align="center">
13
Clements, Anime: A History, 39, Daisuke Miyao, “Before Anime: Animation and the Pure Film Movement in pre-war Japan,” Japan Forum 14, 2 (2002): 203–205 and Jasper Sharp, “Pioneers of Japanese Animation at PIFAN,” Midnight Eye (2004). Доступно по ссылке: http://www.midnighteye.com/features/pioneers-of-japanese-animation-atpifan-part-1.
14
Clements and McCarthy, The Anime Encyclopedia, 1704–1705; Seiji Kanō, Nippon no Animation o Kizuita Hitobito (Tokyo: Wakakusa Shobo, 2004), 158–163.
15
Kanō, Nippon no Animation o Kizuita Hitobito, 164–166.
16
McCarthy, Hayao Miyazaki, Master of Japanese Animation, 28–29.
17
Clements, Anime: A History, 97–99 and Jerry Beck, The Animated Movie Guide (Chicago: A Cappella Books, 2005), 190.
18
Beck, The Animated Movie Guide, 10 – мнение Тэдзуки по этому вопросу и Clements, Anime: A History, 112–114 – версия аниматоров Tōei.
19
Schodt, The Astro Boy Essays, 63–72.
20
Clements, Anime: A History, 125–127.
21
Yasuo Ōtsuka, Sakuga Asemamire (Tokyo: Tokuma Shoten, 2001), 112–113.
22
McCarthy, Hayao Miyazaki, Master of Japanese Animation, 29–30.
23
Miyazaki, Starting Point, 195–196.
24
McCarthy, Hayao Miyazaki, Master of Japanese Animation, 30.
25
John Grant, Masters of Animation (New York: Watson-Guptill Publications, 2001), 100–101.
26
McCarthy, Hayao Miyazaki, Master of Japanese Animation, 53–54. Влияние Гримо на творчество Миядзаки будет подробно описано далее в этой и следующих главах.