Charles Dickens

Charles Dickens' Most Influential Works (Illustrated)


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resumes Wegg, ‘I have observations as I can offer upon certain points and parties; but I make no objections, Mr Venus. Here is an immense fortune drops from the clouds upon a person that shall be nameless. Here is a weekly allowance, with a certain weight of coals, drops from the clouds upon me. Which of us is the better man? Not the person that shall be nameless. That’s an observation of mine, but I don’t make it an objection. I take my allowance and my certain weight of coals. He takes his fortune. That’s the way it works.’

      ‘It would be a good thing for me, if I could see things in the calm light you do, Mr Wegg.’

      ‘Again look here,’ pursues Silas, with an oratorical flourish of his pipe and his wooden leg: the latter having an undignified tendency to tilt him back in his chair; ‘here’s another observation, Mr Venus, unaccompanied with an objection. Him that shall be nameless is liable to be talked over. He gets talked over. Him that shall be nameless, having me at his right hand, naturally looking to be promoted higher, and you may perhaps say meriting to be promoted higher—’

      (Mr Venus murmurs that he does say so.)

      ‘—Him that shall be nameless, under such circumstances passes me by, and puts a talking-over stranger above my head. Which of us two is the better man? Which of us two can repeat most poetry? Which of us two has, in the service of him that shall be nameless, tackled the Romans, both civil and military, till he has got as husky as if he’d been weaned and ever since brought up on sawdust? Not the talking-over stranger. Yet the house is as free to him as if it was his, and he has his room, and is put upon a footing, and draws about a thousand a year. I am banished to the Bower, to be found in it like a piece of furniture whenever wanted. Merit, therefore, don’t win. That’s the way it works. I observe it, because I can’t help observing it, being accustomed to take a powerful sight of notice; but I don’t object. Ever here before, Mr Venus?’

      ‘Not inside the gate, Mr Wegg.’

      ‘You’ve been as far as the gate then, Mr Venus?’

      ‘Yes, Mr Wegg, and peeped in from curiosity.’

      ‘Did you see anything?’

      ‘Nothing but the dust-yard.’

      Mr Wegg rolls his eyes all round the room, in that ever unsatisfied quest of his, and then rolls his eyes all round Mr Venus; as if suspicious of his having something about him to be found out.

      ‘And yet, sir,’ he pursues, ‘being acquainted with old Mr Harmon, one would have thought it might have been polite in you, too, to give him a call. And you’re naturally of a polite disposition, you are.’ This last clause as a softening compliment to Mr Venus.

      ‘It is true, sir,’ replies Venus, winking his weak eyes, and running his fingers through his dusty shock of hair, ‘that I was so, before a certain observation soured me. You understand to what I allude, Mr Wegg? To a certain written statement respecting not wishing to be regarded in a certain light. Since that, all is fled, save gall.’

      ‘Not all,’ says Mr Wegg, in a tone of sentimental condolence.

      ‘Yes, sir,’ returns Venus, ‘all! The world may deem it harsh, but I’d quite as soon pitch into my best friend as not. Indeed, I’d sooner!’

      Involuntarily making a pass with his wooden leg to guard himself as Mr Venus springs up in the emphasis of this unsociable declaration, Mr Wegg tilts over on his back, chair and all, and is rescued by that harmless misanthrope, in a disjointed state and ruefully rubbing his head.

      ‘Why, you lost your balance, Mr Wegg,’ says Venus, handing him his pipe.

      ‘And about time to do it,’ grumbles Silas, ‘when a man’s visitors, without a word of notice, conduct themselves with the sudden wiciousness of Jacks-in-boxes! Don’t come flying out of your chair like that, Mr Venus!’

      ‘I ask your pardon, Mr Wegg. I am so soured.’

      ‘Yes, but hang it,’ says Wegg argumentatively, ‘a well-governed mind can be soured sitting! And as to being regarded in lights, there’s bumpey lights as well as bony. in which,’ again rubbing his head, ‘I object to regard myself.’

      ‘I’ll bear it in memory, sir.’

      ‘If you’ll be so good.’ Mr Wegg slowly subdues his ironical tone and his lingering irritation, and resumes his pipe. ‘We were talking of old Mr Harmon being a friend of yours.’

      ‘Not a friend, Mr Wegg. Only known to speak to, and to have a little deal with now and then. A very inquisitive character, Mr Wegg, regarding what was found in the dust. As inquisitive as secret.’

      ‘Ah! You found him secret?’ returns Wegg, with a greedy relish.

      ‘He had always the look of it, and the manner of it.’

      ‘Ah!’ with another roll of his eyes. ‘As to what was found in the dust now. Did you ever hear him mention how he found it, my dear friend? Living on the mysterious premises, one would like to know. For instance, where he found things? Or, for instance, how he set about it? Whether he began at the top of the mounds, or whether he began at the bottom. Whether he prodded’; Mr Wegg’s pantomime is skilful and expressive here; ‘or whether he scooped? Should you say scooped, my dear Mr Venus; or should you as a man—say prodded?’

      ‘I should say neither, Mr Wegg.’

      ‘As a fellow-man, Mr Venus—mix again—why neither?’

      ‘Because I suppose, sir, that what was found, was found in the sorting and sifting. All the mounds are sorted and sifted?’

      ‘You shall see ‘em and pass your opinion. Mix again.’

      On each occasion of his saying ‘mix again’, Mr Wegg, with a hop on his wooden leg, hitches his chair a little nearer; more as if he were proposing that himself and Mr Venus should mix again, than that they should replenish their glasses.

      ‘Living (as I said before) on the mysterious premises,’ says Wegg when the other has acted on his hospitable entreaty, ‘one likes to know. Would you be inclined to say now—as a brother—that he ever hid things in the dust, as well as found ‘em?’

      ‘Mr Wegg, on the whole I should say he might.’

      Mr Wegg claps on his spectacles, and admiringly surveys Mr Venus from head to foot.

      ‘As a mortal equally with myself, whose hand I take in mine for the first time this day, having unaccountably overlooked that act so full of boundless confidence binding a fellow-creetur to a fellow creetur,’ says Wegg, holding Mr Venus’s palm out, flat and ready for smiting, and now smiting it; ‘as such—and no other—for I scorn all lowlier ties betwixt myself and the man walking with his face erect that alone I call my Twin—regarded and regarding in this trustful bond—what do you think he might have hid?’

      ‘It is but a supposition, Mr Wegg.’

      ‘As a Being with his hand upon his heart,’ cries Wegg; and the apostrophe is not the less impressive for the Being’s hand being actually upon his rum and water; ‘put your supposition into language, and bring it out, Mr Venus!’

      ‘He was the species of old gentleman, sir,’ slowly returns that practical anatomist, after drinking, ‘that I should judge likely to take such opportunities as this place offered, of stowing away money, valuables, maybe papers.’

      ‘As one that was ever an ornament to human life,’ says Mr Wegg, again holding out Mr Venus’s palm as if he were going to tell his fortune by chiromancy, and holding his own up ready for smiting it when the time should come; ‘as one that the poet might have had his eye on, in writing the national naval words:

      Helm a-weather, now lay her close,

       Yard arm and yard arm she lies;

       Again, cried I, Mr Venus, give her t’other dose,

       Man shrouds and grapple, sir, or she flies!

      —that