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A Companion to Children's Literature


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Arizpe, M. Farrell, and J. McAdam).

      47 Lavater, W. (1965). Le Petit Chaperon Rouge: une imagerie d’apres un conte de Perrault. Paris: Adrien Maeght.

      48 Lemarchant, F. (2015). Dominique Darbois et la collection “Enfants du monde.” La photographie entre fiction et documentaire. In Strenae 8. http://journals.openedition.org/strenae/1386 (accessed December 7, 2017).

      49 Lindgren, A. (1956). Eva möter Noriko-San. Photos by A. Riwkin-Brick. Stockholm: Rabén & Sjögren. [Eng. trans. Noriko-San, Girl of Japan. London: Methuen, 1958.]

      50 Lindgren, B. (1981–1995). Max books. 10 vols. (illus. E. Eriksson). Stockholm: Rabén & Sjögren.

      51 Lionni, L. (1957). Little Blue and Little Yellow. New York: HarperCollins.

      52 Lobato Suero, M.J. and Hoster Cabo, B. (2014). An approximation to intertextuality in picturebooks: Anthony Browne and his hypotexts. In: Picturebooks. Representation and Narration (ed. B. Kümmerling-Meibauer), 165–184. New York: Routledge.

      53 Macaulay, D. (1990). Black and White. Boston, MA: Houghton Mifflin.

      54 Mari, E. and Mari, I. (1960). La mela e la farfalla. Milan: Bompiani. [Eng. trans. The Apple and the Moth, New York: Pantheon, 1970.]

      55 Martin, D. (1989). The Telling Line. Essays on Fifteen Contemporary Book Illustrators. London: Julia McRae Books.

      56 Martin, M. (2004). Brown Gold. Milestones of African-American Children’s Picture Books, 1845–2002. New York: Routledge.

      57 Maruki, T. (1980). Hiroshima No Pika. New York: Lothrop, Lee & Shepard Books.

      58 McAfee, A. (1984). The Visitors Who Came to Stay (illus. A. Browne). London: Walker Books.

      59 Mitgutsch, A. (1968). Rundherum in meiner Stadt. Ravensburg: Otto Maier Verlag.

      60 Müller, J. (1990). Das Buch Im Buch Im Buch. Aarau: Sauerländer.

      61 Munari, B. (1967). Libro illeggible N.Y. 1. New York: The Museum of Modern Art.

      62 Munari, B. (1968). Nella nebbia Di Milano. Milan: Emme Edizioni. [Eng. trans. The Circus in the Mist. New York: Putnam, 1969.]

      63 Munari, B. (1980). I prelibri. Milan: Danese Edizioni per Bambini.

      64 Munsch, R. (1980). The Paper Bag Princess (illus. M. Martchenko). New York: Scholastic.

      65 Nel, P. (2007). The Annotated Cat in the Hat: Under the Hat of Seuss and His Cats. New York: Random House.

      66 Nel, P. (2012). Crocket Johnson and Ruth Krauss. Jackson, MS: University Press of Mississippi.

      67 Nodelman, P. (1988). Words about Pictures. The Narrative Art of Children’s Picturebooks. Athens, GA: University of Georgia Press.

      68 Nordqvist, S. (1984–2012). Pettson och Findus series. 10 vols. Stockholm: Opal. [Eng. trans. Pettson and Findus. Stroud: Hawthorn Press, 1986–2014.]

      69 Nygren, T. (1987). Den röda tråden. Stockholm: Raben & Sjögren. [Eng. trans. The Red Thread. Stockholm: R & S Books, 1988.]

      70 Paley, N. (1989). Why the books of Harlin Quist disappeared – or did they? Children’s Literature Association Quarterly 14 (3): 111–114.

      71 The Polar Express. (2004). Dir. R. Zemeckis. USA: Castle Rock Entertainment, Shangri-La Entertainment, ImageMovers Playtone.

      72 Raymond Briggs’ The Snowman. (1993). Dir. D. Jackson. Culver City, CA: Columbia TriStar Home.

      73 Rémi, C. (2011). Reading as playing: The cognitive challenge of the wimmelbook. In: Emergent Literacy. Children’s Books from 0 to 3 (ed. B. Kümmerling-Meibauer), 115–139. Amsterdam: John Benjamins.

      74 Rey, H.A. and Rey, M. (1941–1966). Curious George series. 6 vols. Boston, MA: Houghton Mifflin.

      75 Sasek, M. (1959). This Is Paris. New York: Macmillan.

      76 Say, A. (1993). Grandfather’s Journey. Boston, MA: Houghton Mifflin.

      77 Schwarcz, J. (1982). Ways of the Illustrator: Visual Communication in Children’s Literature. Chicago: American Library Association.

      78 Scieszka, J. (1989). The True Story of the Three Little Pigs (illus. L. Smith). New York: Harper & Row.

      79 Scieszka, J. (1992). The Stinky Cheese Man and Other Fairly Stupid Stories (illus. L. Smith). New York: Viking Penguin.

      80 Sendak, M. (1963). Where the Wild Things Are. New York: Harper & Row.

      81 Sendak, M. (1970). In the Night Kitchen. New York: HarperCollins.

      82 Seuss, D. (1957). The Cat in the Hat. New York: Random House.

      83 Sipe, L.R. and Pantaleo, S. (eds.) (2008). Postmodern Picturebooks: Play, Parody, and Self-Referentiality. New York: Routledge.

      84 Sís, P. (1998). Tibet through the Red Box. New York: Farrar, Straus and Giroux.

      85 Snyder, D. (1988). The Boy of the Three-Year Nap (illus. A. Say). Boston, MA: Houghton Mifflin.

      86 Steig, W. (1990). Shrek. New York: Farrar, Straus and Giroux.

      87 Tydecks, J. (2018). Film versions of picturebooks. In: The Routledge Companion to Picturebooks (ed. B. Kümmerling-Meibauer), 495–504. New York: Routledge.

      88 Van Allsburg, C. (1981). Jumanji. Boston, MA: Houghton Mifflin.

      89 Van Allsburg, C. (1985). The Polar Express. Boston, MA: Houghton Mifflin.

      90 Ward, L. (1973). The Silver Pony. Boston, MA: Houghton Mifflin.

      91 Wiesner, D. (1991). Tuesday. New York: Clarion Books.

      92 Wiesner, D. (2001). The Three Pigs. New York: Clarion Books.

      93 Wiesner, D. (2006). Flotsam. New York: Clarion Books.

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