Then, in a changed tone; ‘Talking of ideas, my Lizzie,’ they were sitting side by side as they had sat at first, ‘I wonder how it happens that when I am work, work, working here, all alone in the summer-time, I smell flowers.’
‘As a commonplace individual, I should say,’ Eugene suggested languidly—for he was growing weary of the person of the house—‘that you smell flowers because you do smell flowers.’
‘No I don’t,’ said the little creature, resting one arm upon the elbow of her chair, resting her chin upon that hand, and looking vacantly before her; ‘this is not a flowery neighbourhood. It’s anything but that. And yet as I sit at work, I smell miles of flowers. I smell roses, till I think I see the rose-leaves lying in heaps, bushels, on the floor. I smell fallen leaves, till I put down my hand—so—and expect to make them rustle. I smell the white and the pink May in the hedges, and all sorts of flowers that I never was among. For I have seen very few flowers indeed, in my life.’
‘Pleasant fancies to have, Jenny dear!’ said her friend: with a glance towards Eugene as if she would have asked him whether they were given the child in compensation for her losses.
‘So I think, Lizzie, when they come to me. And the birds I hear! Oh!’ cried the little creature, holding out her hand and looking upward, ‘how they sing!’
There was something in the face and action for the moment, quite inspired and beautiful. Then the chin dropped musingly upon the hand again.
‘I dare say my birds sing better than other birds, and my flowers smell better than other flowers. For when I was a little child,’ in a tone as though it were ages ago, ‘the children that I used to see early in the morning were very different from any others that I ever saw. They were not like me; they were not chilled, anxious, ragged, or beaten; they were never in pain. They were not like the children of the neighbours; they never made me tremble all over, by setting up shrill noises, and they never mocked me. Such numbers of them too! All in white dresses, and with something shining on the borders, and on their heads, that I have never been able to imitate with my work, though I know it so well. They used to come down in long bright slanting rows, and say all together, “Who is this in pain! Who is this in pain!” When I told them who it was, they answered, “Come and play with us!” When I said “I never play! I can’t play!” they swept about me and took me up, and made me light. Then it was all delicious ease and rest till they laid me down, and said, all together, “Have patience, and we will come again.” Whenever they came back, I used to know they were coming before I saw the long bright rows, by hearing them ask, all together a long way off, “Who is this in pain! Who is this in pain!” And I used to cry out, “O my blessed children, it’s poor me. Have pity on me. Take me up and make me light!”’
By degrees, as she progressed in this remembrance, the hand was raised, the late ecstatic look returned, and she became quite beautiful. Having so paused for a moment, silent, with a listening smile upon her face, she looked round and recalled herself.
‘What poor fun you think me; don’t you, Mr Wrayburn? You may well look tired of me. But it’s Saturday night, and I won’t detain you.’
‘That is to say, Miss Wren,’ observed Eugene, quite ready to profit by the hint, ‘you wish me to go?’
‘Well, it’s Saturday night,’ she returned, ‘and my child’s coming home. And my child is a troublesome bad child, and costs me a world of scolding. I would rather you didn’t see my child.’
‘A doll?’ said Eugene, not understanding, and looking for an explanation.
But Lizzie, with her lips only, shaping the two words, ‘Her father,’ he delayed no longer. He took his leave immediately. At the corner of the street he stopped to light another cigar, and possibly to ask himself what he was doing otherwise. If so, the answer was indefinite and vague. Who knows what he is doing, who is careless what he does!
A man stumbled against him as he turned away, who mumbled some maudlin apology. Looking after this man, Eugene saw him go in at the door by which he himself had just come out.
On the man’s stumbling into the room, Lizzie rose to leave it.
‘Don’t go away, Miss Hexam,’ he said in a submissive manner, speaking thickly and with difficulty. ‘Don’t fly from unfortunate man in shattered state of health. Give poor invalid honour of your company. It ain’t—ain’t catching.’
Lizzie murmured that she had something to do in her own room, and went away upstairs.
‘How’s my Jenny?’ said the man, timidly. ‘How’s my Jenny Wren, best of children, object dearest affections broken-hearted invalid?’
To which the person of the house, stretching out her arm in an attitude of command, replied with irresponsive asperity: ‘Go along with you! Go along into your corner! Get into your corner directly!’
The wretched spectacle made as if he would have offered some remonstrance; but not venturing to resist the person of the house, thought better of it, and went and sat down on a particular chair of disgrace.
‘Oh-h-h!’ cried the person of the house, pointing her little finger, ‘You bad old boy! Oh-h-h you naughty, wicked creature! What do you mean by it?’
The shaking figure, unnerved and disjointed from head to foot, put out its two hands a little way, as making overtures of peace and reconciliation. Abject tears stood in its eyes, and stained the blotched red of its cheeks. The swollen lead-coloured under lip trembled with a shameful whine. The whole indecorous threadbare ruin, from the broken shoes to the prematurely-grey scanty hair, grovelled. Not with any sense worthy to be called a sense, of this dire reversal of the places of parent and child, but in a pitiful expostulation to be let off from a scolding.
‘I know your tricks and your manners,’ cried Miss Wren. ‘I know where you’ve been to!’ (which indeed it did not require discernment to discover). ‘Oh, you disgraceful old chap!’
The very breathing of the figure was contemptible, as it laboured and rattled in that operation, like a blundering clock.
‘Slave, slave, slave, from morning to night,’ pursued the person of the house, ‘and all for this! What do you mean by it?’
There was something in that emphasized ‘What,’ which absurdly frightened the figure. As often as the person of the house worked her way round to it—even as soon as he saw that it was coming—he collapsed in an extra degree.
‘I wish you had been taken up, and locked up,’ said the person of the house. ‘I wish you had been poked into cells and black holes, and run over by rats and spiders and beetles. I know their tricks and their manners, and they’d have tickled you nicely. Ain’t you ashamed of yourself?’
‘Yes, my dear,’ stammered the father.
‘Then,’ said the person of the house, terrifying him by a grand muster of her spirits and forces before recurring to the emphatic word, ‘What do you mean by it?’
‘Circumstances over which had no control,’ was the miserable creature’s plea in extenuation.
‘I’ll circumstance you and control you too,’ retorted the person of the house, speaking with vehement sharpness, ‘if you talk in that way. I’ll give you in charge to the police, and have you fined five shillings when you can’t pay, and then I won’t pay the money for you, and you’ll be transported for life. How should you like to be transported for life?’
‘Shouldn’t like it. Poor shattered invalid. Trouble nobody long,’ cried the wretched figure.
‘Come, come!’ said the person of the house, tapping the table near her in a business-like manner, and shaking her head and her chin; ‘you know what you’ve got to do. Put down your money this instant.’
The obedient figure began to rummage in its pockets.
‘Spent