glanced at Diana and her unwieldy suitcase with a flicker of curiosity before looking away again. The girls were all dressed in Capri pants or above-the-knee skirts with little blouses, and she suddenly felt old-fashioned in her longer, fifties-style skirt and jacket and her beige leather gloves. No one else was wearing gloves. Their legs were bare and bronzed while she wore American tan tights and she thought with envy how much cooler they must feel.
Candy led her to a group of buildings. ‘These are the production offices,’ she said. ‘You can leave your suitcase here.’
She shook hands with several people sitting behind desks and signed her name as indicated. She was informed that she would receive her salary of 50,000 lire (about 28 British pounds), less local taxes, each Friday evening at the end of the working day, and that her permit to work in Italy would be arranged by the studio staff, although she would have to register with the police in the next few days.
As they left, she paused on the steps to watch as a man in a Roman toga came towards them, then did a double take when she realised it was Rex Harrison. She and Trevor had seen him in My Fair Lady at the Theatre Royal, Drury Lane, playing Professor Higgins, the man who teaches a Cockney flower girl to ‘speak proper’. It had been a brilliant production and received a standing ovation, the audience clapping until their hands were numb. Rex Harrison passed without glancing in her direction, but she felt a bubble of excitement all the same.
‘Have you met Walter?’ Candy asked. Diana agreed that she had, during her one day at Pinewood. ‘I’ll take you over to say hi to Joe Mankiewicz, if we can catch a second of his time.’
‘What does he do?’ Diana asked, and Candy stared in amazement.
‘He’s the director. Didn’t you know that?’
‘I thought it was Rouben Mamoulian. I’m sure I read that somewhere.’
‘Yeah, it was, but he got fired ages ago. The cast has all changed since we came to Italy. But we’ve still got Liz – for better or worse.’
‘What do you mean?’
Candy rolled her eyes comically. ‘You’ll find out.’
Someone popped a head round the door. ‘Candy, there’s a problem with the elephants. They’re being really aggressive and no one can get near them. Will you go and talk to the elephant guy, see what his explanation is?’
‘Sure,’ Candy agreed. ‘Why don’t you come with me, Diana? I’ll get a chance to show you around. You can leave your coat and jacket. It’s sweltering out there.’ She glanced down at Diana’s prim skirt and tights and seemed about to say something else but thought better of it.
They strolled up a shady avenue. Everywhere there were neatly mown grass verges and boulevards lined with stately rows of Roman pine trees and oleander bushes. Lots of people waved and called hello to Candy as she passed, and she called back but didn’t make any move to introduce Diana.
‘The commissary – that’s canteen to you Brits – is down there and the bar’s over that way.’ She pointed to a separate block but walked straight past it. Diana was parched and could have used a cool drink but didn’t want to cause any bother. ‘I’ve reserved a room for you in the Pensione Splendid near Piazza Repubblica so it will only take you about twenty minutes to get here in the morning. A studio driver will pick you up around eight.’ She chatted on about practicalities and Diana tried to remember everything while simultaneously getting her bearings in the vast studio complex, which seemed to stretch for miles in every direction.
They could hear and smell the elephants well before reaching the enclosure. Roaring, with trunks raised, and stamping their feet, they were terrifying the horses in the nearby stables. Diana couldn’t count them all as some were inside a sandstone outbuilding, but four were pacing around outside. Candy approached a man who seemed to be in charge and had a conversation with him in Italian. He spread his arms and shrugged, telling her that it wasn’t his fault they were restless; that’s just how they were.
Diana looked at the poor creatures, each restrained with a heavy chain around one ankle. Their eyes seemed astonishingly human and knowing. The closest regarded her as one fellow creature to the other, requesting sympathy for its plight. Then she looked at its ears, which were small and drooping. She remembered her school biology teacher explaining that African elephants have large ears that fan back over their necks in the shape of Africa, while Indian ones have smaller ears that droop to a point, like a map of India.
She asked the trainer, ‘Questi sono elefanti indiani?’
‘Sì, certamente,’ he replied then spun off into a chain of complaints about his contract and the conditions under which he had to work.
‘Is that a problem?’ Candy asked Diana.
‘It’s just that Cleopatra would, of course, have had African elephants. Her kingdom was in Africa. Hardly any viewers will spot the difference, I’m sure.’
‘Fantastic!’ Candy exclaimed. ‘You may just have given us a way to get out of our contract with this guy and his over-aggressive animals. Walter will be thrilled.’
‘Oh, good. Should we go and find him?’ Diana felt she would like to see a friendly face. Perhaps he would be able to explain what was expected of her.
‘You can never find Walter when you’re looking for him – only when you’re not,’ Candy said. ‘We’ll head back, and maybe stop for a drink? You look hot.’
Diana nodded gratefully. She had pale English skin that didn’t take the sun well and she could feel her cheeks tingling after half an hour in the Roman sunshine. She asked the barman for some water, which came in a green glass bottle with a pretty label saying San Pellegrino. Why bother with bottled water, she wondered, when Rome was reputed to have the best tap water in the world, brought straight from mountain springs by their famous Roman aqueducts? It seemed crazy.
Candy had business in a back part of the studio and Diana tagged along, feeling completely lost. How would she ever find her way around this virtual metropolis? She was hot and tired and felt very grateful when at last Candy offered to call a driver to take Diana to her pensione.
She found she was on the second floor of an old building, in a large bright room with its own tiny balcony and a view towards the Baths of Diocletian. The room contained a double bed, a wardrobe, and a wash-basin, and it all looked neat and clean. On a side table there was a Cinzano ashtray with the familiar red, white and blue lettering. There was a shared bathroom down the hall and the first thing she did was undress and soak in some lukewarm water to wash away the grime of travel. She dressed in a cool cotton sundress, rubbed Pond’s cold cream on her cheeks and went to ask the padrona if she might use her telephone.
‘Sorry, it’s out of order,’ the woman told her. ‘The nearest public phone is in the bar across the street but you will need some gettoni. You can buy them at the tabaccaio over towards Termini station.’ She gestured vaguely.
Diana kicked herself for not buying more gettoni at the airport earlier. She knew the station was several streets away. She’d wanted to ring Trevor to let him know she’d arrived safely. Ideally she would have liked to tell him about seeing Rex Harrison, and about the Indian elephants, and all her other impressions of the set, but she knew she couldn’t expect him to share her excitement. They were barely speaking to each other.
She felt a sharp pang of missing him. They normally told each other everything, in a long stream of conversation that they updated as soon as possible after spending any time apart. It was hard to move from that intimacy to a life that was unshared, unwitnessed.
She hung up her clothes then sat on the bed looking out across the rooftops of the Eternal City as the sun gradually set, picking out individual windows to blaze fiery bright for a few minutes each, and casting a golden glow on domes and turrets. The smell of cooking wafted up from the kitchen of a trattoria next door and she decided she would eat there then come back for an early night. She’d call Trevor the following day. He hadn’t even said goodbye