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Environmental Ethics


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of Nature within the context of community dynamics (ti esti).

      Part II: Why Should We Care?

      The Ethical Constraints on Interfering with Nature. If we accept the depiction in Part I of this chapter, then we already have an argument outline on why we should care:

      1 There are two sorts of understandings of N/nature: (a) nature which refers to individuals (tokens) and (b) Nature which refers to larger, general groups (types)32—A(ssertion).

      2 The systemic, operational mechanisms of both nature and Nature are intricate, complex, and difficult fully to understand—F(act).

      3 Whenever one comes to a correct, partial understanding of intricate and complex systemic mechanisms there follows a reaction that is akin to aesthetic appreciation—A.

      4 Aesthetic value-appreciation incurs a duty to protect that which has been valued—F.33

      5 When one engages with nature/Nature and one comes to an understanding (on some level) of the causal operation of these systemic mechanisms such that one will both value nature/Nature and, as a result, be obliged to protect nature/Nature—1−4.

      6 Coming to terms with understanding nature/Nature involves a model that situates individuals within communities (both proximate and remote)—A.

      7 There are (at least) two large understanding of communities that all humans must recognize: human communities and N/natural communities—A.

      8 Properly understanding the human communities and the N/natural communities requires an accommodation and engagement in both proximate and remote versions of the same—6, 7.

      9 Duties follow from recognizing obligations that people have toward others—such as human and Natural communities both proximate and remote—F.34

      10 All humans have a duty to engage in and protect their human and their natural/Natural communities—5−9.

      Argument One: The Recognition, Valuing, and Protection of Nature

      If, from Part I there is a general duty to protect Nature (phusis), then ceteris paribus one should only make things that are in accord with nature (kata phusin). But what would this mean? How much elasticity does Nature possess? At what point are we really harming Nature? And to what extent is the harm?

      Illustration J.M.W. Turner, “Rain, Steam, and Speed: The Great Western Railway,” National Gallery of Art, London, UK.

      This artistic rendering illustrates a critical possible conflict between Humans (considering themselves atop the scala naturae) and Nature (the broader class which includes humans as members). The fact that humans often get this logical relation confused is the source of much confusion. The human making, poein + techne (now to be referred in shorthand as technology), is the output of human activity. It is executed within a Natural construct. But because it originates from its own designs narrowly understood, it can create community (human and/or Natural) disruption.

      This debate in the nineteenth century context of Britain is complicated by another variable: a static versus a dynamic view of Nature, viewed as a system with various perturbations that affect the output. Often Nature was thought of as some sort of enclosed garden upon which humans (both separated and apart as per Part I) enter and gaze at this exotic other in order to ascertain whether they are satisfied or not.