his vengeance, and Donna Tullia Mayer had not returned to Rome since the previous year. It had been rumoured of late that she had at last fulfilled the engagement contracted some time earlier, and had consented to be called the Contessa Del Ferice; this piece of news, however, was not yet fully confirmed. Gouache had heard the gossip, and had immediately made a lively sketch on the back of a half-finished picture, representing Donna Tullia, in her bridal dress, leaning upon the arm of Del Ferice, who was arrayed in a capuchin's cowl, and underneath, with his brush, he scrawled a legend, "Finis coronat opus."
It was nearly six o'clock in the afternoon of the 23d of September. The day had been rainy, but the sky had cleared an hour before sunset, and there was a sweet damp freshness in the air, very grateful after the long weeks of late summer. Anastase Gouache had been on duty at the Serristori barracks in the Borgo Santo Spirito and walked briskly up to the bridge of Sant' Angelo. There was not much movement in the streets, and the carriages were few. A couple of officers were lounging at the gate of the castle and returned Gouache's salute as he passed. In the middle of the bridge he stopped and looked westward, down the short reach of the river which caught a lurid reflection of the sunset on its eddying yellow surface. He mused a moment, thinking more of the details of his duty at the barracks than of the scene before him. Then he thought of the first time he had crossed the bridge in his Zouave uniform, and a faint smile flickered on his brown features. It happened almost every day that he stopped at the same place, and as particular spots often become associated with ideas that seem to belong to them, the same thought almost always recurred to his mind as he stood there. Then followed the same daily wondering as to how all these things were to end; whether he should for years to come wear the red sash and the yellow gaiters, a corporal of Zouaves, and whether for years he should ask himself every day the same question. Presently, as the light faded from the houses of the Borgo, he turned away with an imperceptible shrug of the shoulders and continued his walk upon the narrow pavement at the side of the bridge. As he descended the step at the end, to the level of the square, a small bright object in a crevice of the stones attracted his attention. He stooped and picked it up.
It was a little gold pin, some two inches long, the head beaten out and twisted into the shape of the letter C. Gouache examined it attentively, and saw that it must have been long used, for it was slightly bent in more than one place as though it had often been thrust through some thick material. It told no other tale of its possessor, however, and the young man slipped it into his pocket and went on his way, idly wondering to whom the thing belonged. He reflected that if he had been bent on any important matter he would probably have considered the finding of a bit of gold as a favourable omen; but he was merely returning to his lodging as usual, and had no engagement for the evening. Indeed, he expected no event in his life at that time, and following the train of his meditation he smiled a little when he thought that he was not even in love. For a Frenchman, nearly thirty years of age, the position was an unusual one enough. In Gouache's case it was especially remarkable. Women liked him, he liked them, and he was constantly in the society of some of the most beautiful in the world. Nevertheless, he turned from one to another and found a like pleasure in the conversation of them all. What delighted him in the one was not what charmed him most in the next, but the equilibrium of satisfaction was well maintained between the dark and the fair, the silent beauty and the pretty woman of intelligence. There was indeed one whom he thought more noble in heart and grander in symmetry of form and feature, and stronger in mind than the rest; but she was immeasurably removed from the sphere of his possible devotion by her devoted love of her husband, and he admired her from a distance, even while speaking with her.
As he passed the Apollo theatre and ascended the Via di Tordinona the lights were beginning to twinkle in the low doorways, and the gas-lamps, then a very recent innovation in Rome, shone out one by one in the distance. The street is narrow, and was full of traffic, even in the evening. Pedestrians elbowed their way along in the dusk, every now and then flattening themselves against the dingy walls to let a cab or a carriage rush past them, not without real risk of accident. Before the deep, arched gateway of the Orso, one of the most ancient inns in the world, the empty wine-carts were getting ready for the return journey by night across the Campagna, the great bunches of little bells jingling loudly in the dark as the carters buckled the harness on their horses' backs.
Just as Gouache reached this place, the darkest and most crowded through which he had to pass, a tremendous clatter and rattle from the Via dell' Orso made the hurrying people draw back to the shelter of the doorsteps and arches. It was clear that a runaway horse was not far off. One of the carters, the back of whose waggon was half-way across the opening of the street, made desperate efforts to make his beast advance and clear the way; but the frightened animal only backed farther up. A moment later the runaway charged down past the tail of the lumbering vehicle. The horse himself just cleared the projecting timbers of the cart, but the cab he was furiously dragging caught upon them while going at full speed and was shivered to pieces, throwing the horse heavily upon the stones, so that he slid along several feet on his head and knees with the fragments of the broken shafts and the wreck of the harness about him. The first man to spring from the crowd and seize the beast's head was Anastase. He did not see that the same instant a large private carriage, drawn by a pair of powerful horses, emerged quickly from the Vicolo dei Soldati, the third of the streets which meet the Via di Tordinona at the Orso. The driver, who owing to the darkness had not seen the disaster which had just taken place, did his best to stop in time; but before the heavy equipage could be brought to a stand Anastase had been thrown to the ground, between the hoofs of the struggling cab-horse and the feet of the startled pair of bays. The crowd closed in as near as was safe, while the confusion and the shouts of the people and the carters increased every minute.
The coachman of the private carriage threw the reins to the footman and sprang down to go to the horses' heads.
"You have run over a Zouave!" some one shouted from the crowd.
"Meno male! Thank goodness it was not one of us!" exclaimed another voice.
"Where is he? Get him out, some of you!" cried the coachman as he seized the reins close to the bit.
By this time a couple of stout gendarmes and two or three soldiers of the Antibes legion had made their way to the front and were dragging away the fallen cab-horse. A tall, thin, elderly gentleman, of a somewhat sour countenance, descended from the carriage and stooped over the injured soldier.
"It is only a Zouave, Excellency," said the coachman, with a sort of sigh of relief.
The tall gentleman lifted Gouache's head a little so that the light from the carriage-lamp fell upon his face. He was quite insensible, and there was blood upon his pale forehead and white cheeks. One of the gendarmes came forward.
"We will take care of him, Signore," he said, touching his three-cornered hat. "But I must beg to know your revered name," he added, in the stock Italian phrase. "Capira—I am very sorry—but they say your horses—"
"Put him into my carriage," answered the elderly gentleman shortly. "I am the Principe Montevarchi."
"But, Excellency—the Signorina—-" protested the coachman. The prince paid no attention to the objection and helped the gendarme to deposit Anastase in the interior of the vehicle. Then he gave the man a silver scudo.
"Send some one to the Serristori barracks to say that a Zouave has been hurt and is at my house," he said. Therewith he entered the carriage and ordered the coachman to drive home.
"In heaven's name, what has happened, papa?" asked a young voice in the darkness, tremulous with excitement.
"My dear child, there has been an accident in the street, and this young man has been wounded, or killed—"
"Killed! A dead man in the carriage!" cried the young girl in some terror, and shrinking away into the corner.
"You should really control your nerves, Faustina," replied her father in austere tones. "If the young man is dead, it is the will of Heaven. If he is alive we shall soon find it out. Meanwhile I must beg you to be calm—to be calm, do you understand?"
Donna Faustina Montevarchi made no answer to this parental injunction, but withdrew as far as she could into the corner of the back seat,