Sax Rohmer

The Golden Scorpion


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car reached his ears. By the time

      that he had reached the front of the house the street was vacant from

      end to end. He walked up the steps to the front door, which he

      unfastened with his latch-key. As he entered the hall, Mrs. M'Gregor

      appeared from her room.

      "I did no' hear ye go out with Miss Dorian," she said.

      "That's quite possible, Mrs. M'Gregor, but she has gone, you see."

      "Now tell me, Mr. Keppel, did ye or did ye no' hear the wail o' the

      pibroch the night?

      "No--I am afraid I cannot say that I did, Mrs. M'Gregor," replied

      Stuart patiently. "I feel sure you must be very tired and you can

      justifiably turn in now. I am expecting no other visitor. Good-night."

      Palpably dissatisfied and ill at ease, Mrs. M'Gregor turned away.

      "Good-night, Mr. Keppel," she said.

      Stuart, no longer able to control his impatience, hurried to the study

      door, unlocked it and entered. Turning on the light, he crossed and

      hastily drew the curtains over the window recess, but without

      troubling to close the window which he had opened. Then he returned

      to the writing-table and took up the sealed envelope whose presence

      in his bureau was clearly responsible for the singular visitation of

      the cowled man and for the coming of the lovely Mlle. Dorian.

      The "pibroch of the M'Gregors": He remembered something--something

      which, unaccountably, he hitherto had failed to recall: that fearful

      wailing in the night--which had heralded the coming of the cowled

      man!--or had it been a _signal_ of some kind?

      He stared at the envelope blankly, then laid it down and stood looking

      for some time at the golden scorpion's tail. Finally, his hands

      resting upon the table, he found that almost unconsciously he had

      been listening--listening to the dim night sounds of London and to

      the vague stirrings within the house.

      "_Now_, you are in danger. Before, you were not...."

      Could he believe her? If in naught else, in this at least surely she

      had been sincere? Stuart started--then laughed grimly.

      A clock on the mantel-piece had chimed the half-hour.

      THE ASSISTANT COMMISSIONER

      Detective-Inspector Dunbar arrived at New Scotland Yard in a veritable

      fever of excitement. Jumping out of the cab he ran into the building

      and without troubling the man in charge of the lift went straight on

      upstairs to his room. He found it to be in darkness and switched on

      the green-shaded lamp which was suspended above the table. Its light

      revealed a bare apartment having distempered walls severely decorated

      by an etching of a former and unbeautiful Commissioner. The blinds

      were drawn. A plain, heavy deal table (bearing a blotting-pad, a

      pewter ink-pot, several pens and a telephone), together with three

      uncomfortable chairs, alone broke the expanse of highly polished

      floor. Dunbar glanced at the table and then stood undecided in the

      middle of the bare room, tapping his small, widely separated teeth

      with a pencil which he had absently drawn from his waistcoat pocket.

      He rang the bell.

      A constable came in almost immediately and stood waiting just inside

      the door.

      "When did Sergeant Sowerby leave?" asked Dunbar.

      "About three hours ago, sir."

      "What!" cried Dunbar. "Three hours ago! But I have been here myself

      within that time--in the Commissioner's office."

      "Sergeant Sowerby left before then. I saw him go."

      "But, my good fellow, he has been back again. He spoke to me on the

      telephone less than a quarter of an hour ago."

      "Not from here, sir."

      "But I say it _was_ from here!" shouted Dunbar fiercely; "and I told

      him to wait for me."

      "Very good, sir. Shall I make inquiries?"

      "Yes. Wait a minute. Is the Commissioner here?"

      "Yes, sir, I believe so. At least I have not seen him go."

      "Find Sergeant Sowerby and tell him to wait here for me," snapped

      Dunbar.

      He walked out into the bare corridor and along to the room of the

      Assistant Commissioner. Knocking upon the door, he opened it

      immediately, and entered an apartment which afforded a striking

      contrast to his own. For whereas the room of Inspector Dunbar was

      practically unfurnished, that of his superior was so filled with

      tables, cupboards, desks, bureaux, files, telephones, bookshelves

      and stacks of documents that one only discovered the Assistant

      Commissioner sunk deep in a padded armchair and a cloud of tobacco

      smoke by dint of close scrutiny. The Assistant Commissioner was small,

      sallow and satanic. His black moustache was very black and his eyes

      were of so dark a brown as to appear black also. When he smiled he

      revealed a row of very large white teeth, and his smile was correctly

      Mephistophelean. He smoked a hundred and twenty Egyptian cigarettes

      per diem, and the first and second fingers of either hand were

      coffee-coloured.

      "Good-evening, Inspector," he said courteously. "You come at an

      opportune moment." He lighted a fresh cigarette. "I was detained here

      unusually late to-night or this news would not have reached us till

      the morning." He laid his finger upon a yellow form. "There is an

      unpleasant development in 'The Scorpion' case."

      "So I gather, sir. That is what brought me back to the Yard."

      The Assistant Commissioner glanced up sharply.

      "What brought you back to the Yard?" he asked.

      "The news about Max."

      The assistant Commissioner leaned back in his chair. "Might I ask,

      Inspector," he said, "what news you have learned and how you have

      learned it?"

      Dunbar stared uncomprehendingly.