not necessarily a terrible secret, but something that took him away from where he could have been expected to be so the police have not looked anywhere relevant yet.’
Bob raised his hand. ‘And. And, I think he was probably hit by a car and rolled down a bank to a place that can’t be seen easily. He’ll be found one day but it might take years. And. And, I don’t want that to be what happened. I’d rather he ran away to a remote paradise and was happy but I don’t think that was his style.’
Vera nodded, Lauren frowned and Mr Yee exhaled.
‘Do you see his wife ever?’ Lauren asked after the silence that followed. She knew Peter had been her dad’s boss and not his friend but, still, it was strange that his wife was invisible to them all.
Bob swallowed a wonton. ‘Never – and never did really. She was always busy with her horses as far as I could tell.’
Vera did not like horses, so it seemed to her perfectly likely that Peter had been having an affair with a woman who did not wear jodhpurs while smelling of manure. Otherwise, she agreed with Bob’s scenario.
So did Mr Yee – with a slight variation. Mr Yee was convinced that Peter Stanning had been on his way to his establishment, keen for some Peking Duck pancakes and plum sauce, before being diverted to an ugly fate.
Lauren decided there and then that her theme would be about the ‘not knowing’ and the empty space Peter Stanning’s absence represented in the lives of those left behind. OTB surely did not expect her to speak to the police or to Mrs Stanning. Before they left, however, she smiled at Mr Yee and asked him if Peter had been a regular customer.
‘Best customer. Many Fridays,’ he said. ‘Such a nice man.’
‘Did you speak to the police about him,’ she asked.
‘No, not police, not ever,’ Mr Yee said which left Lauren feeling she had uncovered a clue; a tiny one, but enough to work with artistically.
When back in London she began to sketch Mrs Stanning, a woman she had never met and yet whose face she knew. A face which, for reasons Lauren couldn’t understand, she pictured illuminated by April sunshine, smiling as she watched a horde of children aged from three to sixteen hunt for chocolates eggs and ribbon-wrapped five-pound notes. And Lauren framed the drawings with tiny bicycle wheels which she found time-consuming yet oddly soothing. The more wheels she drew the deeper she fell into a reminiscence of something that had never happened. Something to do with sunshine and bicycles that were not in use, and which were now just there as a giant art installation.
Ski did not live like other students. He knew people outside of college, he had money and he rented a basement flat that boasted a central living space big enough for parties. He preferred to lie on giant cushions with selected friends, smoking dope. Tentatively, Lauren joined in. She liked Ski and she did not want to be the one labelled as his prudish pal. She coughed, she spluttered, she laughed and finally she relaxed. Ski recited poetry and his accent became increasingly hysterical. Lauren recited a recipe for coq au vin and Ski giggled uncontrollably. Nina recited a list of all the boys she could bear to sleep with and Lauren began to feel fretful. There was someone else in the flat, watching them.
‘Who is it?’ she whispered to Ski.
‘It’s me,’ he said, spluttering with laughter as a thin metal rod pierced his neck.
He did not flinch. Lauren crawled closer, confused, and as she reached out to touch it something made her stop. Something made her tilt her head and peer into the strange piece of taught shiny string. Nina screeched.
‘Loz has gone, she’s off,’ she laughed. ‘Loz is going to bite you, Ski.’
Lauren did not hear her, she was looking at a basement flat without any cushions and with Ski having his jeans pulled down by an older muscular man. She gasped and fell back onto her bright orange bean bag.
‘Déjà vu, vu, vu,’ Lauren said, her head spinning. ‘I feel all déjà vu.’
Nina screeched again.
‘I’m nicking that, Loz. That’s my theme. Fuckin’ brilliant. Déjà vu means the same image repeated. Lazy art becomes clever art.’
Lauren sighed. ‘I’m so jealous, I have to solve a bloody unsolvable crime and you get to paint one thing and make copies.’
‘You’ll just have to shag OTB, almost everyone else does,’ Nina said and Lauren stumbled, disgusted, to the bathroom.
Lauren decided cannabis could not be her friend. Ski and Nina had just been extra jolly and relaxed while she had seen strangeness and felt strangeness. The beam bothered her a lot. It felt both peculiar and familiar and the vision she had glimpsed was as sharp as a cinema production. Most odd of all was that she felt possessive about it. It had been her beam, meant only for her, and she had not even wondered if Ski or Nina had noticed anything.
She tried to sketch it but it was impossible. The materials did not exist for her to convey the way the shimmering turned reflective and then transparent. The materials most certainly did not exist for her to convey how she was both fearful and transfixed, how she felt knowing as well as surprised.
She worried about Ski contracting AIDS like the men in the adverts even though she had no evidence, beyond what she had seen through the beam, that he might engage in sex with men. Even when he started dating the diminutive and blandly pretty Coral Culkin, an American student with seemingly wealthier parents than him, Lauren still was concerned for his health. She wondered if the seers and witches of old witnessed the sudden arrival of magic string and were similarly cursed with knowledge they did not want.
Try as she might, Lauren could not convince herself that the image was purely the product of smoking pot. It began to annoy as well as unsettle her. So she devoted herself to the missing Peter Stanning.
‘Would be weird, Mum, wouldn’t it, if he just turned up again?’ she said to Vera over the phone on the wall of the kitchen she shared with those on her floor and which was so clogged by fat fumes and errant marmalade that the dial hiccupped its way back to zero which made making calls a long-winded process. She had been worried about the lack of privacy at first but there was always so much background bustling noise from chitter-chatter and music and the lift clanging and the kettle whistling that she could dial home unperturbed about eavesdroppers.
‘Well, it would for his wife,’ Vera said, ‘as she is supposed to be dating a famous showjumper I’ve never heard of.’
Lauren decided to ignore this as she could not draw horses very well. Instead she produced a painting. Fuchsia reds and russet reds and one small white square representing Peter Stanning. OTB liked it but said it was a bit ‘obvious’.
She returned to her desk and turned the white square into an opened window behind which was an image of a Santa hat. She smiled at the memory of Peter Stanning in costume, with a silky fake white beard, at the Christmas party in her father’s office. She knew now what she would paint next; an advent calendar full of versions of Peter’s fate, building to the climax of crucifixion. It was blasphemous, but she knew that OTB would adore it.
In a bleaker world in which Peter Stanning was not yet missing, and Lauren and Vera were not out shopping, not anywhere at all, Bob was alone in the house that had become the dark house on The Willows. Even the twins would edge away from its driveway. Nobody knew what to say. No one except Peter Stanning, who had seen it coming but had no way of warning Bob, none at all.
One day, Peter drove over with a small casserole prepared by his wife. He fiddled with the oven.
‘Right, that will be warmed though in half an hour so, so in the meantime, let’s look at our options.’
Bob blinked through bleary medicated eyes.
‘I have one option, top of the list,’ Bob said bitterly but not nastily.