she is!"
"Oh! day or night, sun or snow don't matter to her," said Jos Hughes.
At this moment the subject of their remarks entered the shop, and, sitting on a sack of maize, let her arms fall on her lap. She was quickly followed by a large black sheep dog, who bounded in and, placing his fore-paws on the counter, with tongue hanging out, looked at Jos Hughes intently.
"Down, Tudor!" said the girl, and he sprang on a sack of peas beside her.
The mountain wind blowing in through the open doorway touzled the little curls that were so unruly in Morva's hair; it was neither gold nor ebony, but, looking at its rich tints, one was irresistibly reminded of the ripe corn in harvest fields, while the blue eyes were like the corn flowers in their vivid colouring.
"How are they at Garthowen?" asked Fani "bakkare."
"Oh! they are all well there," answered the girl, panting and fanning herself with her sun-bonnet, "except the white calf, and he is better."
"There's hot it is!" said Fani, taking up her basket of groceries.
"Oh! 'tis hot!" said the girl, "but there's a lovely wind from the sea."
"What are you wanting to-day, Morva?" said Jos.
"A ball of red worsted for Ann, and an ounce of 'bacco for 'n'wncwl Ebben, and oh! a ha'porth of sweets for Tudor."
The dog wagged his tail approvingly as Jos reached down from the shelf a bottle of pink lollipops, for, though a wild country dog, he had depraved tastes in the matter of sweets.
"There's serious you all look! what's the matter with you?" said the girl, looking smilingly round.
"Nothing is the matter as I know," said Fani, "only there's always plenty of trouble flying about. We can't be all so free from care as you, always laughing or singing or something."
"Indeed I wish we could," said Madlen, a pale girl who was bending over a box of knitting pins, looking round curiously and rather sadly; "I wish the whole world could be like you, Morva."
Morva snatched the girl's listless hand in her own warm firm grasp, and pressed it sympathetically, for she knew Madlen's secret sorrow.
"Wait another year or two," said Fani, "we'll talk to you then! Wait till your husband comes home drunk from 'The Black Horse!'"
"And wait till you put all your money into a shop and then find it doesn't pay you," said Jos.
Madlen said nothing, but Morva knew that in her heart she was thinking, "Wait until your lover proves false to you!" and she gave her hand another squeeze.
"Well, indeed!" she said springing up, "what are you all talking about? I won't put all my money in a shop, and I won't marry a drunkard! Sixpence, is it? I am going home over the bog and round the hill, but I am going to sit on the bench outside a bit first. There's lots of swallows' nests under your eaves, Jos Hughes; that brings good luck, they say, so your shop ought to pay you well."
So saying she passed out, and sitting on the bench round the corner of the house she kissed her hand toward the swallows, who flitted in and out of their nests, twittering ecstatically.
"Hark to her," said Fani, "singing again, if you please—always light-hearted! always happy! I don't think its quite right, Jos bâch, do you? You are a deacon at Penmorien and you ought to know. If it was a hymn now! but you hear it's all nonsense about the swallows. Ach y fi! she is learning them from Sara ''spridion';[1] some song of the 'old fathers' in past times!"
"Yes," said Jos, sanctimoniously clasping his stubby fingers, "I'm afraid the girl is a bit of a heathen. What wonder is it? Nursed by Sara—always out with the cows or the sheep, and they say she thinks nothing of sleeping under a hedge, or out on the slopes, if any animal is sick and wants watching."
Fani went out with a toss of her head, as the sweet voice came in through the little side window with the twittering of the swallows and the cluck, cluck of a happy brood hen.
Outside, Morva had forgotten all about Jos Hughes and Fani "bakkare's" sour looks, and was singing her heart out to the sunshine.
"Sing on, little swallows," she said, "and I'll sing too. Sara taught me the 'bird song' long ago when I was a baby."
And in a clear, sweet voice she joined the birds, and woke the echoes from the brown cliffs. The tune was quaint and rapid; both it and the words had come down to her with the old folklore of generations passed away.
"Over the sea from the end of the wide world
I've come without wetting my feet, my feet, my feet,
Back to the old home, straight to the nest-home,
Under the brown thatch, oh sweet! oh sweet! oh sweet!
"When over the waters I flew in the autumn,
Then there was plenty of seed, of seed, of seed.
Women have winnow'd it, threshers have garner'd it,
Barns must be filled up indeed, indeed, indeed!
"Are you glad we have come with a flitter and twitter
Once more on the housetop to meet, to meet, to meet?
Make haste little primroses, cowslips, and daisies, we're
Longing your faces to greet, to greet, to greet!"
—Trans.
"Yes, that's what you are singing. Good-bye," and waving her hand towards them again, she turned her face to the boggy moor, picking her way over the stepping-stones which led up to the dryer sheep paths.
The golden marsh marigolds glittered around her, the beautiful bog bean hung its pinky white fringe over the brown peat pools, the silky plumes of the cotton grass nodded at her as she passed, and the wind whispered in the rushes the secrets of the sea.
Morva listened with a smile, a brown finger up-raised. "Yes, yes, I know what you are singing too down there in the rushes, sweet west wind," she said. "Sara has told me, but I haven't time to sing the 'wind song' to-day," and reaching the sheep path which led round the mountain, she sped against the wind, her hair streaming behind her, her blue skirt fluttering in the breeze, the ball of scarlet worsted and the shining 'bacco box held high in either hand to steady her flying footsteps, Tudor barking with joy as he bounded after her and twitched at her fluttering skirts.
It was tea-time when she reached Garthowen, and, winter or summer, that was always the pleasantest hour at the farmstead, when the air was filled with the aroma of the hot tea, and the laughter and talk of the household. On the settle in the cosy chimney corner sat Ebben Owens himself, the head of the family and the centre of interest to every member of it. He possessed that doubtful advantage, the power of attracting to himself the affection and friendship of everyone who came in contact with him; his children idolised him, and Morva was no whit behind them in her affection for him. In spite of his long grizzled locks, and a slight stoop, he was still a hale and hearty yeoman under his seventy years. His cheeks bore the ruddy hue of health, his eyes were still bright and clear, the lines of his mouth expressed a gentle and sensitive nature. It was by no means a strong face, but its very weakness perhaps accounted for the protecting tenderness shown to him by all his family. As he sat there in the shadow of the settle it was easy to understand why his children were so devotedly attached to him, and why he bore the reputation of being the kindest and most good-natured man in Pont-y-fro and its neighbourhood. Ann, his only daughter, was looking smilingly at him from the head of the table, her smooth brown hair parted over her madonna-like brows, her brown eyes full of laughter. Opposite to her, at the bottom of the table, sat Gwilym Morris, preacher at the Calvinistic Methodist chapel, down in the valley by the shore. He had lived at Garthowen for many years as one of the family, being the son of an old friend of Ebben Owens. Having a small—very small—income of his own, he was able to devote his services to the chapel in the valley, expecting and receiving nothing in return but a pittance, for which no other minister would have been willing to work. He was a dark, pale man, of earnest and studious appearance, of quiet manners, and rather silent, but often seeking