Joshua Myers

Cedric Robinson


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they called “an industrial garden.”42 In order to execute their vision, business-minded liberals, known as the downtown faction, had to unseat their main rivals for political power, ironically Oakland’s chapter of the Ku Klux Klan.43 In place of violent race hate as a modus operandi, the downtown faction imagined a political economy that realized racial capitalism through softer means: workplace and housing discrimination as requirements for capital growth. It was a vision of capitalism that connected development to a sense of the good life, with the garden metaphor representing both a real geographic location and the imagined idyll of the American dream. Tranquility meant the protection of middle-class status, a homeowner’s liberalism. It drew resources from the state to support such development and in the end prefigured a neoliberal reality that was still decades away. The growth of the garden was a private affair, supported by a kind of state capitalism that privileged those white property holders as the citizens that mattered. This of course meant that prevention of Black access to the garden could have been easily predicted, as this very tactic was practiced nationwide. The industrial garden, however, was an apt metaphor. Access to the garden, as in all systems of private property, needed to be managed – it needed police. And in the Oakland metro area it came in the form of state-sanctioned housing segregation coupled with the surveillance of migrant communities and the repressive politics of juvenile delinquency.44

      Clara had remarried and was living on Calmar Avenue in Berkeley. By using her address, Cedric was able to attend the nearly-all-Black Burbank Junior High School. During his junior high years, Cedric was remembered as popular, “a leading character,” and in one instance he welcomed and befriended a Japanese student, a child whose family had experienced the internment camps. Years later, they remembered that Cedric was the only one that was willing to reach out to them, cultivating a relationship in what was for them a hostile environment. At Burbank, Cedric also nurtured his artistic side, taking up painting and photography lessons as well as portraying a “mystery” character in the yearbook, challenging students to identify him based on several clues; an act that endeared him to many of his classmates. He exerted a memorable presence among the adults at Burbank as well. More than fifty years later, Cedric’s physical education teacher reached out to him to tell him how proud he was of the work he would come to do.46

      For some who remembered those times, life at Berkeley, for a student like Cedric whose interests and friendships were eclectic, would have been alienating. Though he had developed relationships across racial lines, it would not have been enough to convert guidance counselors and administrators who would have categorized him as a Black student with West Oakland roots and thus relegated to a particular station in life. Despite these plans for him, Cedric lived on his own terms and shaped the educational vision that he required for himself, eventually graduating in 1958, ranking 95th in a class of 565, and deciding that he would continue his education, rather than function in and as what Berkeley schooling imagined for people like him.50 Among those from his community who knew him, this was expected. In fact, many children from Seventh Day Adventist families excelled academically. The socialization of the youth within these settings prepared them for classroom instruction.51 It was clear, however, that Cedric’s desire to know guided him as well.

      Though they might not have shared all of his political sensibilities, Cedric’s family shaped him immeasurably. And they were proud of his achievements. He was his mother’s favorite topic of conversation. They sent him off to college with a sense of self, a sense of purpose, and a sense of how that connected to his Blackness. Aunt Wilma’s earliest lessons were the foundation for the intense library sessions that were to come. He saw models of what it is to be in community and to convene spaces for the purposes of learning and grounding. He saw it in how Daddy and Mama Do built spaces within their church groups’ religious instruction which were also for each other, for community.

      In a 1999 interview where he evoked Whiteside’s influence, Cedric also framed the question of genealogy and political struggle within the deeper registers of African cultural traditions. He reminded us of the importance that enslaved Africans gave to a “world view in which the reiteration of names (an African convention in which the name of a recently deceased loved one is given to the next child born) reflected the conservatism and responsibilities of a community.” As families grew, it was necessary to maintain “the resolve to value our historical and immediate interdependence.”52 The Whitesides had the ability to make Cedric Robinson, to inform his orientation, because he lived a life that tapped into an ongoing, living tradition of how to be in and beyond this anti-Black world – a tradition that would then be represented and made available to us. To reiterate their names within a project of and for Black Study is to remind ourselves that we too are interdependent. Our work is only possible when it is connected to communities of meaning that reside in spaces often held from view. It is an urgent and prescient meaning of intellectual genealogy.

      1 1. In his biography accompanying a 1999 interview with Chuck Morse, Robinson placed Whiteside’s name, alongside C. L. R. James and the sociologist Terence