Orlando Patterson

The Sociology of Slavery


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to be identified as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

      First published in 1967 by MacGibbon & Kee Ltd

      This edition published in 2022 by Polity Press

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      ISBN-13: 978-1-5095-5099-9

      A catalogue record for this book is available from the British Library.

      Library of Congress Control Number: 2021951461

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      Formerly Enslaved Jamaicans (c 1870s)

      There were, however, other forces that pulled me to an engagement with European thought and culture, both in my study of slavery and on the development of Europe’s culture of freedom. I arrived in London to begin my research on slavery in 1962, in what was to be the most exciting decade in the modern cultural history of Britain. I soon became deeply immersed in three networks of friends and fellow intellectuals: the West Indian student community, focused on the West Indian Student Centre in Collingham Gardens, Earls Court; the newly emerged New Left Review group that had broken off from the old Oxford New Left; and the literary group of West Indian writers and artists that came to be known as the Caribbean Artists’ Movement, founded mainly by the poet-historian Edward Kamau Brathwaite, its first meeting being held at my flat in London.2 My involvement with the West Indian Students’ Union mainly kept alive my engagement with the broader West Indian society, in much the same way that the University of the West Indies (UWI) had earlier done, and my commitment to return to Jamaica to give back and help in its post-colonial development, a necessary pull, in view of the nearly irresistible temptations of intellectual and cultural life in Britain of the sixties.