Christopher Tolkien

The Shaping of Middle-earth


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      J. R. R. TOLKIEN

      The Shaping of Middle-earth

      THE QUENTA, THE AMBARKANTA AND THE ANNALS

      together with the earliest ‘Silmarillion’ and the first Map

      Christopher Tolkien

      HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.tolkien.co.uk

       www.tolkienestate.com

      First published in Great Britain by HarperCollinsPublishers 1986

      Copyright © The Tolkien Estate Limited and C.R. Tolkien 1986

      

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      Source ISBN: 9780261102187

      Ebook Edition © DECEMBER 2018 ISBN: 9780007348213

      Version: 2019-10-21

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      CONTENTS

       Cover

       Title Page

       III THE QUENTA

       Commentary

       Appendix 1: Ælfwine’s translation of the Quenta into Old English; Old English equivalents of Elvish names

       Appendix 2: The Horns of Ylmir

       IV THE FIRST ‘SILMARILLION’ MAP

       V THE AMBARKANTA

       Commentary

       VI THE EARLIEST ANNALS OF VALINOR

       Commentary

       Appendix: Ælfwine’s translations of the Annals of Valinor into Old English

       VII THE EARLIEST ANNALS OF BELERIAND

       Commentary

       Second version of the earliest Annals

       Commentary

       Appendix: Ælfwine’s translation of the Annals of Beleriand into Old English

       Searchable Terms

       Other Books by J.R.R. Tolkien

       About the Publisher

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      This book brings the ‘History of Middle-earth’ to some time in the 1930s: the cosmographical work Ambarkanta and the earliest Annals of Valinor and Annals of Beleriand, while later than the Quenta Noldorinwa – the ‘Silmarillion’ version that was written, as I believe, in 1930 – cannot themselves be more precisely dated.

      This is the stage at which my father had arrived when The Hobbit was written. Comparison of the Quenta with the published Silmarillion will show that the essential character of the work was now fully in being; in the shape and fall of sentences, even of whole passages, the one is constantly echoed in the other; and yet the published Silmarillion is between three and four times as long.