he really can do it. You know the great fight between Malvoli and Nigger Ned is coming off after all?"
"I'm afraid we can't wait to trouble your hospitality seriously," said Father Brown. "But my friend would be glad of a glass of sherry, I'm sure, to keep out the cold and drink success to the Latin champion."
Flambeau did not understand the sherry, but he did not object to it in the least. He could only say amiably: "Oh, thank you very much."
"Sherry, sir—certainly," said their host, turning to his hostel. "Excuse me if I detain you a few minutes. As I told you, I have no staff—" And he went towards the black windows of his shuttered and unlighted inn.
"Oh, it doesn't really matter," began Flambeau, but the man turned to reassure him.
"I have the keys," he said. "I could find my way in the dark."
"I didn't mean—" began Father Brown.
He was interrupted by a bellowing human voice that came out of the bowels of the uninhabited hotel. It thundered some foreign name loudly but inaudibly, and the hotel proprietor moved more sharply towards it than he had done for Flambeau's sherry. As instant evidence proved, the proprietor had told, then and after, nothing but the literal truth. But both Flambeau and Father Brown have often confessed that, in all their (often outrageous) adventures, nothing had so chilled their blood as that voice of an ogre, sounding suddenly out of a silent and empty inn.
"My cook!" cried the proprietor hastily. "I had forgotten my cook. He will be starting presently. Sherry, sir?"
And, sure enough, there appeared in the doorway a big white bulk with white cap and white apron, as befits a cook, but with the needless emphasis of a black face. Flambeau had often heard that negroes made good cooks. But somehow something in the contrast of colour and caste increased his surprise that the hotel proprietor should answer the call of the cook, and not the cook the call of the proprietor. But he reflected that head cooks are proverbially arrogant; and, besides, the host had come back with the sherry, and that was the great thing.
"I rather wonder," said Father Brown, "that there are so few people about the beach, when this big fight is coming on after all. We only met one man for miles."
The hotel proprietor shrugged his shoulders. "They come from the other end of the town, you see—from the station, three miles from here. They are only interested in the sport, and will stop in hotels for the night only. After all, it is hardly weather for basking on the shore."
"Or on the seat," said Flambeau, and pointed to the little table.
"I have to keep a look-out," said the man with the motionless face. He was a quiet, well-featured fellow, rather sallow; his dark clothes had nothing distinctive about them, except that his black necktie was worn rather high, like a stock, and secured by a gold pin with some grotesque head to it. Nor was there anything notable in the face, except something that was probably a mere nervous trick—a habit of opening one eye more narrowly than the other, giving the impression that the other was larger, or was, perhaps, artificial.
The silence that ensued was broken by their host saying quietly: "Whereabouts did you meet the one man on your march?"
"Curiously enough," answered the priest, "close by here—just by that bandstand."
Flambeau, who had sat on the long iron seat to finish his sherry, put it down and rose to his feet, staring at his friend in amazement. He opened his mouth to speak, and then shut it again.
"Curious," said the dark-haired man thoughtfully. "What was he like?"
"It was rather dark when I saw him," began Father Brown, "but he was—"
As has been said, the hotel-keeper can be proved to have told the precise truth. His phrase that the cook was starting presently was fulfilled to the letter, for the cook came out, pulling his gloves on, even as they spoke.
But he was a very different figure from the confused mass of white and black that had appeared for an instant in the doorway. He was buttoned and buckled up to his bursting eyeballs in the most brilliant fashion. A tall black hat was tilted on his broad black head—a hat of the sort that the French wit has compared to eight mirrors. But somehow the black man was like the black hat. He also was black, and yet his glossy skin flung back the light at eight angles or more. It is needless to say that he wore white spats and a white slip inside his waistcoat. The red flower stood up in his buttonhole aggressively, as if it had suddenly grown there. And in the way he carried his cane in one hand and his cigar in the other there was a certain attitude—an attitude we must always remember when we talk of racial prejudices: something innocent and insolent—the cake walk.
"Sometimes," said Flambeau, looking after him, "I'm not surprised that they lynch them."
"I am never surprised," said Father Brown, "at any work of hell. But as I was saying," he resumed, as the negro, still ostentatiously pulling on his yellow gloves, betook himself briskly towards the watering-place, a queer music-hall figure against that grey and frosty scene—"as I was saying, I couldn't describe the man very minutely, but he had a flourish and old-fashioned whiskers and moustachios, dark or dyed, as in the pictures of foreign financiers, round his neck was wrapped a long purple scarf that thrashed out in the wind as he walked. It was fixed at the throat rather in the way that nurses fix children's comforters with a safety-pin. Only this," added the priest, gazing placidly out to sea, "was not a safety-pin."
The man sitting on the long iron bench was also gazing placidly out to sea. Now he was once more in repose. Flambeau felt quite certain that one of his eyes was naturally larger than the other. Both were now well opened, and he could almost fancy the left eye grew larger as he gazed.
"It was a very long gold pin, and had the carved head of a monkey or some such thing," continued the cleric; "and it was fixed in a rather odd way—he wore pince-nez and a broad black—"
The motionless man continued to gaze at the sea, and the eyes in his head might have belonged to two different men. Then he made a movement of blinding swiftness.
Father Brown had his back to him, and in that flash might have fallen dead on his face. Flambeau had no weapon, but his large brown hands were resting on the end of the long iron seat. His shoulders abruptly altered their shape, and he heaved the whole huge thing high over his head, like a headsman's axe about to fall. The mere height of the thing, as he held it vertical, looked like a long iron ladder by which he was inviting men to climb towards the stars. But the long shadow, in the level evening light, looked like a giant brandishing the Eiffel Tower. It was the shock of that shadow, before the shock of the iron crash, that made the stranger quail and dodge, and then dart into his inn, leaving the flat and shining dagger he had dropped exactly where it had fallen.
"We must get away from here instantly," cried Flambeau, flinging the huge seat away with furious indifference on the beach. He caught the little priest by the elbow and ran him down a grey perspective of barren back garden, at the end of which there was a closed back garden door. Flambeau bent over it an instant in violent silence, and then said: "The door is locked."
As he spoke a black feather from one of the ornamental firs fell, brushing the brim of his hat. It startled him more than the small and distant detonation that had come just before. Then came another distant detonation, and the door he was trying to open shook under the bullet buried in it. Flambeau's shoulders again filled out and altered suddenly. Three hinges and a lock burst at the same instant, and he went out into the empty path behind, carrying the great garden door with him, as Samson carried the gates of Gaza.
Then he flung the garden door over the garden wall, just as a third shot picked up a spurt of snow and dust behind his heel. Without ceremony he snatched up the little priest, slung him astraddle on his shoulders, and went racing towards Seawood as fast as his long legs could carry him. It was not until nearly two miles farther on that he set his small companion down. It had hardly been a dignified escape, in spite of the classic model of Anchises, but Father Brown's face only wore a broad grin.
"Well," said Flambeau, after an impatient silence, as they resumed their more conventional tramp through the streets on the edge of the town, where no outrage need be