have forgotten the busy-thieving, sodden-faced crowd that thronged the chambers wherein her fathers had been born and had feasted kings and had died—the very room where her own father had lain dead. She could have shut it all out, she thought, if she had held in her hands the gold that all this brought, to scatter it at her will; for she was sure that she had not a better heart than other girls of her age. But she had never seen it. The reality of her own life was too weak and colourless, by contrast, to make the name of fortune an excuse for the sordid facts of meanness. There was no splendour about her, no wild gaiety, none of the glorious extravagance of conscious young wealth, and there was very little amusement to divert her thoughts. The people she would have liked to know were kept at a distance from her. She was advised not to buy the things which attracted her eyes, and was told that they were not so good as they looked, and that on the whole it was better to keep money than to spend it—but that, of course, she might do as she pleased, and that when she wanted money her uncle Macomer would give it to her.
It all passed through his hands, and he managed everything, with the assistance of Lamberto Squarci the notary and of other men of business—mostly shabby-looking men in black, with spectacles and unhealthy complexions, who came and went in the morning when old Macomer was in his study attending to affairs. Veronica knew none but Squarci by name, and never spoke with any of them. There seemed to be no reason why she should.
The count had told her that when she wished it, he was ready to render an account of the estates and would be happy to explain everything to her at length. She understood nothing of business and was content to accept the roughest statement as he chose to give it to her. She was far too young to distrust the man whom she had been taught to respect as her guardian and as a person of scrupulous honesty. She was completely in his power, and she was accustomed to ask him for any little sums she needed. It never really struck her that he might misuse the authority she indifferently left in his hands.
It was her aunt who had induced her to make the will, and for whose conduct she felt a sort of undefined resentment and contempt. Considering, she thought, how improbable it was that she herself should die before Matilde Macomer, the latter had shown an absurd anxiety about the disposal of the fortune. If Veronica had yielded the point, she had done so in order to get rid of an importunity which wearied her perpetually. She was to marry, of course, in due time. God would give her children, and they would inherit her wealth. It was really ridiculous of her aunt to be so anxious lest it should all go to those distant relations in Sicily and Spain. Nevertheless, in order to have peace, she signed the will, and her aunt thanked her effusively, and old Macomer's flat lips touched her forehead while he spoke a few words of gratified approval.
In the evening she told Bosio, the count's brother, of what she had done. His gentle eyes looked at her thoughtfully for a few seconds, and he did not smile, nor did he make any observation.
A few minutes later he was talking of a picture he had seen for sale—a mere sketch, but by Ribera, called the Spagnoletto. She made up her mind to buy it for him as a surprise, for it pleased her to give him pleasure.
But when she was alone in her room that night she recalled Bosio's expression when she had told him about the will. She was sure that he was not pleased, and she wondered why he had not at least said something in reply—something quite indifferent perhaps, but yet something, instead of looking at her in total silence, just for those few seconds. After all, she was really more intimate with him than with her aunt and uncle, and liked him better than either of them, so that she had a right to expect that he should have answered with something more than silence when she told him of such a matter.
She sat a long time in a deep chair near her toilet table, thinking about her own life, in the great dim room which half a dozen candles barely lighted; and perhaps it was the first time that she had really asked herself how long her present mode of existence was to continue, how long she was to lie half-hidden, as it were, in the sombrely respectable dimness of the Macomer establishment, how long she was to remain unmarried. Knowing the customs of her own people in regard to marriage, as she did, it was certainly strange that she should not have heard of any offer made to her uncle and aunt for her hand. Surely the mothers of marriageable sons knew of her existence, of her fortune, of the titles she held in her own right and could confer upon her husband and leave to her children. It was not natural that no one should wish to marry her, that no mother should desire such an heiress for her son.
With the distrustful introspection of maiden youth, she suddenly asked herself whether by any possibility she were different from other girls and whether she had not some strange defect, physical or mental, of which the existence had been most carefully concealed from her all her life. In the quick impulse she rose and brought all the burning candles to the toilet table, and lighted others, and stood before the mirror, in the yellow light, gazing most critically at her own reflexion. She looked long and earnestly and quite without vanity. She told herself, cataloguing her looks, that her hair was neither black nor brown, but that it was very thick and long and waved naturally; that her eyes were very dark, with queer little angles just above the lids, under the prominent brows; that her nose, seen in full face, looked very straight and rather small, though she had been told by the girls in the convent that it was aquiline and pointed; that her cheeks were thin and almost colourless; that her chin was round and smooth and prominent, her lips rather dark than red, and modelled in a high curve; that her ears were very small—she threw back the heavy hair to see them better, turning her face sideways to the glass; that her throat was over-slender, and her neck and arms far too thin for beauty, but with a young leanness which might improve with time, though nothing could ever make them white. She was dark, on the whole. She was willing to admit that she was sallow, that her eyes had a rather sad look in them, and even that one was almost imperceptibly larger than the other, though the difference was so small that she had never noticed it before, and it might be due to the uncertain light of the candles in the dim room. But most assuredly there was no physical defect to be seen. She was not beautiful like poor Bianca Corleone; but she was far from ugly—that was certain.
And in mind—she laughed as she looked at herself in the glass. Bosio Macomer told her that she was clever, and he certainly knew. But her own expression pleased her when she laughed, and she laughed again with pleasure, and watched herself in a sort of girlish and innocent satisfaction. Then her eyes met their own reflexion, and she grew suddenly grave again, and something in them told her that they were not laughing with her lips, and might not often look upon things mirthful.
But she was not stupid, and she was not ugly. She had assured herself of that. The worst that could be said was that she was a very thin girl and that her complexion was not brilliant, though it was healthy enough, and clear. No—there was certainly no reason why her aunt should not have received offers of marriage for her, and many people would have thought it strange that she should be still unmarried—with her looks, her name, and that great fortune of which Gregorio Macomer was taking such good care.
CHAPTER II.
On that same night, when Veronica had gone to her room, Bosio Macomer remained alone with the countess in the small drawing-room in which the family generally spent the evening. Gregorio was presumably in his study, busy with his perpetual accounts or otherwise occupied. He very often spent the hours between dinner and bed-time by himself, leaving his brother to keep his wife company if Veronica chose to retire early.
The room was small and the first impression of colour which it gave was that of a strong, deep yellow. There was yellow damask on the walls, the curtains were of an old sort of silk material in stripes of yellow and chocolate, and most of the furniture was covered with yellow satin. The whole was in the style of the early part of this century, modified by the bad taste of the Second Empire, with much gilded carving about the doors and the corners of the big panels in which the damask was stretched, while the low, vaulted ceiling was a mass of gilt stucco, modelled in heavy acanthus leaves and arabesques, from the centre of which hung a chandelier of white Venetian glass. There were no pictures on the walls, and there were no flowers nor plants in pots, to relieve the strong colour which filled the eye. Nevertheless the