been friends in secondary, then one night we went to a bar when we were both underage; we had fun, so we dated, and courted, and then we deflowered each other. I don’t know a better word, I should know a better word, possibly there isn’t a better word, so that’s it: we deflowered each other in the back of his dad’s Fiesta, in the darkest corner of Thornton Heath Asda supermarket car park, after drinking too many Jägerbombs.

      The sex wasn’t very good, but we managed it. With each other. And he was kind, gentle, and quite handsome, in the dim green light of an Asda sign, shining into the back of an illicitly borrowed Ford Fiesta, at half past midnight.

      I didn’t come. He did, very quickly. He apologized. The apology made it worse and was one of the least sexy things I have encountered, during sex, to this day. He had nice eyes and muscles and not that much conversation – not with me, anyway. But he tried. Which was touching. Throughout our marriage, he blatantly and ardently tried.

      Here and now, I look out at the Camden frost, examining myself. My motives. How did I end up married to him, of all people. To Simon Todd?

      I was all arts and humanities, philosophy and sociology, I was a girl that yearned for gap years in Papua New Guinea that never happened. I was intrigued by shamanism, Siberian reindeer pee, Renaissance portraits. He was all engines, rockets, and atoms, and apparently knew the real meaning of Schrödinger’s Cat.

      After our brief fling, I went off to King’s College to study History of Art and he went off to Manchester to study All About Computers and I spent half my time partying … and then we both finished university and realized we couldn’t afford to rent anywhere remotely decent until we got jobs, so we boomeranged back to Thornton Heath and the pubs we frequented as teens and …

      There he was. Still quite handsome in the low light of Thornton Heath’s one and only happening bar; and all of a sudden he seemed such a good, honest, decent guy – compared to the rich lazy millennial types I’d got used to dating in King’s.

      And so I found myself sucked into the sentimental whirlpool of homecoming – geographical, sexual, and emotional – and this time we had sex in an actual bed (because his mum and dad were away) and this time, after three months of cosy cuddles and pizzas-and-TV, and being cocooned in an unaccustomed atmosphere of safety, comfort, and unquestioning adoration, when he incredibly stupidly crazily asked me to marry him, I said YES.

      Oh God. Help me.

      YES?

      It was a ludicrous mistake. We were always too different; we grew further apart while married; we were destined not to last. I found him boring and felt the most terrible guilt about finding him boring. He sensed this and tried to hide his hurt feelings – and this made the lamentable cycle of guilt, hiding, and hurt even worse, for both of us. And then came Liam and the naughty sexts and the massive rows and the end. Thank God.

      Consequently, I have no resentment at his leaving me. I surely didn’t deserve him. I have no resentment that he remarried so quickly, to Polly, I have less-than-zero resentment that they instantly have a tiny and truly adorable baby, Grace. The only thing I resent, perhaps, ever-so-slightly, is the fact that because she’s a nurse she gets a subsidized three-bed Key Worker Flat on the twelfth floor of a brand-new apartment block in buzzing Shoreditch.

      Lucky Polly. Lucky Simon.

      In London, property, and the owning thereof, has become everything. Like having an estate and title during the Regency. And I am a peasant. Virtually an Indian untouchable. I do not own and never will. This stuff is becoming dynastic. If I’d known property was going to become so important, I should probably have married one of the plausible affluent boys at uni with mums and dads with Deposits to Lend. I had enough enquiries. But I didn’t marry them. And there it is.

      I