yourself a guidebook, why don’t you?”
Milly felt a slight sinking of the heart—he hadn’t grumbled at her like this since the trip was first proposed.
“It didn’t cost as much as we thought, anyhow,” she said cheerfully. “We must have over a hundred dollars left anyway.”
He grunted. Outside the window Milly’s eyes were caught by the sight of a dog drawing a legless man.
“Look!” she exclaimed. “How funny!”
“Aw, dry up. I’ve seen it all before.”
An encouraging idea occurred to her: it was in France that Jim’s nerves had gone to pieces; it was natural that he should be cross and uneasy for a few hours.
Westward through Caen, Lisieux and the rich green plains of Calvados. When they reached the third stop Jim got up and stretched himself.
“Going out on the platform,” he said gloomily. “I need to get a breath of air; hot in here.”
It was hot, but Milly didn’t mind. Her eyes were excited with all she saw—a pair of little boys in black smocks began to stare at her curiously through the windows of the carriage.
“American?” cried one of them suddenly.
“Hello,” said Milly. “What place is this?”
“Pardon?”
They came closer.
“What’s the name of this place?”
Suddenly the two boys poked each other in the stomach and went off into roars of laughter. Milly didn’t see that she had said anything funny.
There was an abrupt jerk as the train started. Milly jumped up in alarm and put her head out the carriage window.
“Jim!” she called.
She looked up and down the platform. He wasn’t there. The boys, seeing her distraught face, ran along beside the train as it moved from the station. He must have jumped for one of the rear cars. But—
“Jim!” she cried wildly. The station slid past. “Jim!”
Trying desperately to control her fright, she sank back into her seat and tried to think. Her first supposition was that he had gone to a café for a drink and missed the train—in that case she should have got off too while there was still time, for otherwise there was no telling what would happen to him. If this were one of his spells he might just go on drinking, until he had spent every cent of their money. It was unbelievably awful to imagine—but it was possible.
She waited, gave him ten, fifteen minutes to work his way up to this car—then she admitted to herself that he wasn’t on the train. A dull panic began—the sudden change in her relations to the world was so startling that she thought neither of his delinquency nor of what must be done, but only of the immediate fact that she was alone. Erratic as his protection had been, it was something. Now—why, she might sit in this strange train until it carried her to China and there was no one to care!
After a long while it occurred to her that he might have left part of the money in one of the suitcases. She took them down from the rack and went feverishly through all the clothes. In the bottom of an old pair of pants that Jim had worn on the boat she found two bright American dimes. The sight of them was somehow comforting and she clasped them tight in her hand. The bags yielded up nothing more.
An hour later, when it was dark outside, the train slid in under the yellow misty glow of the Gare du Nord. Strange, incomprehensible station cries fell on her ears, and her heart was beating loud as she wrenched at the handle of the door. She took her own bag with one hand and picked up Jim’s suitcase in the other, but it was heavy and she couldn’t get out the door with both, so in a rush of anger she left the suitcase in the carriage.
On the platform she looked left and right with the forlorn hope that he might appear, but she saw no one except a Swedish brother and sister from the boat whose tall bodies, straight and strong under the huge bundles they both carried, were hurrying out of sight. She took a quick step after them and then stopped, unable to tell them of the shameful thing that had happened to her. They had worries of their own.
With the two dimes in one hand and her suitcase in the other, Milly walked slowly along the platform. People hurried by her, baggage-smashers under forests of golf sticks, excited American girls full of the irrepressible thrill of arriving in Paris, obsequious porters from the big hotels. They were all walking and talking very fast, but Milly walked slowly because ahead of her she saw only the yellow arc of the waiting room and the door that led out of it and after that she did not know where she would go.
II
By 10 p.m. Mr. Bill Driscoll was usually weary, for by that time he had a full twelve-hour day behind him. After that he only went out with the most celebrated people. If someone had tipped off a multi-millionaire or a moving-picture director—at that time American directors were swarming over Europe looking for new locations—about Bill Driscoll, he would fortify himself with two cups of coffee, adorn his person with his new dinner coat and show them the most dangerous dives of Montmartre in the very safest way.
Bill Driscoll looked good in his new dinner coat, with his reddish brown hair soaked in water and slicked back from his attractive forehead. Often he regarded himself admiringly in the mirror, for it was the first dinner coat he had ever owned. He had earned it himself, with his wits, as he had earned the swelling packet of American bonds which awaited him in a New York bank. If you have been in Paris during the past two years you must have seen his large white auto-bus with the provoking legend on the side:
WILLIAM DRISCOLL
he shows you things not in the guidebook
When he found Milly Cooley it was after three o’clock and he had just left Director and Mrs. Claude Peebles at their hotel after escorting them to those celebrated apache dens, Zelli’s and Le Rat Mort (which are about as dangerous, all things considered, as the Biltmore Hotel at noon), and he was walking homeward toward his pension on the Left Bank. His eye was caught by two disreputable-looking parties under the lamp post who were giving aid to what was apparently a drunken girl. Bill Driscoll decided to cross the street—he was aware of the tender affection which the French police bore toward embattled Americans, and he made a point of keeping out of trouble. Just at that moment Milly’s subconscious self came to her aid and she called out “Let me go!” in an agonized moan.
The moan had a Brooklyn accent. It was a Brooklyn moan.
Driscoll altered his course uneasily and, approaching the group, asked politely what was the matter, whereat one of the disreputable parties desisted in his attempt to open Milly’s tightly clasped left hand.
The man answered quickly that she had fainted. He and his friend were assisting her to the gendarmerie. They loosened their hold on her and she collapsed gently to the ground.
Bill came closer and bent over her, being careful to choose a position where neither man was behind him. He saw a young, frightened face that was drained now of the color it possessed by day.
“Where did you find her?” he inquired in French.
“Here. Just now. She looked to be so tired—”
Bill put his hand in his pocket and when he spoke he tried very hard to suggest by his voice that he had a revolver there.
“She is American,” he said. “You leave her to me.”
The man made a gesture of acquiescence and took a step backward, his hand going with a natural movement to his coat as if he intended buttoning it. He was watching Bill’s right hand, the one in his coat-pocket, and Bill happened to be left-handed. There is nothing much faster than an untelegraphed left-hand blow—this one traveled less than eighteen inches and the recipient staggered back against a lamp post, embraced it transiently and regretfully and settled to the ground. Nevertheless Bill Driscoll’s successful career might have ended there, ended with the strong shout of “Voleurs !” which he raised into the