glass; her mother bobbing her beshawled head in time with the beat; the Clougheally crowd of second cousins joining in, joyfully out of key.
The Pope stayed on the stage after the Mass, joy widening his face. When he spoke it was with the heart-heave of a teenage Romeo, a fallible and unscripted pronouncement, one all the more charming for it: ‘Young People of Ireland: I Love You.’
The crowd erupted into a cheer that travelled like a Mexican wave.
Mrs Nugent chuckled.
‘Didn’t I tell you he’s always talking to me?’
Even Mrs McGinty managed a laugh at this; it was impossible to frown. If she’d had a bottle large enough, Granny Doyle would have captured the happiness in the field and been a rich woman for years.
‘Quick now, we’ll take a photograph.’
Granny Doyle passed the camera to Mrs Nugent, scooped up Peg and marched over to her mother. Aunty Mary was left to the side; no harm, she’d only spoil it.
‘Big smile for the camera, like a good girl,’ Granny Doyle said to Peg.
Mrs Nugent fumbled for the button.
‘All right now, one … two … three … cheese and onion!’
The photograph was a remarkable coup, heralding never-again-seen skills from Mrs Nugent. Peg, Granny Doyle, and Nanny Nelligan squinted at the camera in the foreground, Pope John Paul II was flanked by Bishop Casey and Father Cleary in the background, heroes all three. A special effect of the morning sun gave the appearance of halos, the smiles of all three women stretching to meet the light.
Months later, Peg clutched the photograph, thrilled at a memento she was allowed to keep. Granny Doyle had given it to her for Christmas, pleased that her plan had worked and that it was only a matter of months before some John Paul Doyle arrived into the world. Peg loved the photograph, even though her shoes were outside the frame. It was evidence that she was somebody who mattered, somebody who had once shared the sunlight with a pope. For years she clung to the sanctity of this snapshot, even when she might better have torn it in two. It captured the moment precisely: an island united, crowds of the devoted, everybody as happy as Heaven.
8
Bloody Tea Towel (1980)
The first miracle of John Paul Doyle was survival.
In other circumstances, the tea towel might have been kept for posterity, a version of Veronica’s sweat-soaked shroud. A former nurse, Granny Doyle cleaned up the kitchen her son couldn’t face. She picked up the chair that had fallen and scrubbed it down. She returned the phone to its table on the hall. She mopped the blood from the floor, decided it was best not to keep the mop. She scooped out the half-eaten breakfast cereal into the bin, washed and dried the bowl, returned it to the cupboard.
The tea towel was put in its own plastic bag and sealed in another bin-bag before it was thrown away.
9
Catherine Doyle Memorial Card (1980)
Danny Doyle lit another cigarette. He’d had to blow the smoke out the window, back when he was a teenager. Now it didn’t matter if the little room filled with smoke, with his Da dead and Granny Doyle too worn out to shout at him. She was busy with the babbies, leaving Danny to his old box room and its sad yellow aura, the source of which it was hard to locate. It couldn’t be the amber on the window from his smoking; the curtains were always drawn, especially in the day. The yellow of the curtains had faded to a pale primrose, hardly enough to explain the aura. So, it might just be the jaundice about his heart; what else was sad and yellow?
Another fag. Something to keep his hands busy. He wished there were cigarettes for the brain, something that his thoughts could wrap around and find distraction in. Brain cigarettes? He was going mad, he had to be. Sure you’re not high? That’s what she would have said, with an arch of her eyebrow – he could hear her voice clear as anything in the room – and Danny Doyle felt a sharp pain in his chest at the thought that the only place Catherine Doyle was in the room was trapped in a tiny rectangle.
There she was, smiling at him from a plastic memorial card. Her name (Catherine Doyle), her dates (1951–1979), some prayers and platitudes (May She Rest in Peace; Oh My Jesus, Forgive Us Our Sins and Save Us From the Fires of Hell). He’d let Granny Doyle pick the photo for the memorial card, and the sensible photo she’d chosen would not have been out of place in a Legion of Mary newsletter: this was not a Catherine Doyle he recognized. Surrounded by prayers and a pastel background, this woman was not the type to let toast crumbs fall onto a bed or push her face into silly shapes when Peg was taking a bath; this was not a woman who could quack. Staring at the memorial card, it was hard to remember the tone that she had used to tell the stories that put Peg to sleep or to admonish him when he’d forgotten to pick up milk, harder to imagine how ‘Danny’ might have sounded from her mouth, what shades of affection and exasperation might have coloured it.
Danny picked up the roll of film instead of another cigarette. Where could you take it? Not Brennan’s chemist. Nowhere on the Northside. Maybe some shop in town, some alley off O’Connell Street. But then, the thought of it, a stranger staring at her naked body, looking at him like he was some sort of pervert: he couldn’t do it.
Danny Doyle turned the capsule over and over in his hand, the single bed in his old box room already sagging with sadness underneath him.
10
Statue of the Sacred Heart (1980)
Peg stared at the holy water font in the hallway. It was one of the many features of 7 Dunluce Crescent that did not appear in her doll’s house. It was a small ceramic thing, hanging precariously by a nail, a picture of the Virgin Mary on the front. Much too high for Peg to dip her finger into, which meant she relied upon Granny Doyle or her father to bless her as she passed the threshold. Neither was particularly diligent. Peg felt that she’d lost two parents for the price of one. Danny Doyle spent all his days in the box room with the curtains shut, all the Lego castles that they were going to build forgotten in Baldoyle, along with everything Peg had ever cared about (her doll’s house; her shoebox; her life!). Granny Doyle was too busy charging about the house after the triplets to worry about the fate of Peg’s soul. Peg almost felt as if she were becoming invisible.
‘In or out, child, are you coming in or out?’
Granny Doyle still had eyes for Peg when she got in the way. Peg retreated down the dark hallway and left Granny Doyle to her chorus of old ladies. The triplets were asleep at the same time, so the chance to tell everybody just how busy she was could not be missed by Granny Doyle. Peg heard Mrs Fay’s warm voice and suppressed the desire to rush into the porch and see if she’d brought any sweets in her handbag. It wasn’t worth the fuss. Peg couldn’t face Mrs Nugent telling her that you’re a brave girl, aren’t you, love? or Mrs McGinty trying to find some softness in her face or Granny Doyle losing patience and banishing her outside, where she hadn’t a single friend to hopscotch beside. Besides, it wasn’t sweets Peg was after; she’d lost her whole life, even a Curly Wurly wouldn’t cut it.
Peg made her way into the empty sitting room, an eerie space with the telly turned off. The room had rules, invisible lines that demarcated territory as sharply as barbed wire. Granny Doyle sat in the armchair by the window, its cushions shaping themselves around her body, even in her absence. Danny Doyle took his father’s spot in the armchair by the television, dinner tray propped on his knees when he watched the football. Guests took their pick of the chairs by the wall. Peg might have switched on the telly or clambered onto one of the forbidden armchairs but what would be the point? How could she care about cartoons? There hadn’t been a television in her stately doll’s house, only a library with walls of miniature books that Peg had arranged carefully. Peg squeezed her eyes shut and longed for some magic to make her small and safe and transported inside the doll’s house but no, she was stuck in her stupid-sized body, too small to escape