magazine.’
‘It’s not a random photo – it’ll be my wedding dress one day,’ I mutter.
I don’t know why I’m trying to defend myself. He’s right. I love writing for a bridal magazine and I do mention it in my Twitter bio. The thousands of people who retweeted my argument with Mr R.C. Art over the weekend know exactly who I work for and the very public battle between us and The Man Land.
I try again. ‘He called the bride a twenty-one-year-old sentient boob job fake-tanned to the colour of an overcooked Wotsit and the groom a seventy-year-old walking bank account sponsored by Viagra!’
Oliver lets out a snort and I frown at him. ‘It’s not funny. He has no right to make fun of their wedding day and publicly humiliate them online. He called it the unholy union of a cross-dressing scarecrow and a taffeta loo roll holder, and I’m still not sure which one was which. It was totally unfair. It looked like a beautiful wedding.’ I scroll through my phone and hold it out to show him a picture. ‘See?’
Oliver glances at it and stifles a laugh. ‘Well, I’ve got to admit I admire the man for his way with words. He’s really hit the nail on the head this time.’
‘Their wedding day is their wedding day. Nothing about it has anything to do with him,’ I snap, yanking my phone back across the desk towards me.
‘Bonnie, you don’t even know these people. It’s not up to you to stick up for them. If they take offence at what he said, let them sue him for libel. Everyone knows this R.C. Art guy writes horrible stuff in his monthly column. It’s tongue in cheek, designed to get a laugh at someone else’s expense. He’s like the Katie Hopkins of weddings. He says controversial things to get a reaction out of the public. The Man Land don’t pay him for his writing, they pay him for the amount of press he gets them. The best thing anyone can do is ignore him, which is not what you did.’
‘He deserved putting in his place. It didn’t matter who he worked for.’
‘But you didn’t put him in his place. All you did was give him a petty, childish argument that he could use as an example of how crazed brides get.’
‘I’m not a bride.’
‘Well, for whatever reason, you have a picture of a wedding dress as your profile photo…’
‘Which is better than him. His profile photo is just two engagement rings with a big “no entry” road sign over them.’
Oliver slams his hand down on the desk. ‘Bonnie, you don’t seem to realise how serious this is. I’ve had the owner of Hambridge Publishing on the phone this morning and to say he’s not impressed would be an understatement. It looks like you were deliberately baiting R.C. Art and trying to draw him into an argument so The Man Land would come off looking worse than us.’
‘That’s ridiculous. If anything, he did it on purpose to make me look bad. He screencapped my tweets and posted them for all to see, and conveniently cut off his original post where he thought it was okay to compare a bride’s make-up to the zombies from Michael Jackson’s Thriller video and the wedding guests to Night of the Living Dead. He made it look like I was randomly attacking him by taking out what I was responding to.’
‘You shouldn’t be responding to anything in this situation. This thing between our magazines is a well-known publicity stunt and people are watching what we do.’ Oliver’s face is red and he looks like he’s one step away from banging his head, or more likely mine, on the desk. ‘I don’t care if you stood up for that couple with the best of intentions. You can’t keep fixating on other people’s weddings to detract from your own loneliness, and getting into a slanging match with The Man Land’s high-profile anti-marriage columnist is asking for trouble. Quoting his column and trying to incite your followers against him reflects badly on our whole magazine.’
‘I didn’t try to incite anyone! I just pointed out that there are some twats in the world and most of them have a Twitter account. And what about him? Have Hambridge been on the phone to his boss this morning yelling at him too? He posted screencaps of my tweets and told his followers that I’m the kind of idiot he has to deal with on a daily basis.’
‘So you react with dignity, poise, and silence. Trolls go away if you don’t feed them. You served him a seven-course meal with extra dessert. You may as well have called him a poo-poo head, blown a raspberry at him, and ran and told your favourite teddy bear. Actually, on second thoughts, that might have been a more mature way to deal with it.’
‘R.C. Art,’ I grumble. ‘What kind of a stupid pseudonym is that? It sounds like a school class, which is fitting given his level of maturity. He probably looks like the offspring of a flying monkey and Yoda. No wonder he hides behind a picture and uses an alias. He’s probably a bitter and twisted old man who’s so bitter and twisted because he’s too horrible to have ever found anyone to marry him. He wouldn’t be so nasty if anyone loved him, would he?’
Oliver pinches the bridge of his nose. Again. ‘Says the woman who has a wedding dress but doesn’t have a groom to go with it.’
‘I don’t have the wedding dress. I’ve only paid a deposit and it’s on hold for me at Snowdrop – you know the little bridal boutique tucked away near Marble Arch?’
‘No. I’ve been divorced for four years. Oddly enough, I have no knowledge of bridal shops and nor do I want any.’
‘You run a wedding magazine!’ I say, wondering why I expect anything different from a man who has the Ambrose Bierce quote ‘Love is a temporary insanity curable only by marriage’ printed on the wall above his desk.
‘I edit a wedding magazine. I rely on you and your colleagues to provide the content. I’m just counting down the days until I retire and never have to read another comparison between napkin rings or essay on wedding favours ever again. Only three years and ninety-three days to go now. What I really don’t need is to have to find another job at this time of my life if we lose Two Gold Rings, which we are going to at this rate.’
‘We won’t. The Man Land prints nothing but sexist, unfunny drivel. Two Gold Rings has been going for decades and thousands of brides have turned to us for all their wedding-planning needs. It’s good versus evil. Love versus misogynistic sarcasm. There’s no way they’re going to win.’
‘They have a much bigger online following than us, and a lot of men agree with their views. I’m one of them. I completely agree with R.C. Art when it comes to marriage. It’s the worst mistake anyone can ever make. People spend thousands of pounds on a day that will ultimately end up destroying their lives. If he wants to make fun of that, well, good on him. Obviously we couldn’t publish that kind of thing in Two Gold Rings, but I always thoroughly enjoy a sneaky read of his column. He’s very funny.’
‘He’s rude and cold-hearted. People’s wedding days are special. They’re in love. They’re happy. It’s the best day of their lives. How can anyone be so cynical that they agree with that anti-marriage idiot?’
‘Bonnie, you’re a sweet, naive, hopeless romantic. You’ve never been married, and judging by the soppy things you write, you still think Prince Charming is going to ride around the next corner on a big white horse. When you’ve come out the other side of a messy divorce, your opinion might change. To me, R.C. Art sounds like a guy who’s been burnt by love and now uses his column to help other men avoid the same fate… Which brings me nicely back to why I called you in here.’
Back to the Twitter spat. I should’ve known my boss wouldn’t let me get away with it. I stupidly believed he might be pleased with me for sticking up for a couple who didn’t deserve to have their beautiful wedding day lampooned by a deluded prat for his own entertainment.
‘I’ve got a very angry boss, Bonnie. You know what Hambridge have done with this stupid battle of the mags thing. Pitted their two worst-performing publications against each other in what they hoped would provoke a spirited public