age deserves more to be laughed at? He, like the Wild Man, wanted rain—rain with a little r,’ an algebraic rain; but he remained standing before the barometer like a wet hen. The Wild Man at least had more courage and energy and logic, although primitive logic. The Wild Man showed the ability to establish a connection between cause and effect: by letting out the mercury he made the first step on the path which ...”
Here (I repeat, I am not concealing anything, I am setting down everything) I suddenly became impermeable to the quickening currents coming from the loud-speaker. I suddenly felt I had come here in vain (why in vain and how could I not have come here, since I was assigned to come here?). Everything seemed to me empty like a shell. I succeeded with difficulty in tuning my attention in again when the phono-lecturer came to the main theme of the evening—to our music as a mathematical composition (mathematics is the cause, music the effect). The phono-lecturer began the description of the recently invented musicometer.
. . By merely rotating this handle anyone is enabled to produce about three sonatas per hour. What difficulties our predecessors had in making music! They were able to compose only by bringing themselves to attacks of inspiration, an extinct form of epilepsy. Here you have an amusing illustration of their achievements: the music of Scriabin, twentieth century. This black box”—a curtain parted on the platform, and we saw an ancient instrument —“this box they called the ‘Royal Grand/ They attached to this idea of regality, which also goes to prove how their music . . /’
And I don’t remember anything further. Very possibly because . .. I’ll tell you frankly, because she, I-330, came to the “Royal” box. Probably I was simply startled by her unexpected appearance on the platform.
She was dressed in a fantastic dress of the ancient time, a black dress closely fitting the body, sharply delimiting the white of her shoulders and breasts, and that warm shadow waving with her breath between. . . . And the dazzling, almost angry teeth. A smile, a bite, directed downward. She took her seat; she began to play something wild, convulsive, loud like all their life then—not a shadow of rational mechanism. Of course all those around me were right; they were laughing. Only a few . . . But why is it that I, too, I...?
Yes, epilepsy, a mental disease, a pain. A slow, sweet pain, bite, and it goes deeper and becomes sharper. And then, slowly, sunshine—not our sunshine, not crystalline, bluish, and soft, coming through the glass bricks. No, a wild sunshine, rushing and burning, tearing everything into small bits....
The Number at my left glanced at me and chuckled. I don’t know why but I remember exactly how a microscopic saliva bubble appeared on his lips and burst. That bubble brought me back to myself. I was again I.
Like all the other Numbers I heard now only the senseless, disorderly crackling of the chords. I laughed; I felt so light and simple. The gifted phono-lecturer represented to us only too well that wild epoch. And that was all.
With what a joy I listened afterward to our contemporary music. It was demonstrated to us at the end of the lecture for the sake of contrast. Crystalline, chromatic scales converging and diverging into endless series; and synthetic harmony of the formulae of Taylor and McLau-ren, wholesome, square, and massive like the “trousers of Pythagoras.” Sad melodies dying away in waving movements. The beautiful texture of the spectrum of planets, dissected by Frauenhofer lines ... what magnificent, what perfect regularity! How pitiful the willful music of the ancients, not limited except by the scope of their wild imaginations!
As usual, in good order, four abreast, all of us left the auditorium. The familiar double-curved figure passed swiftly by. I respectfully bowed.
Dear O- was to come in an hour. I felt agitated, agreeably and usefully. Home at last! I rushed to the house office, handed over to the controller on duty my pink ticket, and received a certificate permitting the use of the curtains. This right exists in our State only for the sexual days. Normally we live surrounded by transparent walls which seem to be knitted of sparkling air; we live beneath the eyes of everyone, always bathed in light. We have nothing to conceal from one another; besides, this mode of living makes the difficult and exalted task of the Guardians much easier. Without it many bad things might happen. It is possible that the strange opaque dwellings of the ancients were responsible for their pitiful cellish psychology. “My (sic!) home is my fortress!” How did they manage to think such things?
At twenty-two o’clock I lowered the curtain and at the same second O- came in smiling, slightly out of breath. She extended to me her rosy lips and her pink ticket. I tore off the stub but I could not tear myself away from the rosy lips up to the last moment, twenty-two-fifteen.
Then I showed her my diary and I talked; I think I talked very well on the beauty of a square, a cube, a straight line. At first she listened so charmingly, she was so rosy; then suddenly a tear appeared in her blue eyes, then another, and a third fell straight on the open page (page 7). The ink blurred; well, I shall have to copy it again.
“My dear O-, if only you, if ..
“What if? If what?”
Again the old lament about a child or perhaps something new regarding, regarding . . . the other one? Although it seems as though some . . . But that would be too absurd!
Record Five
The Square
The Rulers of the World
An Agreeable and Useful Function
Again with you, my unknown reader; I talk to you as though you were, let us say, my old comrade, R-13, the poet with the lips of a Negro—well, everyone knows him. Yet you are somewhere on the moon, or on Venus, or on Mars. Who knows you? Where and who are you?
Imagine a square, a living, beautiful square. Imagine that this square is obliged to tell you about itself, about its life. You realize that this square would hardly think it necessary to mention the fact that all its four angles are equal. It knows this too well. This is such an ordinary, obvious thing. I am in exactly the same square position. Take the pink checks, for instance, and all that goes with them: for me they are as natural as the equality of the four angles of the square. But for you they are perhaps more mysterious and hard to understand than Newtons binomial theorem. Let me explain: an ancient sage once said a clever thing (accidentally, beyond doubt). He said, “Love and Hunger rule the world.” Consequently, to dominate the world, man had to win a victory over hunger after paying a very high price. I refer to the great Two Hundred Years’ War, the war between the city and the land. Probably on account of religious prejudices, the primitive peasants stubbornly held on to their “bread.”
In the thirty-fifth year before the foundation of the United State our contemporary petroleum food was invented. True, only about two tenths of the population of the globe did not die out. But how beautifully shining the face of the earth became when it was cleared of its impurities!
Accordingly the 0.2 which survived have enjoyed the greatest happiness in the bosom of the United State. But is it not clear that supreme bliss and envy are only the numerator and the denominator, respectively, of the same fraction, happiness? What sense would the innumerable sacrifices of the Two Hundred Years' War have for us if a reason were left in our life for jealousy? Yet such a reason persisted because there remained buttonlike noses and classical noses (cf: our conversation during the promenade). For there were some whose love was sought by everyone, and others whose love was sought by no one.
Naturally, having conquered hunger (that is, algebraically speaking, having achieved the total of bodily welfare), the United State directed its attack against the second ruler of the world, against love. At last this element also was conquered, that is, organized and put into a mathematical formula. It is already three hundred years since our great historic Lex Sexualis was promulgated: “A Number may obtain a license to use any other Number as a sexual product.”
The rest is only a matter of technique. You are carefully examined in the laboratory of the Sexual Department where they find the content of the sexual