into India, an obvious India–China conduit was created. Additionally Kanishka had clearly revived Ashoka’s policy of patronising the Buddhist sangha and promoting the spread of Buddhist doctrine. From Chinese sources it was even known that the first Buddhist missionaries to China had set out from India in 65 AD. It was therefore probably under the Parthians or the Kushanas that the monks Dharmaraksa and Kasyapa Matanga had made their way to China, there to found the first monastery and begin their work of preaching and translating the sacred doctrines. In their footsteps would follow the procession of teachers and artists, of icons, texts and relics which over the next three hundred years would nurture the new faith and diffuse new art forms in China and beyond.
Traditionally their route is supposed to have proceeded from Peshawar to Kabul and over the Hindu Kush via Bamiyan, a tight valley above which two gigantic statues of the Buddha were carved high in the vertical cliffs. There they stood for 1500 years until in March 2001 Taliban zealots tested them with anti-tank mines, targeted them with artillery and finally toppled them with dynamite. (Exactly six months later Bamiyan’s twin Buddhas were followed to extinction by New York’s ‘twin towers’; the first outrage inspired the second and has often been attributed to the same agency.) Other remains in Bactria itself still attest the Buddhist presence, and thence north and east across the Pamirs, round the desert of Takla Makan and across Lop Nor a succession of Buddhist sites marks the trail to China. ‘The road is long,’ reported a later Chinese pilgrim who had made the return journey to India; looping laboriously right round that mountain bastion of India’s ‘Great Wall’ it is all of three thousand kilometres. There is no doubt that it was indeed an important route for the traffic of both ideas and commodities; but what the road-builders in the 1970s discovered was that there had been a shorter and better signposted route by way of the upper Indus and Hunza rivers along the line of their Karakoram Highway.
As reconstructed by Dr Ahmad Hasan Dani, Pakistan’s leading archaeologist, the historical trail begins north of Taxila, where the modern highway strikes off into the hills. Suitably enough the first ‘signpost’ is a Kharosthi version of Ashoka’s Major Rock Edict engraved on two badly weathered boulders at Mansehra. The road runs between them and, in view of the incidence of other Ashokan inscriptions at major route intersections, it seems safe to infer that the Indus route into the mountains was in use in the third century BC and here linked with feeder routes from Taxila, Peshawar and Swat. Thence the new road traverses the switchback hills of Kohistan, where innumerable caves and rock drawings continue the Buddhist theme; one drawing is identified by an inscription as being of ‘the monastery of Maharajah Kanishka’. As the roadway wriggles above, and then through, the awesome Indus gorges, more such graffiti on cliffs and rocks – ‘beside the tunnel’, ‘above the petrol station’ – record the passage of individual monks and the presence of stupas and viharas.
West of Chilas, beneath the snowy massif of Nanga Parbat, the Indus valley opens out into a scorching lunar wasteland, devoid of vegetation but garish with rocks of every hue. Here one of many inscriptions mentions the Kushana king Wima Kadphises. Nearer the windswept little town a scene etched on a boulder by the river clearly identifies the Shaka king Maues; it is ‘the first proof of the conquest of this region by the Scythian ruler’8 who seems to have actually ‘invaded’ the Panjab by this route. On the other side of Chilas one of many illustrated boulders is known as the Rock of Gondophares; its inscription lauds the Parthian king who was ‘doubting Thomas’s’ patron.
A sculpted Buddha and more stupas lie in the valleys round Gilgit. Thence both highway and Buddhist trail funnel into the Hunza valley for the spectacular climb up to the glaciers. K2 and associated peaks lie to the east with the Khunjerab Pass and the Chinese border dead ahead. The highway terminates at Tashkurgan, an ancient staging post on the main Silk Route. As a final reminder that this vital trail and all the territory through which it passed lay within the Kushana empire, there is a veritable data-bank of ancient kings, cults and passing strangers, including notices of both the first Kadphises and again of Kusana Devaputra [‘son of God’] Maharajah Kaniska, on the so-called Sacred Rock of Hunza.
The new Karakoram Highway which runs along its southern face … led to the discovery of this monument of world importance that had remained hidden for centuries. The Sacred Rock has stood adamantly through the ravages of time and maintained the carvings and writing of men to tell us about the long-forgotten history of the place and of the pathway along which man travelled from Gandhara to China.9
So the Karakoram Highway, though defying geography, can scarcely be said to have confounded history. In fact it faithfully follows what is now recognised as the preferred route of Buddhist missionaries carrying their teachings to Sinkiang and China.
It is also clear that the teachings in question were increasingly those of Mahayana Buddhism. At the Fourth Buddhist Council held under Kanishka’s auspices a long-simmering dispute within the sangha had led to schism. Those purists who adhered to the essentially ethical content of the Buddha’s teachings became the Hinayana school, while those who would elevate the Buddha and other potentially ‘enlightened ones’ to the status of deities deserving of worship, and so make of his teachings a conventional religion, became the Mahayana. The former persisted in not representing the Buddha as a human figure; in Hinayana art his presence is traditionally indicated merely by a footprint, a throne, a tree, an umbrella. But the Mahayana introduced the Buddha as icon, depicting the ‘enlightened one’ and a host of other Boddhisatvas, together with their female counterparts, in human form. The idea may have come from the imagery of Graeco-Roman gods introduced by the Bactrian Greeks and from the mainly Roman statuary which was evidently much treasured and traded thereafter. Certainly from this coincidence of Mahayanist demand and Mediterranean supply arose the distinctive style and motifs of Gandhara art.
The Kushana, controlling east – west trade in Bactria as well as vast territories in India, had wealth to lavish on both the new faith and the new art; they may even, like Gondophares, have imported western craftsmen like St Thomas. The style developed rapidly, influencing architecture and painting, and inspiring a narrative art based on Buddhist legend but using Graeco-Roman compositions and mannerisms. Exceptionally, the figure of the Buddha himself proved less susceptible to this ‘forum’ decorum; though draped in classical folds and endowed with a serene Grecian countenance, his posture, gestures and physical features conformed strictly to Indo-Buddhist iconography. Such was the Gandhara tradition, a curious synthesis of Kushana patronage, Graeco-Roman forms and Indian inspiration. In sculpture, stucco, engraving and painting, it was this synthesis which passed on up the Karakoram route, or round via Bamiyan and Bactria, to fill the monasteries along the Silk Route and provide the inspiration for later Buddhist art in China and beyond.
The Karakoram trail would be little trodden after the fourth century, when Buddhism in north-west India would be eclipsed by more intruders from central Asia, this time the Huns. Despite those ravages of time and nature, the Karakoram records have therefore remained comparatively undisturbed. Significantly, they reveal little about the route being used for trade. Chinese silks, in particular, were imported into India for re-export from India’s west coast ports to Egypt and Rome. If such caravans avoided the Karakoram route it was presumably because they found the gradients and the grazing of the Bactrian route more agreeable than the cliff-face ladders of Hunza and the landsliding slopes of the Indus gorges. Lacking commercial potential, the Karakoram route was quietly abandoned.
LOOKING OUTWARDS TO THE SEA
Elsewhere the exchange of ideas matched that of commodities stride for stride, stage for stage. In peninsular India – the region south of the Narmada river comprising the Deccan and the extreme south – the last centuries BC and the first AD witnessed those processes of urbanisation and state-formation which had taken place three centuries earlier in the Gangetic region. But here it was trade which stimulated the transition and trade routes which defined it, especially in the western Deccan (Maharashtra and adjacent regions) and in the extreme south (Tamil Nadu and Kerala). Something of that slow metamorphosis from pastoralism and subsistence agriculture to wet rice-cultivation and an agricultural surplus is also discernible.