F. Scott Fitzgerald

F. Scott Fitzgerald: Complete Works


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said. “I’m going out to dinner.”

      To the last she would keep on—the illusion, that was the important thing. To hold her proud lies inviolate—there was only a moment now. They walked toward the door.

      “Put me in a taxi,” she said quietly. “I don’t feel equal to walking.”

      He helped her in. They shook hands.

      “Good-bye, Scott,” she said.

      “Good-bye, Yanci,” he answered slowly.

      “You’ve been awfully nice to me. I’ll always remember what a good time you helped to give me this two weeks.”

      “The pleasure was mine. Shall I tell the driver the Ritz?”

      “No. Just tell him to drive out Fifth. I’ll tap on the glass when I want him to stop.”

      Out Fifth! He would think, perhaps, that she was dining on Fifth. What an appropriate finish that would be! She wondered if he were impressed. She could not see his face clearly, because the air was dark with the snow and her own eyes were blurred by tears.

      “Good-bye,” he said simply.

      He seemed to realize that any pretense of sorrow on his part would be transparent. She knew that he did not want her.

      The door slammed, the car started, skidding in the snowy street.

      Yanci leaned back dismally in the corner. Try as she might, she could not see where she had failed or what it was that had changed his attitude toward her. For the first time in her life she had ostensibly offered herself to a man—and he had not wanted her. The precariousness of her position paled beside the tragedy of her defeat.

      She let the car go on—the cold air was what she needed, of course. Ten minutes had slipped away drearily before she realized that she had not a penny with which to pay the driver.

      “It doesn’t matter,” she thought. “They’ll just send me to jail, and that’s a place to sleep.”

      She began thinking of the taxi driver.

      “He’ll be mad when he finds out, poor man. Maybe he’s very poor, and he’ll have to pay the fare himself.” With a vague sentimentality she began to cry.

      “Poor taxi man,” she was saying half aloud. “Oh, people have such a hard time—such a hard time!”

      She rapped on the window and when the car drew up at a curb she got out. She was at the end of Fifth Avenue and it was dark and cold.

      “Send for the police!” she cried in a quick low voice. “I haven’t any money!”

      The taxi man scowled down at her.

      “Then what’d you get in for?”

      She had not noticed that another car had stopped about twenty-five feet behind them. She heard running footsteps in the snow and then a voice at her elbow.

      “It’s all right,” someone was saying to the taxi man. “I’ve got it right here.”

      A bill was passed up. Yanci slumped sideways against Scott’s overcoat.

      Scott knew—he knew because he had gone to Princeton to surprise her, because the stranger she had spoken to in the Ritz had been his best friend, because the check of her father’s for three hundred dollars had been returned to him marked “No funds.” Scott knew—he had known for days.

      But he said nothing; only stood there holding her with one arm as her taxi drove away.

      “Oh, it’s you,” said Yanci faintly. “Lucky you came along. I left my purse back at the Ritz, like an awful fool. I do such ridiculous things——”

      Scott laughed with some enjoyment. There was a light snow falling, and lest she should slip in the damp he picked her up and carried her back toward his waiting taxi.

      “Such ridiculous things,” she repeated.

      “Go to the Ritz first,” he said to the driver. “I want to get a trunk.”

      Two for A Cent.

      Metropolitan Magazine (April 1922)

      When the rain was over the sky became yellow in the west and the air was cool. Close to the street, which was of red dirt and lined with cheap bungalows dating from 1910, a little boy was riding a big bicycle along the sidewalk. His plan afforded a monotonous fascination. He rode each time for about a hundred yards, fell off, turned the bicycle around so that it adjoined a stone step and getting on again, not without toil or heat, retraced his course. At one end this was bounded by a colored girl of fourteen holding an anemic baby, and at the other by a scarred, ill-nourished kitten, squatting dismally on the curb. These four were the only souls in sight.

      The little boy had accomplished an indefinite number of trips oblivious alike to the melancholy advances of the kitten at one end and to the admiring vacuousness of the colored girl at the other when he swerved dangerously to avoid a man who had turned the corner into the street and recovered his balance only after a moment of exaggerated panic.

      But if the incident was a matter of gravity to the boy, it attracted scarcely an instant’s notice from the newcomer, who turned suddenly from the sidewalk and stared with obvious and peculiar interest at the house before which he was standing. It was the oldest house in the street, built with clapboards and a shingled roof. It was a house —in the barest sense of the word: the sort of house that a child would draw on a blackboard. It was of a period, but of no design, and its exterior had obviously been made only as a decent cloak for what was within. It antedated the stucco bungalows by about thirty years and except for the bungalows, which were reproducing their species with prodigious avidity as though by some monstrous affiliation with the guinea-pig, it was the most common type of house in the country. For thirty years such dwellings had satisfied the canons of the middle class; they had satisfied its financial canons by being cheap, they had satisfied its aesthetic canons by being hideous. It was a house built by a race whose more energetic complement hoped either to move up or move on, and it was the more remarkable that its instability had survived so many summers and retained its pristine hideousness and discomfort so obviously unimpaired.

      The man was about as old as the house, that is to say, about forty-five. But unlike the house, he was neither hideous nor cheap. His clothes were too good to have been made outside of a metropolis—moreover, they were so good that it was impossible to tell in which metropolis they were made. His name was Abercrombie and the most important event of his life had taken place in the house before which he was standing. He had been born there.

      It was one of the last places in the world where he should have been born. He had thought so within a very few years after the event and he thought so now—an ugly home in a third-rate Southern town where his father had owned a partnership in a grocery store. Since then Abercrombie had played golf with the President of the United States and sat between two duchesses at dinner. He had been bored with the President, he had been bored and not a little embarrassed with the duchesses—nevertheless, the two incidents had pleased him and still sat softly upon his naive vanity. It delighted him that he had gone far.

      He had looked fixedly at the house for several minutes before he perceived that no one lived there. Where the shutters were not closed it was because there were no shutters to be closed and in these vacancies, blind vacuous expanses of grey window looked unseeingly down at him. The grass had grown wantonly long in the yard and faint green mustaches were sprouting facetiously in the wide cracks of the walk. But it was evident that the property had been recently occupied for upon the porch lay half a dozen newspapers rolled into cylinders for quick delivery and as yet turned only to a faint resentful yellow.

      They were not nearly so yellow as the sky when Abercrombie walked up on the porch and sat down upon an immemorial bench, for the sky was every shade of yellow, the color of tan, the color of gold, the color of peaches. Across the street and beyond a vacant lot rose a rampart of vivid red brick houses and it seemed to Abercrombie that the picture they rounded out was beautiful—the warm earthy brick and