Группа авторов

A Companion to Latin American Literature and Culture


Скачать книгу

by Spaniards, mestizos, and Indians that reduce pictography to limited form of documenting information and specify that only alphabetical writing can be historical. As Mignolo has argued, the reproduction of phonetic sound has defined the criteria for tracing the evolution of forms of inscriptions from pictography to alphabetical writing; only alphabetical writing constitutes true writing (Mignolo, 1989, 1995). On a second level, alphabetical writing exerts violence by means of glosses that are written on the margin of precolonial and colonial pictographic texts. Beyond the dismissals of pictographic writing by historians, one finds that colonial authorities most often recognize the knowledge inscribed using pictographs. We find the use of pictographic documents in Indian and Spanish courts throughout the colonial order. If on an ideological level alphabetical writing represents a more evolved stage for some indigenous and Spanish members of the colonial elite, in the courts pictography often carried more weight. As Barbara Mundy has shown, we can observe the force of pictography in land-grant or mercedes maps drawn by native painters who were commissioned to establish the boundaries of wastelands that could be claimed and appropriated by people not associated with the indigenous communities (Mundy, 1996: 181—211; also see Gruzinski, 1993). There is a rhetorical weight to pictography that, in this instance, authenticates the legality of land claims. Disputes between indigenous communities would also be settled by means of pictographic documents. I have also argued that the production of the Codex Mendoza (Berdan and Anawalt, 1992) in the years corresponding to the implementation of the New Laws of 1542 makes the documentation of precolonial tributary patterns all too appropriate for legitimizing the encomienda as a system that continues precolonial patterns of tributaries (Rabasa, 1996).

      Plate 2.1 Codex Telleriano-Remensis, fol. 46r (Courtesy of the Bibliothèque nationale de France)

      Earlier on we read passages from Sahagún that illustrated this position among Franciscans. Declarative sentences call for a willing Indian subject. Confessional manuals were thus designed to lead the subject through the Ten Commandments, the theological and cardinal virtues, and, once examined, the subject would express repentance and contrition. The tlacuilo lucidly depicts these two attitudes that, on a deeper philosophical level, imply incompatible philosophical traditions. Universality on these grounds is a desired end rather than an established fact. It is a horizon in which the different traditions debate but also know that it is futile to pursue an agreement when the backgrounds, that is, the absolute presupposition from which and against which philosophical doctrines makes sense of the world, are radically heterogeneous. They presuppose different understandings of the self and culture that lead to different ethnographic practices. Elsewhere, I have discussed these differences in more detail (Rabasa, 1998). The tlacuilo of the Codex Telleriano-Remensis manifests a particularly critical acumen in depicting the dominant evangelicals and their philosophical traditions from and against a background that remains unintelligible to missionaries.

      Epilogue: Ignorantiam Invincibilem