nearly five o’clock when we reached the Criminal Courts Building. Swacker had lit the old bronze-and-china chandelier of Markham’s private office, and an atmosphere of eerie gloom pervaded the room.
“Not a nice family, Markham old dear,” sighed Vance, lying back in one of the deep leather-upholstered chairs. “Decidedly not a nice family. A family run to seed, its old vigor vitiated. If the heredit’ry sires of the contempor’ry Greenes could rise from their sepulchres and look in upon their present progeny, my word! what a jolly good shock they’d have! . . . Funny thing how these old families degenerate under the environment of ease and idleness. There are the Wittelsbachs, and the Romanoffs, and the Julian-Claudian house, and the Abbassid dynasty—all examples of phyletic disintegration. . . . And it’s the same with nations, don’t y’ know. Luxury and unrestrained indulgence are corruptin’ influences. Look at Rome under the soldier emperors, and Assyria under Sardanapalus, and Egypt under the later Ramessids, and the Vandal African empire under Gelimer. It’s very distressin’.”
“Your erudite observations might be highly absorbing to the social historian,” grumbled Markham, with an undisguised show of irritability; “but I can’t say they’re particularly edifying, or even relevant, in the present circumstances.”
“I wouldn’t be too positive on that point,” Vance returned easily. “In fact, I submit, for your earnest and profound consideration, the temperaments and internal relationships of the Greene clan, as pointers upon the dark road of the present investigation. . . . Really, y’ know”—he assumed a humorsome tone—“it’s most unfortunate that you and the Sergeant are so obsessed with the idea of social justice and that sort of thing; for society would be much better off if such families as the Greenes were exterminated. Still, it’s a fascinatin’ problem—most fascinatin’.”
“I regret I can’t share your enthusiasm for it.” Markham spoke with asperity. “The crime strikes me as sordid and commonplace. And if it hadn’t been for your interference I’d have sent Chester Greene on his way this morning with some tactful platitudes. But you had to intercede, with your cryptic innuendoes and mysterious head-waggings; and I foolishly let myself be drawn into it. Well, I trust you had an enjoyable afternoon. As for myself, I have three hours’ accumulated work before me.”
His complaint was an obvious suggestion that we take ourselves off; but Vance showed no intention of going.
“Oh, I sha’n’t depart just yet,” he announced, with a bantering smile. “I couldn’t bring myself to leave you in your present state of grievous error. You need guidance, Markham; and I’ve quite made up my mind to pour out my flutterin’ heart to you and the Sergeant.”
Markham frowned. He understood Vance so well that he knew the other’s levity was only superficial—that, indeed, it cloaked some particularly serious purpose. And the experience of a long, intimate friendship had taught him that Vance’s actions—however unreasonable they might appear—were never the result of an idle whim.
“Very well,” he acquiesced. “But I’d be grateful for an economy of words.”
Vance sighed mournfully.
“Your attitude is so typical of the spirit of breathless speed existing in this restless day.” He fixed an inquisitive gaze on Heath. “Tell me, Sergeant: you saw the body of Julia Greene, didn’t you?”
“Sure, I saw it.”
“Was her position in the bed a natural one?”
“How do I know how she generally laid in bed?” Heath was restive and in bad humor. “She was half sitting up, with a coupla pillows under her shoulders, and the covers pulled up.”
“Nothing unusual about her attitude?”
“Not that I could see. There hadn’t been a struggle, if that’s what you mean.”
“And her hands: were they outside or under the covers?”
Heath looked up, mildly astonished.
“They were outside. And, now that you mention it, they had a tight hold on the spread.”
“Clutching it, in fact?”
“Well, yes.”
Vance leaned forward quickly.
“And her face, Sergeant? Had she been shot in her sleep?”
“It didn’t look that way. Her eyes were wide open, staring straight ahead.”
“Her eyes were open and staring,” repeated Vance, a note of eagerness coming into his voice. “What would you say her expression indicated? Fear? Horror? Surprise?”
Heath regarded Vance shrewdly. “Well, it mighta been any one of ’em. Her mouth was open, like as if she was surprised at something.”
“And she was clutching the spread with both hands.” Vance’s look drifted into space. Then slowly he rose and walked the length of the office and back, his head down. He halted in front of the District Attorney’s desk, and leaned over, resting both hands on the back of a chair.
“Listen, Markham. There’s something terrible and unthinkable going on in that house. No haphazard unknown assassin came in by the front door last night and shot down those two women. The crime was planned—thought out. Some one lay in wait—some one who knew his way about, knew where the light-switches were, knew when every one was asleep, knew when the servants had retired—knew just when and how to strike the blow. Some deep, awful motive lies behind that crime. There are depths beneath depths in what happened last night—obscure fetid chambers of the human soul. Black hatreds, unnatural desires, hideous impulses, obscene ambitions are at the bottom of it; and you are only playing into the murderer’s hands when you sit back and refuse to see its significance.”
His voice had a curious hushed quality, and it was difficult to believe that this was the habitually debonair and cynical Vance.
“That house is polluted, Markham. It’s crumbling in decay—not material decay, perhaps, but a putrefaction far more terrible. The very heart and essence of that old house is rotting away. And all the inmates are rotting with it, disintegrating in spirit and mind and character. They’ve been polluted by the very atmosphere they’ve created. This crime, which you take so lightly, was inevitable in such a setting. I only wonder it was not more terrible, more vile. It marked one of the tertiary stages of the general dissolution of that abnormal establishment.”
He paused, and extended his hand in a hopeless gesture.
“Think of the situation. That old, lonely, spacious house, exuding the musty atmosphere of dead generations, faded inside and out, run down, dingy, filled with ghosts of another day, standing there in its ill-kept grounds, lapped by the dirty waters of the river. . . . And then think of those six ill-sorted, restless, unhealthy beings compelled to live there in daily contact for a quarter of a century—such was old Tobias Greene’s perverted idealism. And they’ve lived there, day in and day out, in that mouldly miasma of antiquity—unfit to meet the conditions of any alternative, too weak or too cowardly to strike out alone; held by an undermining security and a corrupting ease; growing to hate the very sight of one another, becoming bitter, spiteful, jealous, vicious; wearing down each other’s nerves to the raw; consumed with resentment, aflame with hate, thinking evil—complaining, fighting, snarling. . . . Then, at last, the breaking-point—the logical, ineluctable figuration of all this self-feeding, ingrowing hatred.”
“All of that is easy to understand,” agreed Markham. “But, after all, your conclusion is wholly theoretic, not to say literary.—By what tangible links do you connect last night’s shooting with the admittedly abnormal situation at the Greene mansion?”
“There are no tangible links—that’s the horror of it. But the joinders are there, however shadowy. I began to sense them the minute I entered the house; and all this afternoon I was reaching for them blindly. But they eluded me at every turn. It was like a house of mazes and false passages and trapdoors and reeking oubliettes: nothing normal, nothing sane—a house in a nightmare,